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<p align="left"><font size="4" face="Arial"><b>War damage to the
cultural heritage in Croatia and Bosnia-Herzegovina presented by
the Committee on Culture and Education</b></font></p>

<p align="left"><font size="3" face="Arial">SECOND INFORMATION
REPORT</font></p>

<p><font size="3" face="Arial"><b>Doc. 6869 </b>revised</font></p>

<p><font size="2" face="Arial">17 July 1993<b> </b></font></p>

<hr size="1">

<blockquote>
    <p><font size="3"><b>Contents</b></font></p>
    <p><font size="3">A.<b> Declaration</b> on former Yugoslavia
    presented by the Chairman of the Committee, Mrs Leni Fischer
    2</font></p>
    <p><font size="3">B.<b> Second information report</b> by Dr
    Colin Kaiser, consultant expert</font></p>
    <p><font size="3">I. Introduction 4</font></p>
    <p><font size="3">II. Types of information available 4</font></p>
    <p><font size="3">III. Continuing war destruction to the
    cultural heritage in Croatia and Bosnia-Herzegovina 5</font></p>
    <p><font size="3">IV. Restoration work 16</font></p>
    <p><font size="3">V. Foreign initiatives 20</font></p>
    <p><font size="3">VI. General conclusions and recommendations
    26</font></p>
    <p><font size="3">C.<b> Letter</b> from the
    Bosnia-Herzegovina authorities 29</font></p>
    <p><font size="3">D.<b> Action</b> by the Steierm�rkisches
    Landesmuseum Joanneum in former Yugoslavia 1991-93, by Dr
    Diether Kramer 30</font></p>
    <p><font size="3">E.<b> Declaration</b> adopted at a
    Conference on the environmental effects of war, Zagreb
    17&nbsp;April 1993 32</font></p>
</blockquote>

<p><font size="3"></font>&nbsp;</p>

<hr size="1">

<p align="left"><font size="3"><strong>A. DECLARATION ON FORMER
YUGOSLAVIA presented by Mrs Leni Fischer and agreed by the
Committee on Culture and Education</strong></font></p>

<blockquote>
    <p><font size="3">Oslo 9 June 1993</font></p>
    <p><font size="3">The situation is disastrous. It applies to
    Croatia, Bosnia-Herzegovina, Serbia- Montenegro (and there
    especially to the Kosovo area). </font></p>
    <p><font size="3">Specific criticism can be directed against
    the involvement of Croatian elements in fighting around
    Mostar.</font></p>
    <p><font size="3">There is very little the Committee can do
    within its field of competence. But what little it can do,
    and however little effect it might have, the Committee should
    maintain <i>and continue to assert publicly </i>its concern
    for the human and cultural dimension of current hostilities.</font></p>
    <p><font size="3">This concern covers the culture in its
    widest sense: the heritage (which is a prime target),
    education, creative cultural activity, sport and the media.
    Recall the children who recently died on a football field in
    Sarajevo.</font></p>
    <p><font size="3">Why insist on the cultural dimension?</font></p>
    <p><font size="3">- to assert the right of peoples and
    individuals to their identity, dignity and quality of life</font></p>
    <p><font size="3">- to refuse to accept religious persecution
    in Europe</font></p>
    <p><font size="3">- to draw attention to the plight of
    children in the areas of hostility and look towards the
    future</font></p>
    <p><font size="3">- to reflect the fact that the heritage is
    a common concern </font></p>
    <p><font size="3">- to support those who are working on the
    spot in the cultural field</font></p>
    <p><font size="3">- to reinforce the shattered remnants of
    whatever administration survives</font></p>
    <p><font size="3">- to support those working inside and
    outside former Yugoslavia for the survival of the idea of a
    pluricultural society</font></p>
    <p><font size="3">- to help artists and research workers both
    inside and outside former Yugoslavia</font></p>
    <p><font size="3">Action should not simply wait on the
    conclusion of the war even if this action proves limited to
    expressions of concern and solidarity.</font></p>
    <p><font size="3">The Committee on Culture and Education
    proposes therefore the following:</font></p>
    <blockquote>
        <blockquote>
            <p><font size="3">(1) To release for public
            information as an Assembly document the second report
            by Dr Kaiser on war damage to the cultural heritage
            in Croatia and B-H.</font></p>
            <p><font size="3">(2) To reply to the invitation of
            the B-H authorities that efforts will continue to
            arrange for a fact-finding mission as soon as it is
            practicable and in concertation with IPU. Contacts
            will be pursued actively at both secretariat and also
            parliamentary levels with the UN and ECMM to this end
            (aiming now at the end of July)</font></p>
            <p><font size="3">(3) To ask the Sub-Committee on the
            Architectural and Artistic Heritage to hold a
            co-ordination meeting on international action for the
            cultural heritage of former Yugoslavia on 28 June
            1993, with a request to Dr Kaiser to prepare such a
            meeting with a further report on more recent
            developments.</font></p>
            <p><font size="3">(4) To pursue contacts in other
            fields (education, media, etc) with a view to a
            possible Assembly debate in the autumn.</font></p>
            <p><font size="3"></font>&nbsp;</p>
        </blockquote>
    </blockquote>
</blockquote>

<hr size="1">

<blockquote>
    <p><font size="3"><strong>B. SECOND INFORMATION REPORT on war
    damage to the cultural heritage in Croatia and
    Bosnia-Herzegovina by Dr Colin Kaiser, consultant expert</strong></font></p>
    <p><font size="3"><b>I. INTRODUCTION</b></font></p>
    <p><font size="3">1. At the request of the Sub-Committee on
    the Architectural and Artistic Heritage of the Parliamentary
    Assembly, the work begun in November-December 1992 was
    continued. </font></p>
    <p><font size="3">2. The first report (Doc. 6756) was widely
    distributed throughout Europe, and some copies were sent to
    the United States. There was some press echo (for example in
    Europe &amp; Libert�, Mus�arts, Al Awaz, Radio-France
    International, Radio-Fr�quence Pluriel in Paris and the
    information bulletin of the World Monuments Fund). The report
    was also made available for the CDCC Cultural Heritage
    Committee meeting on 1 March 1993. The photographs taken by
    Mr. Hatterer were used for an exhibition on &quot;War damage
    in the regions of Dubrovnik and Mostar&quot; in the Council
    of Europe building February-March 1993; they were used by the
    press and were also exhibited in London under the auspices of
    Bosnia-Herzegovina Heritage Rescue UK.</font></p>
    <p><font size="3">3. The work for this second report was
    begun at the end of March 1992 and was carried out mainly in
    Paris. It was supplemented by a brief visit to Dubrovnik at
    the invitation of the International Pen Club and the ARCH
    Foundation (21-23 April 1993), which permitted updating of
    information of the situation there and a meeting with
    architects and art historians from Mostar.</font></p>
    <p><font size="3">4. The purpose of this report is to update
    information on the war destruction to the cultural heritage
    in Croatia and Bosnia-Herzegovina and to identify initiatives
    on behalf of that heritage, especially outside the countries
    of the war zone. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><b>II. TYPES OF INFORMATION AVAILABLE</b></font></p>
    <p><font size="3">5. The report is largely dependent on
    sources of information coming from the war zones, and there
    has been virtually no possibility of verifying them. This
    also signifies dependency on the heritage administrations in
    Croatia, which are overworked and confronted by other
    priorities. Of the three institutes in Bosnia (Sarajevo,
    Mostar and Banja Luka), contact is only possible from Paris
    with Mostar, and even then only through intermediaries by fax
    and not direct telephone.</font></p>
    <p><font size="3">6. A circular letter was sent to all the
    Croatian Institutes for the Protection of Monuments and other
    heritage (April). This was followed up in Dubrovnik in
    meetings between the consultant expert and Dr Meder, the
    Director of the Institute national institute in Zagreb, Mr
    Domijan, Director of the Zadar Institute, and Dr Fiskovic and
    Mr Letunic, directors of the two Dubrovnik institutes.
    Discussions took place in May in Strasbourg with Mr Domljan
    and Mr &#138;krabalo, members of the Croatian Special Guest
    delegation to the Parliamentary Assembly of the Council of
    Europe. However, at the date of writing, no information was
    forthcoming from the Croatian institutes (with the exception
    of a report made available on 1 March on the occasion of the
    CDCC Cultural Heritage Committee and a report from the
    institute at Sibenik). </font></p>
    <p><font size="3">7. Contact has also been made with the
    Bosnian representative in Paris, Mr. Bekto, in order to have
    official information from the Bosnian Government, and with
    the Soros Foundation (Open Society Fund) in Zagreb and
    Sarajevo (which seem to have somewhat better communication
    capacity than the government). Dr. Marian Wenzel,
    Secretary-General of Bosnia-Herzegovina Heritage Rescue UK,
    provided most of the information on Bosnia. </font></p>
    <p><font size="3">8. Another source of information has been
    press dispatches, in the first place those from the Western
    press agencies, and secondly those of the Foreign Press
    Bureau in Zagreb, a Croatian agency. These are to be used
    with great caution (even foreign dispatches resort frequently
    to HINA, the official Croatian press agency), and their
    utility in identifying damaged heritage is very low. At best
    they provide a framework for the identification of threatened
    areas. </font></p>
    <blockquote>
        <blockquote>
            <p><font size="3"><b>III. CONTINUING WAR DESTRUCTION
            TO THE CULTURAL HERITAGE IN CROATIA AND
            BOSNIA-HEREZEGOVINA</b></font></p>
        </blockquote>
    </blockquote>
    <p><font size="3"><b>Croatia</b></font></p>
    <p><font size="3"><i>The Unknown War</i></font></p>
    <p><font size="3">9. At the end of January 1993 the Croatian
    army attempted to re-establish a corridor for land
    communication from Velebit with northern Dalmatia. After this
    attack the front zone along the southern rim of the Krajina
    became a very active war zone. It has been largely ignored by
    the Western media. However, the foreign press dispatches
    received daily from the end of March until the beginning of
    May, confirmed by international agency dispatches and
    journalists, reveal a considerable amount of bombardment and
    counter-bombardment around Gospi_ and especially along a zone
    of some 60 kilometres from Zadar to Sibenik. </font></p>
    <p><font size="3">10. Most of this activity is restricted to
    front zones, and affects dozens of villages, but both Zadar
    and Sibenik themselves have been bombarded with heavy calibre
    artillery (Zadar is 15 kilometres from the front).</font></p>
    <p><font size="3">11. Needless to say, it is very difficult
    for local cultural authorities to know anything about the
    present condition of the villages in the area, and no
    information has been communicated to us on the condition of
    Zadar by the local institutes for the protection of
    monuments, though it is functioning and has excellent fax
    connections. </font></p>
    <p><font size="3"><i>The February Report of the Institute for
    the Protection of Cultural Monuments of the Ministry of
    Culture and Education of Croatia. </i></font></p>
    <p><font size="3">12. The brief updated report of the
    Institute for Protection of Cultural Monuments of the
    Ministry of Culture and Education of Croatia shows a total of
    801 damaged individual monuments (the surveys of April and
    June 1992 included 583 and 683 respectively). Their typology
    is indicated in Table 1:</font></p>
    <p><font size="3">Palaces and mansions: 249</font></p>
    <p><font size="3">Fortresses: 16 (down from 37 in April)</font></p>
    <p><font size="3">Churches: 468</font></p>
    <p><font size="3">Monasteries: 42</font></p>
    <p><font size="3">Public sculpture: 11</font></p>
    <p><font size="3">Tombs and cemeteries: 11</font></p>
    <p><font size="3">Commercial buildings: 4</font></p>
    <p><font size="3">Total: 801</font></p>
    <p><font size="3">13. 63.7% of the monuments hit were
    religious monuments. The text of the report notes that 73 of
    these monuments were destroyed and 167 heavily damaged,
    representing 47% of this kind of damaged heritage - much
    higher than the percentage of 30% indicated in the June 1992
    report. </font></p>
    <p><font size="3">14. The February report notes 350 damaged
    historic sites, adding a new category of complexes of
    historic buildings. Table 2 presents the different types of
    heritage:</font></p>
    <p><font size="3">Memorial sites: 1</font></p>
    <p><font size="3">Historic cities: 48</font></p>
    <p><font size="3">Historic villages: 274</font></p>
    <p><font size="3">Historic building complexes: 17</font></p>
    <p><font size="3">Archaeological sites: 10 </font></p>
    <p><font size="3">Total: 350</font></p>
    <p><font size="3">15. The vast increase is in the village
    categories (187 noted in April 1992), due in part to the
    addition of the villages from the commune of Dubrovnik. Of
    the villages fully 268 are unlisted heritage. </font></p>
    <p><font size="3">16. The February report also adds
    evaluations of degree of damage for individual monuments
    corresponding to the six-level damage evaluation used in
    Croatia. However, this categorisation seems approximate,
    because many buildings have not yet been surveyed according
    to the methodology prescribed - this was the case in the
    Commune and the Old Town of Dubrovnik. Table 3 shows this
    damage evaluation in simplified form:</font></p>
    <p><font size="3">1-3 (minor damage to surface,</font></p>
    <p><font size="3">non-support and support structures): 406</font></p>
    <p><font size="3">4-5 (heavy damage to support structure,</font></p>
    <p><font size="3">partially collapsed building): 107</font></p>
    <p><font size="3">6 (wholly collapsed building): 94</font></p>
    <p><font size="3">no information: 194</font></p>
    <p><font size="3">Total: 801</font></p>
    <p><font size="3">17. It is something of a relief that over
    50% of these major individual buildings (including monastic
    ensembles) show only light damage, and it can be hoped that
    this percentage will rise when more information is available.
    Yet, without leaning towards either a pessimistic or an
    optimistic conclusion, it should be stressed that these
    results are highly provisional, because the methodology has
    not been applied in many places. </font></p>
    <p><font size="3">18. However, these results are somewhat
    confusing. Scrutiny of earlier reports of the Institute for
    Protection of Cultural Monuments brought to light that the
    religious heritage was rather less damaged than other types
    of listed monuments; the new figures imply that the contrary
    is the case. Table 3 shows that 201 buildings are in the
    highest damage categories (4-6), but the report notes that
    240 religious monuments are either destroyed or heavily
    damaged. One may ask how this is arithmetically possible, and
    to what damage categories must the numerous other heavily
    damaged buildings (summer palaces, town houses, etc.) be
    assigned. </font></p>
    <p><font size="3">19. The report of the Institute shows a
    similar six-part breakdown for historic sites, but the
    categorisation is more impressionistic (&quot;place
    destroyed&quot;, &quot;place burnt down&quot;, &quot;place
    partly destroyed&quot;, &quot;place damaged&quot;,
    &quot;minor damage on historic entities&quot;, &quot;minor
    structural damage on historic entities&quot;, &quot;no
    information available&quot;). The first two categories
    account for 83 places (23.7%), the second two for 237
    (67.7%), the third pair for 15 (4%) and the &quot;no
    information&quot; for 15 (4%). The utility of this breakdown
    is in showing that when there is damage to a historic town or
    village it is likely to be considerable. </font></p>
    <p><font size="3">20. The report updates damage to museums
    and galleries (42), stressing that the fate of collections in
    the occupied areas (15) is still unknown. It notes that 9
    archive buildings and depots have been damaged and 209
    libraries, stressing the total loss of the libraries of
    Vinkovci, the Franciscan monastery of Hrvatski Cunti_ and the
    Inter-University Centre of Dubrovnik. </font></p>
    <p><font size="3">21. It goes without saying that this
    information remains incomplete, since access to the Krajina
    and Slavonia is not permitted to the Croatian cultural
    authorities.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>War Damage to Sibenik and Skradin</i></font></p>
    <p><font size="3">22. The Institute for the Protection of
    Historic Monuments, in a brief report (4 May 1993), notes
    that in 1993 Sibenik has been shelled in March (2, 10, 12,
    19, 22, 23, 24) and April (14, 15, 19, 23). There have been
    relatively few impacts in the old town itself (6). Listed
    heritage that has been hit in the old and new towns are the
    Church of St. Laurence (light damage to building structure)
    and three buildings of the Hospital (serious damage to
    building structure). Eight &quot;apartment houses&quot; of
    heritage value have also been hit (three destroyed, three
    with serious damage and two with light damage to building
    structure). </font></p>
    <p><font size="3">23. A variety of artillery calibres seems
    to have been used, and according to the map submitted by the
    Institute most of the city east and south of the old town has
    been hit by Orkan missiles (which contain cluster bombs, thus
    explaining the large surface area touched). These do little
    damage to buildings; they are above all an anti-personnel
    weapon of considerable psychological impact.</font></p>
    <p><font size="3">24. In Skradin the Institute also notes
    serious damage to the building structure of the listed Church
    of St. Spiridon and the parsonage, and lesser damage to the
    Church of St. Mary, also listed heritage. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>The Commune of Dubrovnik</i></font></p>
    <p><font size="3">25. There is continuous random artillery
    fire from Serbian positions north of the Trebisnjica River in
    southern Bosnia-Herzegovina on the commune of Dubrovnik,
    notably in Konavle to the east. However, according to the
    members of the Dubrovnik institutes there seems to have been
    little damage.</font></p>
    <p><font size="3">26. On 23 March 12 to 16 130 mm shells were
    fired on the city district of Lapad and the adjoining port
    zones without damaging heritage buildings (the consultant
    expert did not visit these zones). </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>Psychological Reactions on the Part of
    the Inhabitants of the Commune of Dubrovnik and other
    problems having a impact on the Cultural Heritage</i></font></p>
    <p><font size="3">27. During the brief stay in Dubrovnik, a
    number of reactions were indicated by local architects. Some
    inhabitants - especially elderly people - are very passive
    about questions of repairs, even minor repairs, which means
    that in some cases unnecessary deterioration has set in. In
    many cases the inhabitants - even though the funds are not
    yet forthcoming -are determined to build new houses on their
    property and leave the ruins standing in the perspective of
    rebuilding the old houses in the indefinite future. Some
    inhabitants think also that it is best never to repair the
    ruins, but leave them standing as a kind of memorial. In
    other words it seems that there is a sort of collective
    depression on the part of the people, one of whose
    characteristics is an attachment to the signs of their
    suffering. </font></p>
    <p><font size="3">28. Another problem that is arising is that
    some local engineers are recommending the implementation of
    strict seismic norms (concrete reinforcement) in the case of
    rebuilding, which will completely alter the traditional
    buildings. There are also cases of their hastily recommending
    that buildings be pulled down. </font></p>
    <p><font size="3">29. The priest's house in _ilipi, a lesser
    stone building but nevertheless part of the historic centre,
    has been pulled down on the initiative of the priest. This
    information could not however be verified. </font></p>
    <p><font size="3"><i>For restoration initiatives in the
    Dubrovnik area see below </i></font></p>
    <p><font size="3"><b>Bosnia-Herzegovina</b></font></p>
    <p><font size="3"><i>The War Continues</i></font></p>
    <p><font size="3">30. The war has in no way abated over the
    past few months, and reached new intensity notably in the
    eastern parts of the country (_erska, Konjevi_-Polje,
    Srbrenica, Goradze, Zepa, Gradaca_), in combats opposing
    Serbian and Bosnian troops, and in fighting in central Bosnia
    between the HVO and Bosnian troops. Alongside bombardments of
    towns there are bombardments of villages, as Serbian and to a
    lesser extent HVO units carry out operations designed to
    evict rural populations. The Croatian press agencies also
    accuse Bosnian units of these practices in the Konjic region.
    </font></p>
    <p><font size="3">31. Accordingly the dearth of information
    to which attention was called in the preceding report (Doc
    6756) is still a critical problem. Inaccurate information is
    being presented abroad (for example, the description of
    damage to Mostar contained in a petition signed by hundreds
    of US academics and printed in the New York Times on 31 March
    1993), which risks being turned against defenders of the
    cultural heritage when the inaccuracy or exaggeration of this
    information is known.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>Lists of the Damaged Cultural Heritage
    and the Situation in Sarajevo</i></font></p>
    <p><font size="3">32. Bosnia Herzegovina Heritage Rescue UK
    has forwarded information received from Sarajevo via Zagreb.
    Its quality is variable, but it is still useful.</font></p>
    <p><font size="3">33. <u>List of the Riyasat of the Islamic
    Community of Bosnia Herzegovina</u>. The Riyasat is the
    supreme body of the Islamic community in the country, and it
    has produced several lists of damaged religious properties
    (12 September, 10 November 1992, 4 February 1993). These
    contain 613 properties throughout Bosnia-Herzegovina (the
    credible list prepared by Bosnia-Herzegovina Heritage Rescue
    used in the previous report (Doc 6756) was more limited
    geographically). Unfortunately, the credibility of the
    Riyasat lists (apart from Sarajevo and towns in the Drina
    valley, see below) is in doubt, if the number of errors and
    exaggerations contained in the entries on Mostar is taken as
    an example. For this reason they are not reproduced here. Yet
    they are of importance as a kind of check-list for further
    inquiry in the field: the problem may lie more in
    exaggeration of the degree of damage rather than in the
    buildings' having been damaged.</font></p>
    <p><font size="3">34. <u>List of the Catholic Archbishopric
    of Bosnia</u>. The Archbishopric has provided a list of
    damaged and occupied church property in Sarajevo and attached
    areas (29 instances of damage or occupation) and the
    decanates of Bugogno (11), Travnik (3), Dervent (15), Usors
    (8), Brcan (8), Dobor (16), Sama_ (7), Zepa_ (3), and Sutjes
    (3). The information is often very detailed as to damage and
    type of artillery used, and the archbishopric admits clearly
    when it does not have information. Only the information
    relating to Sarajevo is presented below.</font></p>
    <p><font size="3">35. <u>Letter from Orthodox Church
    authorities</u>. This letter, dated 29 March 1993 and signed
    by A Pocu, describes damage to Orthodox heritage in Sarajevo.
    It will be considered below.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>War Destruction in Sarajevo</i></font></p>
    <p><font size="3">36. Despite the reservations that may be
    expressed about some of the sources of information, it is
    possible to give an updated, if incomplete, list of damage to
    the heritage of all the communities in central Sarajevo.
    Damage claimed to the numerous mosques in the new districts
    and the suburbs is not included. An asterisk (*) indicates
    supplementary information of importance concerning Ottoman
    monuments mentioned in the December report (Doc 6756). Two
    asterisks (**) are new entries.</font></p>
    <p><font size="3">37. <u>Ottoman and Islamic Heritage</u></font></p>
    <p><font size="3">Virtually all sources note only major
    structures, and there is no information on the traditional
    residential architecture that has survived urban
    redevelopment in the centre of Sarajevo. </font></p>
    <p><font size="3">* The Bey's Mosque (Gazi Husreva-Begova
    dzamija), built in 1530, the largest Moslem sanctuary in
    Europe outside of Turkey: heavily damaged on dome and
    minaret. The tombs of Gazi Husreva Bey and Murat Bey have
    been seriously damaged by impacts.</font></p>
    <p><font size="3">* Mosque of the Sultan (Careva Dzamija),
    built in 1565, had been restored, heavily damaged. The
    monuments in the cemetery were seriously damaged by shelling.
    </font></p>
    <p><font size="3">* The nearby Gazi-Husrev Bey library,
    founded in 1537 and containing an extremely rich collection
    of 4,500 manuscripts, was damaged, and one reliable
    eye-witness report maintains that both were burned. </font></p>
    <p><font size="3">* Ali Pasha Mosque (Ali-pasina dzamija),
    built in 1560, incurred heavy damage, especially to the dome.</font></p>
    <p><font size="3">Bascarisija Mosque (Dzamija Havadze
    Duraka), built in 1550, hit by numerous projectiles.</font></p>
    <p><font size="3">* Koranic School (Kursumlija medresa),
    built in 1537, suffered numerous hits, and was partly burned.
    </font></p>
    <p><font size="3">* Cekrcina Mosque (Cekrcina dzamija)
    (1526), seriously damaged along with surrounding houses.</font></p>
    <p><font size="3">Ferhat Bey Mosque (Ferhat-begova dzamija)
    (1561), seriously damaged.</font></p>
    <p><font size="3">Tabacki Mesjid (Hadzi Osmanov mesdzid)
    (1591), burned out.</font></p>
    <p><font size="3">Cobanija Mosque (Cobanija dzamija) (1562),
    damaged.</font></p>
    <p><font size="3">Dzanica Mosque (Dzamija Dzindo-zade) (17th
    century), damaged by many projectiles.</font></p>
    <p><font size="3">Hadzi Ibrahim Mosque (Dzamija Dajanli Hadzi
    Ibrahima na Gorici) (17th century), seriously damaged.</font></p>
    <p><font size="3">Gazgani Hadzi Ali Mesjid (Mesdzid Gazgani
    Hadzi Alije na Sirokaci) (1561), seriously damaged.</font></p>
    <p><font size="3">Magribija Mosque (Dzamija Sejha Magribije)
    (15th Century), mosque and minaret in state of ruin
    (bombardments of May 1992).</font></p>
    <p><font size="3">** Hadzi Mehmed Mesjid (Ivlakovli Haezi
    Mehmedov mesdzid) (1528-1540), very heavily damaged
    (bombardment of 12 June 1992).</font></p>
    <p><font size="3">** Sinanova Mosque (Ijdidzik Dinanova
    dzamija na Sirokaci) (1562), extremely heavily damaged by
    rocket attack of 19-20 May 1992.</font></p>
    <p><font size="3">Sarac Ali Mosque (Sarac Alijina dzamija na
    Vrbanjusi) (1892-93) was seriously damaged.</font></p>
    <p><font size="3">Seik Faruh Mosque (Sejh Feruhova dzamija)
    (1541) was heavily damaged.</font></p>
    <p><font size="3">Hadzi Ihnan-age Topalovica Mosque (Dzamija
    Hadzi Ihnan-age Topalovica) (1525), very heavily damaged.</font></p>
    <p><font size="3">Sinan Hatun Mosque (Dzamija Sinan Vojvode
    Hatun na Vratnik-Mejdanu) (1552), damaged periodically by
    projectiles.</font></p>
    <p><font size="3">The new mosque of Kobiloj Glavi was totally
    destroyed by tank guns and heavy artillery, and has been
    confirmed by an eye-witness. </font></p>
    <p><font size="3">* The covered market (Brusa Bezistan),
    built in 1551, according to an eye-witness interviewed was
    damaged, but not entirely destroyed. </font></p>
    <p><font size="3">* The Institute for Oriental Studies. If
    the information contained in the special report of the Office
    for Information of the Government of Bosnia-Herzegovina (2
    June 1992) is correct, the destruction of the collection of
    the institute may well be <i>the most serious single cultural
    loss of the war in Bosnia-Herzegovina</i>. The manuscript
    collection contained 5,263 Arabic, Turkish, Persian and
    Bosnian manuscripts (encyclopedias, works of history,
    geography, politics, theology, Islamic philosophy and Sufi
    works, works in natural sciences and mathematics, law,
    dictionaries, collections of poetry by Bosnian and Ottoman
    poets) from the 11th to the beginning of the 20th Century.
    The Archives contained 7,000 documents (16th-19th century)
    comprising the sultans' orders (ferman) and edicts (berat),
    the charts (bujuruldy) of the governors, court and land
    certificates, accounts and financial reports. In addition
    there were 60 series of Bosnian and Herzegovinian judges'
    (kadi) and judges' assistants' (naib) reports. The archives
    of the Vilajet contained 200,000 different documents and
    certificates of land ownership for the entire territory of
    Bosnia-Herzegovina (second half of the 19th century). It may
    be hoped that some of the manuscripts and sultans' documents
    (which were works of art in their own right) exist elsewhere
    as copies or in photo or microfilm reproductions; some of the
    administrative archives may have been copied and deposited in
    Istanbul, but the local archives, of critical importance for
    local social, economic and institutional history of the
    region, are probably a total loss. It should also be
    mentioned that the Institute also contained many photo-copies
    and microfilms of material from other archives, as well as a
    specialised library of 10,000 volumes. </font></p>
    <p><font size="3">38. <u>Heritage from the Austro-Hungarian
    period </u></font></p>
    <p><font size="3">As in Mostar the Austro-Hungarian Empire
    sought to establish a new identity in Sarajevo in the last
    quarter of the 19th century and the beginning of the 20th
    century. From this period there are a number of large
    buildings (administrative, museums, hotels), some of them in
    the &quot;Moorish&quot; style, that have been given special
    attention by the artillery of the Serbian militias since
    April 1992. The fin de si�cle was also characterised by a
    great deal of construction by the Catholic Church, but these
    buildings seem to have suffered less.</font></p>
    <p><font size="3">Cathedral (1889): damage to roof, facades,
    and stained glass windows; most recent damage from a tank gun
    (15 February 1993)</font></p>
    <p><font size="3">St. Cyril and Metoda Church (1896): direct
    hits on dome and wall in March 1993; windows broken; church
    closed</font></p>
    <p><font size="3">Archbishop's Residence (1893): windows
    broken, facade damaged by direct hit, roof of the library
    pierced by direct hit. </font></p>
    <p><font size="3">Queen's Church of Holy Crown (1910, in
    neo-Baroque style): direct impacts on the roof.</font></p>
    <p><font size="3">St. Vinka Church (1910): very heavily
    damaged, especially the roof, three paintings of Gabriel
    Jurkic destroyed, along with organ and most of church
    interior. </font></p>
    <p><font size="3">Church and Seminary of St. Anthony
    (1912-14): direct hits on church and seminary, with the
    second being particularly damaged (7 direct hits)</font></p>
    <p><font size="3">Church of the Christ Child (1890-92):
    completely burned by fires started by shelling. </font></p>
    <p><font size="3">Archbishop's Ordination Building (1895):
    damage to roof, facades and windows from shelling.</font></p>
    <p><font size="3">Townhall (National and Municipal Library):
    built in 1896, this &quot;Moorish&quot; style building is
    both a national and local symbol (seat of the Parliament in
    1910-14, townhall after the First World War, national library
    in 1946. The building was burnt out by the bombardment of
    25-27 August 1992, along with at least part of a collection
    whose content is, curiously enough, a bit hard to evaluate.
    The national library is described as having a collection of
    1.5 (or 3) million volumes, 155,000 manuscripts and rare
    books, and some sources note that it contained the municipal
    archives as well. </font></p>
    <p><font size="3">National Museum of Bosnia-Herzegovina
    (Zemaljski muzej): four pavilions built specifically as a
    museum in 1909-13. According to an earlier report this year
    by Dr. Rizo Sijaric, Director of the Museum, the roofs and
    glass domes of the pavilions have received considerable
    damage, and there is damage of varying degrees to the
    facades, not mention the breaking of most of the 300 double
    windows. The greenhouse was totally destroyed. Many of the
    exhibition showcases and their contents have been damaged,
    and rain water poses another problem. An eye-witness says
    that there has been some damage from fire as well. The
    extensive inventoried material (prehistory, ancient,
    medieval, ethnographic) has been completely saved.</font></p>
    <p><font size="3">Post Office Building: also an Austrian
    building and an important local landmark, it was completely
    burned out by bombardment at the beginning of the war.</font></p>
    <p><font size="3">Hotel Europa: an Austrian building, partly
    burned out</font></p>
    <p><font size="3">Municipal Museum (Muzej Grada Sarajeva): an
    Austrian building in the &quot;Moorish&quot; style, about
    half-burnt out by bombardment. Condition of collection
    unknown. </font></p>
    <p><font size="3">Olympic Games Museum ((Olimpijski Muzej):
    an Austrian building, totally burned out. Condition of
    Collection unknown. </font></p>
    <p><font size="3">39. <u>Orthodox Heritage</u></font></p>
    <p><font size="3">The Old Orthodox Church (Church of the
    Archangels) (16th Century, with Neo-Byzantine bell-tower of
    1908): damage to the roof and windows, mainly during the
    bombardment of 1 March 1993.</font></p>
    <p><font size="3">This damage has been repaired. The Museum
    of the Old Orthodox Church damaged, but apparently not
    seriously, but other parish dependencies were harder hit. </font></p>
    <p><font size="3">Saborna Church: serious damage to the roof,
    windows and stained-glass windows destroyed. </font></p>
    <p><font size="3">New Sarajevo Church: totally burned out.</font></p>
    <p><font size="3">Metropolitanate Building: roof partially
    burned by bombardment and library of 5,000 volumes totally
    burned along with the archives. </font></p>
    <p><font size="3"><i>Conclusion for Sarajevo</i></font></p>
    <p><font size="3">40. It has frequently been said that
    Sarajevo is &quot;less damaged&quot; than Mostar. Given the
    generally mediocre, and even poor quality of the information
    received, it is impossible at the present time to evaluate
    this appreciation. It should be recalled that the information
    on the condition of civil (Austrian) architecture and
    domestic architecture (Austrian and Ottoman) is very scarce.
    It is quite clear that the damage is extensive, and that
    patterns of targeting were similar to those at Mostar, with
    concentration on specific large buildings, sometimes of
    symbolic importance, which includes their contents (as the
    Oriental Institute). </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>Mostar</i></font></p>
    <p><font size="3">41. Mostar was bombarded for a week in
    January (22-27), and again in February, but the shelling was
    scattered and caused little additional damage to historic
    buildings. The recent lack of interest shown in Mostar by the
    Serbian artillery does not mean that the city cannot be hit
    again by long-range guns. However, at the present time a much
    greater danger to the city, its people and its heritage comes
    from the recent fighting between HVO and Bosnian forces (see
    below). </font></p>
    <p><font size="3">42. The situation steadily worsened during
    the first four months of 1993, even before the fighting in
    May. While dangerous buildings were marked as being off
    limits, nothing was done to stabilise damaged buildings. None
    were covered, with the exception of the modern cathedral, and
    their condition noticeably deteriorated: the walls of the
    Sevri-Hadji Hassin mosque were said to be collapsing; cherefa
    stones fell off the Karadoz Mosque and the hole on the
    minaret widened with the falling of other stones; the
    Elementary School, which had already suffered from the rains
    by December 1992, became much worse; the manufactured
    decorative motifs of the Austrian buildings were falling off
    and generally speaking the deterioration of interior walls
    was very noticeable.</font></p>
    <p><font size="3">43. A very serious problem that was arising
    is vandalism, which seems to fall into two different
    categories. </font></p>
    <p><font size="3">44. The first is the removal of useable
    building materials, especially roof tiles, and interior
    fixtures and furniture. For example the central part of the
    roof of the Music School was removed, adding considerably to
    the already serious quite water damage to the building. The
    striking interior decorations and furniture of the Art
    Nouveau Baths building on Musala Square were looted. </font></p>
    <p><font size="3">45. A second type of vandalism may be
    linked to the political and ethnic situation of Herzegovina.
    The Art Nouveau building opposite Lucka bridge was burned by
    unknown parties, as were other Austrian buildings on the Left
    Bank, and at least one Austrian house in the Donja Mahalla on
    the Right Bank. Near the ruins of the New Orthodox Church a
    late Turkish house, which housed the Russian Consulate, was
    also burned. Perhaps the most serious act of vandalism was
    the firing of the Old Orthodox Church at the beginning of
    1993. This fine small stone church, built in 1835 and covered
    with the traditional slab stone roof, had been spared the
    fate of the New Orthodox Church, dynamited by Herzegovinian
    forces in June 1992. </font></p>
    <p><font size="3">46. While most of this destruction took
    place in zones controlled by the Bosnian forces, it would be
    hazardous, <i>without an inquiry carried out on the spot by
    neutral foreign observers</i>, to conclude that they - or
    uncontrolled elements from their forces - were the
    perpetrators.</font></p>
    <p><font size="3">47. However, there were tensions between
    the Mostar Office for Historic Monuments and the Islamic
    Association for the Protection of Islamic monuments, which
    were already visible in December 1992. According to
    architects from the Mostar Office for Historic Monuments, the
    Islamic Association removed the roof of a damaged mesjid in
    the Donja Mahalla district, and intended to replace the
    traditional roof with a concrete one. Informal talks were
    apparently being carried to prevent this from happening. </font></p>
    <p><font size="3">48. This and the possibility of
    politically-motivated vandalism make it all the more
    necessary for some <i>arbitration on the spot by
    representatives of international organisations</i>. Yet the
    difficult situation between the communities, which worsened
    in April and led to the shooting of several persons in the
    streets of Mostar - not to mention the armed clashes between
    Bosnian and Herzegovinian forces in the Konjic area to the
    north of Mostar - make it extremely hard for international
    representatives other than the local UNPROFOR to intervene. </font></p>
    <p><font size="3">49. The situation degenerated sharply on 6
    May, with heavy fighting in Mostar between HVO and Bosnian
    forces. On 9 May artillery was used on the town itself. At
    the moment of writing this fighting continues and there are
    no details on the damage done, though the Croatian dispatches
    mention bombardments and burnings. According to international
    press agencies two Moslem residential districts (the mahallas
    on the right bank?) were emptied of their Moslem inhabitants.
    </font></p>
    <p><font size="3">50. Apart from a brief visit by Francesca
    von Habsburg, Chairman of the ARCH Foundation in April, no
    representative of an international cultural organisation has
    been to Mostar to look at the situation of the cultural
    heritage (with the exception of the mission authorised by the
    Parliamentary Assembly of the Council of Europe in December
    last year (Doc 6756). The condition of the monuments is
    critical and the city is in desperate need of international
    attention and help. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>Banja Luka</i></font></p>
    <p><font size="3">51. According to press reports, echoed by
    local officials themselves, the 16th-century mosques of
    Arnaudija (Dzamija Hasana Defterdara) and Ferhadija
    (Ferhat-pasina Dzamija) were dynamited on 7 May 1993. The
    minaret of the Ferhad mosque survived the explosion, but
    according to the French press was later dynamited, and the
    whole site bulldozed. This mosque was a rare Bosnian example
    of a three-naved mosque; moreover, its enclosure contained
    three outstanding mausoleums of the 16th and 17th centuries.
    Banja Luka is an example of a major Bosnian city occupied by
    the militias whose Moslem population is reported to have
    decreased from 27,000 to 20,000, and it is not unlikely that
    the destruction of these great mosques is part of systematic
    intimidation designed to make other people leave. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>The Towns of the Drina River Valley</i></font></p>
    <p><font size="3">52. Close to Serbia and Montenegro, the
    towns of the Drina Valley were seized early in the war. The
    first information report (Doc 6756) referred to the
    destruction of the mosques of Foca; the Riyasat list notes
    heavy damage from artillery and from burning to the heritage
    of this area, especially in April 1992. Western journalists
    based in Belgrade have from time to time noted the
    destruction of mosques in Foca, Zvornik and Visegrad, without
    identifying the destroyed monuments. Here the Riyasat lists
    would seem generally credible. Similar fears can be expressed
    about the mosques listed by this organisation in the towns of
    Bratunac, Cajnice, Kalesija and Rogatica. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>Southeastern Bosnia-Herzegovina</i></font></p>
    <p><font size="3">53. Neither the military observers of the
    UN (there are 18 based in Dubrovnik) nor the ECMM (who have
    completely transferred operations to Herceg Novi in
    Montenegro) have access to the rear and front-line positions
    of the Croatian and Serbian forces that confront each other
    across the Trebisnjica River. The artillery positions of both
    are often anchored on the villages in this area, which are
    principally Serb. A Croatian liaison officer with the
    international organisations confirmed that there has been a
    very considerable amount of damage to the villages on both
    sides from artillery fire since the reoccupation by Croatian
    forces in May 1992 (and October for the zone north of
    Konavle). </font></p>
    <p><font size="3">54. This same officer noted that forward
    Croatian observation posts witnessed the dynamiting of two
    mosques by Serb forces in Trebinje, incidents that were
    apparently described in the Croatian press, but for which no
    precise date could be given by the officer (but this probably
    occurred in January, when the Moslem population was driven
    from Trebinje).</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p align="center"><font size="3"><b>Conclusions on War
    Destruction in Croatia and Bosnia-Herzegovina</b></font></p>
    <p><font size="3"><u>The Continuing Problem of Information</u></font></p>
    <p><font size="3">55. Despite the inevitable information gap
    that stems from the impossibility of access to certain zones
    and the continuation of the war in the Zadar-Sibenik region,
    the quality of information on the condition of the cultural
    heritage in Croatia could be better than it is. High quality
    information is necessary for the foreign public,
    professionals, administrations and organisations if
    international help for the cultural heritage is to be
    properly organised for Croatia. </font></p>
    <p><font size="3">56. For Bosnia it is difficult to fault the
    less well organised institutes that are responsible for the
    cultural heritage. They must function in terrible conditions
    in Sarajevo and Mostar. It is not known whether the institute
    in Banja Luka even survives. Moreover, their means of contact
    with the outside world are extremely limited.</font></p>
    <p><font size="3">57. There is very little information in
    this report of destruction from reprisals by Bosnian and
    Croatian forces and uncontrolled elements. Only fact-finding
    missions in the field are likely to come across such cases,
    since they are rarely admitted in print. </font></p>
    <p><font size="3">58. In both Croatia and Bosnia-Herzegovina
    the help of the international community for the cultural
    heritage is clearly needed (see conclusions and
    recommendations).</font></p>
    <p><font size="3"><u>The Continuation of war destruction and
    the spread of war-linked destruction</u></font></p>
    <p><font size="3">59. The war continues, even on Croatian
    territory, and the destruction spreads. In
    Bosnia-Herzegovina, even though the information at our
    disposal remains very inadequate, the effects of fighting and
    its aftermath have clearly reached catastrophic proportions
    in the zones occupied by the Serbian militias, especially for
    the Ottoman heritage, where the dynamiting and bull-dozing of
    mosques (and perhaps of the cemeteries that often surround
    these buildings) seem to be common. There is even less
    information on damage to domestic architecture, and the worse
    can be feared here as well. </font></p>
    <p><font size="3">60. To this original destruction can be
    added the effects of neglect of buildings (lack of funding,
    materials and emergency work), vandalism (for recuperation of
    materials), and the psychological attitudes of the
    population.</font></p>
    <p><font size="3"><b>IV. RESTORATION WORK - REGION OF
    DUBROVNIK</b></font></p>
    <p><font size="3">61. The Old Town of Dubrovnik, thanks to
    its fame as a tourist site and Unesco's intervention on its
    behalf, is the only cultural property in the war zones to
    benefit so far from major international attention.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><u>International Initiatives for the Old
    Town</u></font></p>
    <p><font size="3"><i>The Unesco Action Plan</i></font></p>
    <p><font size="3">62. The published Unesco Action Plan was
    presented during the Pen Club meetings in Dubrovnik. The
    Unesco representative informed the participants that Unesco
    had made available $200,000 and the World Heritage Committee
    $50,000.</font></p>
    <p><font size="3">63. The task of Unesco is not to finance
    the operations itself, but to circulate its plan, and to
    coordinate the initiatives that arise. An international
    consultative committee, made up of specialists from several
    European countries, advises on questions of doctrine and on
    the projects proposed. In Dubrovnik itself a working group
    made up of members of the Institute for the Restoration of
    Dubrovnik and the Institute for the Protection of Historic
    Monuments oversees the work directly, in conjunction with the
    Unesco expert. </font></p>
    <p><font size="3"><i>Archeo-Club of Rome</i></font></p>
    <p><font size="3">64. This club has launched a fund-raising
    campaign for the big Onofrio Fountain. See below for
    description of this organisation. This foundation has taken
    over management of the funds collected by Lady
    Beresford-Pierce (see below, Icomos) for a project in the Old
    Town, which will be chosen in the near future. For a
    description of this foundation and its activities, see below.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>The French Committee for Humanitarian
    Aid and the Safeguarding of Dubrovnik</i></font></p>
    <p><font size="3">65. This committee was set up in 1992 on
    the initiative of Mr Baumel, Mayor of Rueil Malmaison (and
    Chairman of the Sub-Committee on the Architectural and
    Artistic Heritage of the Parliamentary Assembly of the
    Council of Europe). </font></p>
    <p><font size="3">66. On the basis of the projects of the
    local specialists the committee intends to finance the
    restoration of the medallion of St. Blaise, the Amerling
    Fountain, the Well of the St. Claire Convent, and the
    Festival Palace, which will include creation of an on-site
    school devoted especially to stonework. The Committee will
    bring a stone mason and a sculptor for the smaller projects,
    and will field a French architect and specialised personnel
    for the Palace project. Once funding is ensured for the
    medallion and the agreement of the Croatian authorities is
    secured work should begin, hopefully this summer.</font></p>
    <p><font size="3"><i>Rebuild Dubrovnik Fund</i></font></p>
    <p><font size="3">67. The American Society of Travel Agents
    and Atlas Ambassador of Dubrovnik (the leading tour operator
    in Croatia) set up the Save Dubrovnik Fund in November 1991.
    It has since been reorganised and renamed the Rebuild
    Dubrovnik Fund. The Fund has launched the &quot;Buy a Tile
    for Dubrovnik&quot; campaign in the United States and hopes
    to raise $10,000,000 over the next five to six years. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><u>Work in progress on the Old Town</u></font></p>
    <p><font size="3"><i>Rebuilding of Roofs</i></font></p>
    <p><font size="3">68. The roof tiles supplied by Unesco were
    said to be almost entirely at the Port of Gruj, only three
    houses having been covered in the Old Town. Inflationary
    costs for labour and wood and the growing poverty of much of
    the population of Dubrovnik make it virtually impossible for
    owners to repair their roofs, even though the tiles
    themselves are free. </font></p>
    <p><font size="3">69. The problem has been recognised
    locally, and the Croatian Bank for Development has been
    studying loan mechanisms: the problem is the lack of funds.
    However, national tendering procedures for tiles, timber
    roofing and stone frames for the doorways on the Stradun will
    shortly be opened. </font></p>
    <p><font size="3"><i>Restoration Work </i></font></p>
    <p><font size="3">70. On the other hand restoration has
    already been carried out on the Old Town, financed mainly by
    Croatian sources (the government, companies, the Croatian
    diaspora): the town bell-tower cupola, the cupola of the
    Franciscan bell-tower, the dome and roof of Od Sigurate
    Convent have all been repaired, and the Unesco Plan notes
    that work is being carried out on the roofing of the Sponza
    Palace, which houses the Archives of Ragusa, with funding
    from the Croatian government, the Soros Foundation (Zagreb)
    and the Croatian diaspora. </font></p>
    <p><font size="3"><i>Restoration Workshop in the Franciscan
    Convent</i></font></p>
    <p><font size="3">71. A local workshop, with four craftsman,
    has been established for restoration of paintings and
    furniture in the Franciscan Convent.</font></p>
    <p><font size="3"><i>Local Initiatives regarding
    infrastructures</i></font></p>
    <p><font size="3">72. Although the question concerns all
    sorts of buildings, it is worth mentioning that the Institute
    for the Restoration of Dubrovnik has identified large stocks
    of infrastructure materials in the former East Germany, and
    hopes to have free access to these. </font></p>
    <p><font size="3"><u>The Rural Zones of the Commune of
    Dubrovnik</u></font></p>
    <p><font size="3"><i>Foreign Initiatives in the Commune</i></font></p>
    <p><font size="3">- ARCH Foundation</font></p>
    <p><font size="3">73. Following several weeks of courses for
    young conservators in Zagreb (November 1992) organised around
    the theme of stabilisation of conditions of the heritage
    (&quot;less is more&quot;) the ARCH Foundation has already
    set up a task force for the documentation of moveable
    cultural properties in Konavle, and intends to create a
    series of specific projects around this activity. It should
    probably have at its disposal a building in Cavdat. </font></p>
    <p><font size="3">- The Institute for Advanced Architectural
    Studies</font></p>
    <p><font size="3">74. The Institute for Advanced
    Architectural Studies of the University of York (UK) has
    demonstrated interest in the revitalisation of Mali Ston,
    whose historic centre was in a state of abandon before the
    war. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>Work being carried out in Rural Zones of
    the Commune </i></font></p>
    <p><font size="3">75. Architects of the Institute for the
    Protection of Historic Monuments informed the consultant that
    they had begun the work of inventorying of registered
    monuments, and the Institute for the Restoration of Dubrovnik
    is undertaking pilot studies (analysis of conditions of
    buildings, social, demographic and economic studies) on four
    villages - Dubravka, Brgat, Osolnjik and Lisac. </font></p>
    <p><font size="3">76. The Franciscan Monastery at Pridvorje
    will, according to local sources of information, be restored
    by a British group, which was not unidentified. </font></p>
    <p><font size="3">77. There has been aid in materials for
    Slano from Germany, Austria and Belgium. A German Land (so
    far unidentified) will be bringing in 15,000 square metres of
    wood. </font></p>
    <p><font size="3">78. It seems that much of this material aid
    (there was no time in April to tour around the commune) has
    come from the European diaspora. </font></p>
    <p><font size="3">79. A project with the Swedish government
    for the installation of pre-fabricated houses in the commune
    fell through, according to Dubrovnik sources of information
    because of the unwillingness to use local labour. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><u>Remarks on the disparity of
    international attention (Old Town of Dubrovnik, Commune of
    Dubrovnik)</u></font></p>
    <p><font size="3">80. It is to Old Dubrovnik's advantage that
    it benefit from international attention, and some of the
    financial aid may eventually come to the rural zones of the
    commune itself. Yet it is ironic that little has been done -
    even by local and national authorities - to draw attention to
    the far worse cultural disaster that took place in the rural
    zones. The effect of distortion is amplified overseas, where
    the descriptions of damage to Old Dubrovnik are abundant, but
    descriptions of the state of the commune rare - with the
    exception of the village of Cilipi, itself linked to the
    tourist economy of the pre-war period. Although Croatian
    conservation professionals are aware of this lack of balance
    - which affects also the chances of the lesser known heritage
    of the north - there seems to be a policy of the political
    authorities to re-establish Dubrovnik as a tourist
    attraction, which means deliberately down-playing the
    unattractive situation of the villages. </font></p>
    <p><font size="3">81. This is most unfortunate, because it
    prevents the problems of the commune from being addressed in
    a global way. The restoration of the Old Town and the
    villages is linked to the economic planning of the region: to
    date the only planning is for the Dubrovnik nucleus, with its
    hotels, and the only option that seems to be taken seriously
    is the return of the tourists. Already fragile before the war
    because of this dependency, the commune risks a kind of
    desertification if town and country planning is not seriously
    taken up, with the help of international organisations and
    foundations (CC-PAT, United Nations programmes for the
    Mediterranean, ARCH - which intends to address this question
    in the Konavle district, etc.). </font></p>
    <p><font size="3"><b></b></font>&nbsp;</p>
    <p><font size="3"><b>V. FOREIGN INITIATIVES</b></font></p>
    <p><font size="3">82. There are a number of initiatives for
    the cultural heritage, mainly for Croatia. </font></p>
    <p><font size="3">83. In the absence of any international
    coordination in the field, there is however a great deal of
    confusion, with the consequences of poorly circulating
    information, of accumulations of material in zones that do
    not require much aid, the sending of inappropriate materials,
    the presentation to international bodies of programmes that
    mix peace-time and war-time restoration. </font></p>
    <p><font size="3">84. To date the only coordinated
    international programme in Croatia is the Unesco Action Plan
    for the Safeguarding of Old Dubrovnik. However, the programme
    of the Austrian museums is taking on the aspects of a major
    bilateral effort.</font></p>
    <p><font size="3">85. The different initiatives are presented
    in the following order: inter-governmental international and
    regional organisations; non-governmental organisations;
    museums; associations and foundations. Meetings and
    exhibitions are listed after organisations. Understandably
    some of these initiatives are combined, but will be dealt
    with under only one heading. The situation of Dubrovnik is a
    special one, and has been treated above.</font></p>
    <p><font size="3">86. The list is far from exhaustive.
    Further information has often been promised but has still to
    materialise. The information available for this report must
    be supplemented subsequently. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><u>International and Inter-governmental
    Organisations</u></font></p>
    <p><font size="3"><i>- Council of Europe</i></font></p>
    <p><font size="3">(a) CDCC Cultural Heritage Committee
    (CC-PAT)</font></p>
    <p><font size="3">Following the decision taken by the
    Cultural Heritage Committee, during its meeting of the 1-2
    March 1993 and after the on-site visit by the Secretariat
    (21-25 April 1993), a Specific Plan for Intervention in
    Croatia is in preparation. The Plan is based on four types of
    complementary activities:</font></p>
    <blockquote>
        <ul>
            <li><font size="3">a polyvalent workshop tackling
                questions concerning legal systems, funding and
                management of heritage;</font></li>
            <li><font size="3">three technical assistance
                missions; the projects concerned by these
                missions will benefit from special financial
                assistance in setting them up;</font></li>
            <li><font size="3">training programmes concerning
                especially the management field;</font></li>
            <li><font size="3">professionnal exhange programmes.</font></li>
        </ul>
    </blockquote>
    <p><font size="3">The implementation of this plan, which
    could span a 3-5 year period, could begin in September 1993.
    The search for a multiplying effect, either by the
    educational nature of the activities or by the experience
    which will be acquired by the local specialists, is the main
    characteristic of this plan.</font></p>
    <p><font size="3">(b) Standing Conference of Local and
    Regional Authorities (CLRAE)</font></p>
    <p><font size="3">In Resolution 241 (1993) the CLRAE decided
    to ask local and regional authorities throughout Europe to
    develop twinnings and co-operation with municipalities in the
    regions and areas affected by the war &quot;particularly in
    respect of programmes for technical assistance and material
    help in the reconstruction and rehabilitation of the damaged
    physical structures and monuments&quot;. In Resolution 251
    (1993) the CLRAE offered its support to the Belgian and Swiss
    initiative &quot;Causes Communes&quot; to set up a number of
    &quot;Local Democracy Embassies&quot;, aimed at building
    confidence between ethnic groups&quot;. This second action
    could have a positive effect regarding the situation of the
    cultural heritage. The towns suggested as the first
    &quot;Local Democracy Embassies&quot; are: Pula, Subotica,
    Skopije, Sarajevo and Tuzla. </font></p>
    <p><font size="3">(c) Parliamentary Assembly [see Doc 6756 ]</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>- Iccrom</i></font></p>
    <p><font size="3">At the beginning of 1993 Iccrom received a
    small number of young Croatian specialists for training
    courses of several months. Iccrom is also planning a large
    coordinated effort with Unesco, the European Community, the
    Council of Europe, Icomos, and other organisations for
    practical intervention on the cultural heritage when the war
    ends. This is in the conceptualisation stage. </font></p>
    <p><font size="3"><i>- Unesco</i></font></p>
    <p><font size="3">Unesco organised, in conjunction with the
    International Council on Monuments and Sites (Icomos) and the
    Dutch government, an initiative for improving the Hague
    Convention (initial meeting held in October 1992). In the
    context of this effort Icomos is addressing specifically the
    problem of &quot;disaster preparedness&quot;, which will take
    the form of the publication of a manual. The Unesco expert on
    the Hague Convention is elaborating recommendations that will
    bear upon the operational aspects of the Convention (soldiers
    with conservation skills in international forces) rather than
    the philosophy of the text itself. These questions will be
    treated in an international meeting in Holland in September
    or October 1993.</font></p>
    <p><font size="3">See also above IV for work in Dubrovnik. </font></p>
    <p><font size="3"><u>Non-Governmental Organisations</u></font></p>
    <p><font size="3"><i>- European Committee on Villages and
    Small Towns (Ecovast) </i></font></p>
    <p><font size="3">Individual members, including Jane Wade,
    John Sell and Angus Fowler, members of the Executive
    Committee, have visited Croatia. The Wade-Sell mission to
    Croatia (11-17 July) was particularly important, in terms of
    fact-finding (mainly in Slavonia) and of advising local
    authorities on planning procedures and appropriate responses
    for war-damage (discouraging destruction of damaged
    buildings, recuperation of tiles, decoration and other
    elements). </font></p>
    <p><font size="3">During this mission a Croatian branch of
    ECOVAST was established. </font></p>
    <p><font size="3"><i>- International Council on Museums
    (Icom)</i></font></p>
    <p><font size="3">Icom is organising an expert mission to
    Croatia to examine the condition of museums, make
    recommendations on the spot and, where possible, implement
    them directly. </font></p>
    <p><font size="3">The Austrian national committee, chaired by
    Dr Waidacher of the Joanneum in Graz, is actively following
    the question (see below).</font></p>
    <p><font size="3"><i>- Icomos</i> (see above)</font></p>
    <p><font size="3">The German national committee of Icomos has
    sought funding for technical missions to Mostar, but to date
    without success.</font></p>
    <p><font size="3">The UK national committee chapter assisted
    Lady Beresford-Pierce, who organised several exhibitions on
    destruction of the Croatian heritage and a fund-raising
    concert for Dubrovnik in London in 1992. </font></p>
    <p><font size="3">A national committee of Icomos has been
    established in Croatia.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><u>Museums</u> </font></p>
    <p><font size="3">Landesmuseum Joanneum (Graz, Austria),
    Kunsthistorisches Museum, Vienna City Museums, Vorarlberg
    Regional Museum (Bregenz)</font></p>
    <p><font size="3">At a meeting in Zagreb (15-16 December
    1991), called on the initiative of ARCH, a commission of
    specialists drawn from the aforementioned museums was set up
    to examine the causes and effects of war destruction in
    Slavonia. This commission's conclusions (deliberate economic
    and cultural destruction by the JNA and auxiliary forces,
    total lack of respect for international and European
    conventions on the cultural heritage) were sent to the
    Council of Europe in February 1993.</font></p>
    <p><font size="3">In connection with this initiative the
    Croatian ministries of Environment, Culture and
    Reconstruction have held discussions with the Austrian
    International Society for Town Planning (Internationale
    Gesellschaft f�r Stadtgestaltung) and in December 1992 an
    interim report of the IGS, by Dr. Reinhard Breit, on the
    replanning of the towns of Pakrac and Lipik, was terminated,
    and sent to the Council of Europe in May.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><u>Associations and Foundations</u> </font></p>
    <p><font size="3"><i>- Belgian Committee for Dubrovnik </i>[information
    requested]</font></p>
    <p><font size="3"><i>- French Committee for Humanitarian Aid
    and the Safeguarding of Dubrovnik (France). </i></font></p>
    <p><font size="3">See above IV. </font></p>
    <p><font size="3"><i>- Archeo-Club of Rome (Italy)</i></font></p>
    <p><font size="3">The Archeo-Club, which has 600 branches
    throughout Italy grouping a wide public, including
    professionals and amateurs, has done much to sensitivise the
    Italian public to war destruction (meetings, benefit
    concerts, brochures). It has developed especially close links
    with the city of Zadar, and the dynamism of the Director of
    the Zadar Institute, Dr Domijan, has been a very significant
    contributing factor in this collaboration. </font></p>
    <p><font size="3"><i>- ARCH Foundation (Switzerland)</i></font></p>
    <p><font size="3">Founded in 1990 and based in Lugano, ARCH
    is dedicated to the protection, preservation and restoration
    of moveable cultural properties in Europe, especially in
    Eastern and Central Europe. In addition to its activities in
    Croatia, it has programmes in Hungary (Serbian Orthodox
    Church at Rackeve) and Russia (conservation aid to the State
    Hermitage Museum). One of its special projects is the
    development of Mobile Conservation Studios. ARCH is one of
    the few organisations to stress the necessity of practical
    intervention in both Croatia and Bosnia-Herzegovina while the
    war continues. </font></p>
    <p><font size="3">See above IV for its work in Dubrovnik.</font></p>
    <p><font size="3"><i>- Bosnia-Herzegovina Heritage Rescue UK</i></font></p>
    <p><font size="3">Until recently this association has been a
    virtually one-person affair (the Secretary-General, Dr Marian
    Wenzel, is a specialist in early mediaeval Bosnian culture).
    Yet it is the only foreign organisation in Europe that has
    been able (and willing) to provide us with information on the
    situation of the cultural heritage in Bosnia-Herzegovina. It
    has had some logistical support from the Courtauld Institute,
    a little financial aid from the Turkish Embassy in the UK and
    financial support from the Cress Foundation (European
    programme of the World Monuments Fund). It has organised
    small exhibitions of photos. </font></p>
    <p><font size="3"><i>- Consortium for Rebuilding Croatia (UK)</i></font></p>
    <p><font size="3">This association, of which Sell, Wade and
    Postins (consultants on building and parks conservation) are
    founding members, was created in 1992 and intends to raise
    funds for reconstruction projects, to be carried out with
    Croatians. The consortium is since said to be planning to
    assist Sarajevo as well. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>- Society for the Protection of Ancient
    Buildings (UK)</i></font></p>
    <p><font size="3">The SPAB has launched a campaign, entitled
    &quot;Operation Tarpaulin&quot; for temporary roofing
    materials, and has prepared a pamphlet entitled &quot;First
    aid repair to war-damaged buildings&quot;. </font></p>
    <p><font size="3"><i>- York Institute for Advanced
    Architectural Studies (University of York, UK).</i></font></p>
    <p><font size="3">The Institute has organised meetings and
    training courses on restoration following war damage. For its
    specific work for Dubrovnik, see above in IV.</font></p>
    <p><font size="3"><i>- Rebuild Dubrovnik Fund (US)</i></font></p>
    <p><font size="3">See above IV. </font></p>
    <p><font size="3"><i>- Getty Grant Programme (US)</i></font></p>
    <p><font size="3">This programme, which functions mainly on
    matched funding, is dependent upon specific projects being
    presented. It has been contacted by Bosnia-Herzegovina
    Heritage Rescue UK, and the consultant expert has transmitted
    applications to the architects of Mostar.</font></p>
    <p><font size="3"><i>- Soros Foundation (Open Society
    Fund)(US)</i></font></p>
    <p><font size="3">The Soros Foundation in the United States,
    created by a wealthy Hungarian, and devoted to development
    activities in Eastern Europe, has branches in both Croatia
    and Bosnia-Herzegovina. Its activities seem so far to have
    concerned more classic humanitarian aid, but it has funded
    some restoration activity in Dubrovnik, and seems willing,
    according to the Bosnia-Herzegovina Heritage Rescue UK, to
    pay more attention to the cultural heritage.</font></p>
    <p><font size="3"><i>- World Monuments Fund (US)</i></font></p>
    <p><font size="3">Based in New York, with an office in Paris,
    this non-profit organisation, which undertakes restoration
    and restoration planning on individual monuments, has
    published articles on damage to cultural heritage in Croatia
    and Bosnia-Herzegovina. It is a serious interlocutor which
    could be able to intervene on specific monuments (or else
    decide on other forms of assistance, such as training) when
    better information is available and the situation clearer. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><u>Other Initiatives</u></font></p>
    <p><font size="3">Every representative or consultant for an
    international organisation in ex-Yugoslavia has come across
    free-lance visitors to the war zones. Some of these represent
    companies, some of them are present only on their own
    account. They are all looking for work in one form or
    another. Some are credible, others not. If the image of
    international organisations has suffered much in this war,
    the image of the civil society of the West has not always
    gained from the presence of these visitors, referred to by
    one British architect as &quot;carpet-baggers&quot;. </font></p>
    <p><font size="3">It is in the interests of all international
    organisations, and in the first place of Unesco and the
    Council of Europe, not to attempt to control directly these
    initiatives but simply to identify them and exchange
    information about them, advise national and local authorities
    about them, and bring the more credible initiatives into a
    coordinated international effort on behalf of Croatia and
    Bosnia-Herzegovina. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><u>Meetings</u></font></p>
    <p><font size="3">- Meeting in Zagreb, 15-16 December 1991
    (see above under Landesmuseum Joanneum)</font></p>
    <p><font size="3">- &quot;Saving Croatia's Artistic and
    Architectural Heritage&quot;, held by the Centre for
    Conservation and the Post-War Development Unit of the
    Institute of Advanced Architectural Studies, University of
    York (UK) on 9 May 1992. </font></p>
    <p><font size="3">(Also see above IV, under Dubrovnik).</font></p>
    <p><font size="3">- Meetings on the Hague Convention (see
    above, Unesco).</font></p>
    <p><font size="3">- International Conference on the
    Environmental Effects of War (organised by the Government of
    Croatia, Zagreb, 13-17 April 1993): the participants of the
    session on cultural heritage made a declaration that repeats
    many of the points made in the consultant's earlier report
    (necessity of ECMM providing transport for visits of
    international experts, improvement of information,
    intervention of organisations, international, regional,
    national and local for repairs and advice for reconstruction
    and repair work), but also asking for review of the
    conventions on the cultural heritage in order to make them
    more operative in time of war, and calling upon the Council
    of Europe to coordinate international action and the Croatian
    government to set up national, regional and local
    coordination bodies. </font></p>
    <p><font size="3">- International Conference on Destruction
    of Cultural Monuments (organised by Dr Azra Begic, Chairman
    of the Sarajevo branch of the Soros Foundation, in Sarajevo,
    5-6 May 1993) </font></p>
    <p><font size="3">- International Conference on
    Reconstruction, Restoration, Rebuilding in the Wake of War,
    organised by the International City Forum of Graz (12-16 May
    1993)</font></p>
    <p><font size="3">- Seminar on war damage to works of art,
    planned by the Courtauld Institute (London UK) in June 1993. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><u>Exhibitions</u></font></p>
    <p><font size="3">- Exhibitions in Styria (Austria): Osijek-
    Portrait of a Croatian city (Feldbach, July 1992), Damage to
    the Cultural Heritage of Croatia (Landesmuseum Joanneum,
    July-October 1992), exhibition on Karlovac in Hartberg and
    Pinkafeld (no dates). </font></p>
    <p><font size="3">- Unesco (The Cultural Heritage of Croatia
    on the World Heritage List, October 1992). </font></p>
    <p><font size="3">- Parliamentary Assembly of the Council of
    Europe (Strasbourg): &quot;Dubrovnik in the mirror of
    Guernica&quot; (montage by Mr Tummers, September 1992);
    &quot;War damage to the cultural heritage in the regions of
    Dubrovnik and Mostar&quot; (photographs by Mr Hatterer,
    February-March 1993)</font></p>
    <p><font size="3">- Cultural destruction in Croatia (Graz,
    spring of 1993). </font></p>
    <p><font size="3">- Exhibition on the cultural heritage of
    Bosnia-Herzegovina (prepared by the Islamic Centre, Istanbul,
    second half of May 1993)</font></p>
    <p><font size="3">- &quot;Urbicid&quot;, exhibition on the
    destruction of Mostar organised by the Croatian Defense
    Council (Mostar) and prepared by the Mostar office on
    monuments with the help of the cultural authorities of
    Zagreb. The exhibition, first shown in Zagreb in December
    1992, has since travelled to Maribor, Llubljana, and Vienna
    and is scheduled to be shown in Paris on 24 May-7 June,
    perhaps at Unesco headquarters. It will be sent to Helsinki
    and Chicago. In Paris it will be shown with photos of
    Sarajevo.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><b>VI. GENERAL CONCLUSIONS AND
    RECOMMENDATIONS</b></font></p>
    <p><font size="3">87. Virtually every point in the
    conclusions of the preceding report (Doc 6756) can be
    repeated here: about the catastrophe the war represents for
    the European cultural heritage, the continuing destruction
    (which increasingly affects the Ottoman heritage), the need
    for better information. This means further international
    fact-finding missions in the field, foreign technical
    assistance and assistance in materials, and the need for the
    international peace-keeping forces in former Yugoslavia to be
    aware of the heritage factor, which is to say that they must
    be mandated to protect the cultural heritage from vandalism
    and reprisals, and be able to advise on and organise
    emergency operations for damaged heritage. </font></p>
    <p><font size="3">88. This last point has been repeatedly
    made in the Assembly, and most recently in Mr Baumel's
    introduction to Doc.6756 para 6. It would be interesting to
    know if the request has been formally made by the
    Secretary-General of the Council of Europe to the UN and
    whether there has been any reaction. </font></p>
    <p><font size="3">89. There is a considerable consensus from
    outside Croatia and Bosnia-Herzegovina (ARCH Foundation,
    members of Ecovast, Declaration of the Zagreb conference of
    13-17 April 1993) on the possibilities of action &quot;before
    the war is over&quot; and especially on the necessity of
    international coordination.</font></p>
    <p><font size="3">90. It is not easy for NGOs to act directly
    in the field - this is not normally their role during a war -
    but in the present situation in former Yugoslavia they are
    probably in a better position to react than governments, at
    least in areas where violence has greatly subsided. They have
    financial problems, and it is in facilitating this aspect
    (and transport) that governments and governmental
    organisations (UN and ECMM) can assist. NGOs often have
    national bodies and individual units (commercial firms for
    example) that are ideally placed to make practical
    contributions.</font></p>
    <p><font size="3">91. In particular the international
    organisations must move closer, just as Unesco and the
    Council of Europe have done in the media field by setting up
    a co-ordination centre in Ljubljana. Forward posts should be
    set up in Croatia and Bosnia-Herzegovina that would ensure,
    in cooperation with the national and local authorities, a
    better flow of information on destruction and needs, identify
    foreign initiatives and assist associations and organisations
    seeking to help Croatian and Bosnian authorities. The
    traditional techniques of peacetime cooperation - periodic
    meetings and study tours, training abroad, relatively short
    missions from London, Vienna, Paris or Strasbourg - are in
    themselves woefully inadequate in the present disastrous
    situation and need the sort of forward coordination structure
    suggested.</font></p>
    <p><font size="3">92. This structure should be able easily
    enough to find a viable national partner in Croatia, but in
    the most optimistic hypothesis for Bosnia-Herzegovina - there
    will be three community partners (Moslems, Croats, Serbs) and
    a multitude of institutional interlocutors (a weak national
    government and nine provincial governments corresponding to
    ethnic criteria, and a mixed province of Sarajevo). In other
    words, an international coordination structure for the
    Bosnia-Herzegovinian cultural heritage, may make the
    difference between the survival of this heritage and its
    disappearance in a confused post-war period, which may well
    be characterised by a continuation of &quot;cultural
    cleansing&quot;. </font></p>
    <p><font size="3">93. As the CDCC Cultural Heritage Committee
    (Council of Europe) is to concentrate its attention on
    &quot;post-war restoration&quot; and in the first place in
    Croatia as this country is signatory to the European Cultural
    Convention, and as Unesco continues to concentrate its
    attention on Dubrovnik, the Parliamentary Assembly of the
    Council of Europe must itself continue to take the initiative
    with regard to the heritage in a war situation in general and
    Bosnia-Herzegovina in particular.</font></p>
    <p><font size="3">94. The following recommendations can be
    made concerning Bosnia-Herzegovina. However, most of them
    could also be adapted for the parts of Croatia that are still
    in a war situation:</font></p>
    <p><font size="3">1) that the mandate of the UN peace-keeping
    forces include protection of the cultural heritage from
    vandalism, and the organisation of emergency repairs in
    conjunction with local authorities;</font></p>
    <p><font size="3">2) that a mission be sent to Sarajevo,
    Mostar and Banja Luka to collect information on the situation
    of the cultural heritage and to identify and discuss with
    cultural interlocutors (institutes, government departments)
    immediate needs in materials, technical assistance and
    operational structures; this mission should seek to arbitrate
    debates between the different communities regarding the
    heritage ; </font></p>
    <p><font size="3">3) that this mission be continued into the
    Drina River Valley as soon as possible and also into other
    areas of Bosnia-Herzegovina when they cease to be war zones;</font></p>
    <p><font size="3">4) that the Council of Europe establish an
    international coordination body including Unesco and
    representatives of those associations and NGOs who have
    experience in the war zones; a small forward structure, based
    for example in Sarajevo, but operational throughout the
    country, should be established as soon as possible; </font></p>
    <p><font size="3">5) that the Council of Europe initiate
    discussions with Unesco and other organisations concerned
    with a view to launching an international or European
    campaign for the safeguarding of the cultural heritage of
    Bosnia-Herzegovina as soon as the conditions permit; </font></p>
    <p><font size="3">6) that the Council of Europe and Unesco
    facilitate the access of Bosnia-Herzegovina to all
    conventions and instruments that will assist it to
    reconstruct its cultural heritage.</font></p>
    <p align="center"><font size="3"><b></b></font>&nbsp;</p>
    <p align="center"><font size="3"><b>D. LETTER</b></font></p>
    <p><font size="3">from Azra Begic, Association of
    International Activities and Heritage Rescue</font></p>
    <p><font size="3">Ministry of Foreign Affairs, Sarajevo,
    Bosnia-Herzegovina</font></p>
    <p><font size="3">to Jacques Baumel, Chairman of the
    Sub-Committee on the Architectural and Artistic Heritage,
    Parliamentary Assembly of the Council of Europe</font></p>
    <p><font size="3"><em>We have been interested to receive a
    copy of the Council of Europe Information Report on the
    destruction by war of the cultural heritage in Croatia and
    Bosnia-Herzegovina. We are extremely grateful for the
    attention given to our situation by the Parliamentary
    Assembly.</em></font></p>
    <p><font size="3"><em>There have been no official, cultural
    missions to Sarajevo from the outside world, and the
    condition of the cultural heritage in all senses of the term
    is exceedingly critical here, and gets more critical every
    day, despite all our efforts on its behalf. We desperately
    need this kind of foreign mission because we feel our culture
    has bee abandoned by the world.</em></font></p>
    <p><font size="3"><em>We could do everything possible to us
    to inform this mission of the present situation of our
    cultural heritage, and will make available to them all
    information they may require. We will assure that they meet
    all cultural authorities who now remain in Sarajevo, and that
    they receive all necessary access to cultural monuments. We
    will do everything to assure the security of the mission.</em></font></p>
    <p><font size="3"><em>We request this mission be sent to us
    as soon as is at all possible.</em></font></p>
    <p><font size="3"><em>Sarajevo, 30 May 1993</em></font></p>
</blockquote>

<hr size="1">

<p><font size="3"><b>D. ACTION BY THE STEIERM�RKISCHE
LANDESMUSEUM JOANNEUM</b></font></p>

<blockquote>
    <p><font size="3">(Styrian Provincial Joanneum Museum)</font></p>
    <p><font size="3"><b>in the former Yugoslavia 1991-93</b></font></p>
    <p><font size="3"><i>Qui tacet, consentire videtur</i></font></p>
    <p><font size="3">Dr Diether Kramer</font></p>
    <p><font size="3"><b>The assignment</b></font></p>
    <p><font size="3">In 1991, Austrian museums were asked to
    help with the restoration of war-damaged cultural assets in
    those parts of Croatia that had been particularly hard hit by
    destruction.</font></p>
    <p><font size="3">The Steirm�rkische Landesmuseum Joanneum
    was prepared to respond to this request promptly and has
    since been represented by a delegate on the committee that is
    assessing works of art and cultural assets deliberately
    damaged in Croatia, as well as on the working party of the
    &quot;Planning for restoration in Croatia&quot; of the
    International Society for Town Planning and on the Foundation
    &quot;Art Restoration for Cultural Heritage&quot;.</font></p>
    <p><font size="3">In the course of a series of preliminary
    discussions, as well as consultations lasting several days
    and numerous visits to the war-zone, joint attempts have been
    made to establish the extent of destruction in Croatia,
    especially to its cultural wealth, and analyse it so that
    precise tasks and an appropriate restoration work schedule
    can be drawn up at a future date. </font></p>
    <p><font size="3"><b>Areas of work</b></font></p>
    <p><font size="3">The Rapporteur's activities since 1991 have
    included participation in the following areas:</font></p>
    <p><font size="3">* recording and formulating problems;</font></p>
    <p><font size="3">* gathering and registering background
    material;</font></p>
    <p><font size="3">* documentation in war zones;</font></p>
    <p><font size="3">* investigating the whereabouts of cultural
    works;</font></p>
    <p><font size="3">* analysing the historical development of
    settlements;</font></p>
    <p><font size="3">* information on historical events;</font></p>
    <p><font size="3">* consultations with Croatian officials and
    departments;</font></p>
    <p><font size="3">* drawing up recommendations and plans;</font></p>
    <p><font size="3">* arranging and designing exhibitions;</font></p>
    <p><font size="3">* preparatory work for experts'
    discussions.</font></p>
    <p><font size="3">Efforts were initially centred on the
    regions of Vukovar, Osijek, Pakrac, Novska and Karlovac.
    Investigations were also carried out in many other places in
    Slavonia. Broadly speaking, it is planned to restore or
    rebuild damaged monuments in 590 Croatian towns and villages.
    The historical ensembles in Vukovar, Vinkovci, Petrinja,
    Kostajnica, Otocac and Gospic should, as far as possible, be
    rebuilt. This also applies to the scientific infrastructure
    damaged by the war (institutes, museums and archives).</font></p>
    <p><font size="3">In view of developments, in 1993 contacts
    were also stepped up with Bosnia-Herzegovina, reports on the
    destruction of cultural monuments in Bratunac, Foca, Mostar
    and Zvornik were appraised and preliminary investigations
    carried out.</font></p>
    <p><font size="3"><b>Conclusion and prospects</b></font></p>
    <p><font size="3">Rebuilding and restoring the cultural
    heritage in the affected areas have become tasks that can no
    longer be dealt with at national level. Even with large-scale
    international assistance, they can only be tackled and
    carried out over the course of a lengthy period of time.
    Other factors also have to be taken into account such as the
    vast extent of the damage to cultural monuments, which cannot
    yet be definitively assessed, the possibilities and length of
    the planning stage along with the condition of the
    construction industry and above all the current extremely
    difficult political and economic situation. Consequently, for
    some considerable time to come, it will still be necessary
    and even vital to support by word and deed all measures to
    save and restore Croatia's cultural monuments and encourage
    appropriate initiatives. Assistance in getting to grips with
    the methodology for the necessary planning work is still
    required. As many of the areas ravaged by the war are still
    not accessible, it would appear useful to devise model
    approaches on the basis of examples.</font></p>
    <p><font size="3">They may of course prove to be just as
    relevant for Bosnia-Herzegovina in future.</font></p>
    <p><font size="3"><b>E. DECLARATION</b></font></p>
    <p><font size="3">adopted at a Conference on the
    environmental effects of war</font></p>
    <p><font size="3">Zagreb 17 April 1993</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">A. <u>Recognising</u> that information
    concerning the effect of war on the cultural heritage is
    sufficient as a basis for planning future action we:</font></p>
    <blockquote>
        <blockquote>
            <p><font size="3">1. ask the European Community
            Monitoring Mission to facilitate visits by
            international experts to areas inaccessible to the
            Croatian and Bosnian authorities and further</font></p>
            <p><font size="3">2. ask that a decision to enable
            this is taken at the highest possible level within
            the European Community.</font></p>
        </blockquote>
    </blockquote>
    <p><font size="3"><u>In addition</u> given the feeling that
    the present information being provided by Croatian and
    Bosnian institutions is insufficient in extent and detail to
    allow a full and objective assessment of the cultural
    heritage to be made we:</font></p>
    <blockquote>
        <blockquote>
            <p><font size="3">3. ask those institutions to carry
            out more fieldwork as a matter of urgency.</font></p>
        </blockquote>
    </blockquote>
    <p><font size="3">B. <u>Recognising</u> that international
    conventions concerning the protection of cultural monuments
    and cultural property have not been observed during the
    conflict in the former Yugoslavia we:</font></p>
    <blockquote>
        <blockquote>
            <p><font size="3">1. call upon the Croatian
            authorities to organise a conference in Croatia to
            discuss practical means for enforcing these
            conventions.</font></p>
            <p><font size="3">2. ask the United Nations to
            review, as a matter of urgency, the efficacy of the
            Hague Convention of 1954, the 1977, protocols to the
            1949 Geneva Convention and the 1972 Paris Convention.</font></p>
        </blockquote>
    </blockquote>
    <p><font size="3">C. <u>Realising</u> that in order to
    prevent secondary damage to the environment and to the
    cultural heritage by neglect, planning needs to be begun at
    the earliest possible moment we:</font></p>
    <blockquote>
        <blockquote>
            <p><font size="3">1. call upon the relevant
            international, national, regional and local bodies to
            begin preparations for repair and reconstruction
            immediately, </font></p>
        </blockquote>
    </blockquote>
    <p><font size="3"><u>and realising</u> that this process is
    being hampered by lack of co-ordination and dissipated by
    duplication call upon</font></p>
    <blockquote>
        <blockquote>
            <p><font size="3">2. the Council of Europe as the
            European body most concerned with the protection of
            the environment and the cultural heritage to
            co-ordinate the efforts of the various international
            bodies interested in the preservation of the
            heritage.</font></p>
            <p><font size="3"></font>&nbsp;</p>
            <p><font size="3"></font>&nbsp;</p>
            <p><font size="3">3. the Croatian government to
            determine one body responsible for the co-ordination
            of the national response to war damage and to ensure
            that similar co-ordination is achieved at the
            regional and local level and which involves local
            people and values their contribution.</font></p>
        </blockquote>
    </blockquote>
    <p><font size="3">And further <u>realising</u> that further
    loss through deterioration is a serious possibility and that
    there is a desperate need for shelter we:</font></p>
    <blockquote>
        <blockquote>
            <p><font size="3">4. call upon the relevant
            international, national, regional and local bodies to
            provide immediate practical aid and advice to the
            owners of historic buildings, including the owners of
            traditional rural buildings, to enable repairs to
            begin in a non-destructive way.</font></p>
            <p><font size="3">5. ask the Croatian authorities to
            make a clear assessment from the detailed surveys
            called for above, of the material needs of the
            cultural heritage so that international aid can be
            directed to the main priority areas.</font></p>
            <p><font size="3" face="New Century Schoolbook,NewCenturySchlbk"></font>&nbsp;</p>
        </blockquote>
    </blockquote>
</blockquote>
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