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<p><font size="4" face="Arial"><b>War damage to the cultural
heritage in Croatia and Bosnia-Herzegovina presented by the
Committee on Culture and Education</b></font></p>

<p><font size="3" face="Arial">THIRD INFORMATION REPORT</font></p>

<p><font size="3" face="Arial"><b>Doc. 6904</b></font></p>

<p><font size="2" face="Arial">20 September 1993</font><font size="2"><b> </b></font></p>

<hr size="1">

<p><font size="3"><b>Contents</b></font></p>

<blockquote>
    <blockquote>
        <p><font size="3">A.<b> Update</b> by Dr Colin Kaiser,
        consultant expert 2</font></p>
        <p><font size="3"><strong>B. The situation of the
        cultural heritage in Mostar and Sarajevo by Dr Marian
        Wenzel, Bosnia-Herzegovina Heritage Rescue Foundation,
        consultant expert </strong>11</font></p>
    </blockquote>
</blockquote>

<blockquote>
    <blockquote>
        <p><font size="3">C.<b> Note on war damage in Zadar</b>
        by Dr Marian Wenzel 28</font></p>
        <p><font size="3">D.<b> Brief note on a visit to Sarajevo
        (June 1993)</b> </font></p>
        <p><font size="3">by Mr Roger C Shrimplin, Chairman East
        Europe Committee, Royal Institute of British Architects
        31</font></p>
    </blockquote>
</blockquote>

<blockquote>
    <blockquote>
        <p><font size="3">E.<b> Co-ordination meeting on the
        cultural heritage of former Yugoslavia (Paris, 28 June
        1993)</b> 34</font></p>
    </blockquote>
</blockquote>

<blockquote>
    <blockquote>
        <p><font size="3">F.<b> Concluding note</b> 42</font></p>
    </blockquote>
</blockquote>

<hr size="1">

<blockquote>
    <p><font size="3"><b>A. UPDATE ON WAR DAMAGE TO THE CULTURAL
    HERITAGE IN CROATIA AND BOSNIA-HERZEGOVINA</b></font></p>
    <p><font size="3">by Dr Colin Kaiser, consultant expert</font></p>
    <p><font size="3">(June 1993)</font></p>
    <p align="left"><font size="3"><b>Introduction</b></font></p>
    <p><font size="3">1. At the request of the Committee on
    Education and Culture (8 June, Oslo), fact-finding activities
    were continued by the Sub-Committee on the Architectural and
    Artistic Heritage. The following brief report has been
    prepared for the coordination meeting of international
    organisations called at the request of Mr. Jacques Baumel,
    Chairman of the Sub-Committee on 28 June, in Paris. </font></p>
    <p><font size="3">2. Two notable contacts were made in June -
    one with the Institute for the Protection of Historical and
    Natural Heritage of Sarajevo, the other with Dr. Nikola
    Kovac, Minister of Culture of Bosnia-Herzegovina, who was
    informed by Dr. Kaiser of the activity of the Sub-Committee
    and the next mission, which he is looking forward to
    receiving in Sarajevo.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><b>Croatia</b></font></p>
    <p><font size="3"><u>Continuation of the War</u></font></p>
    <p><font size="3">3. The zones indicated in the second
    report, from Gospic to Sibenik, continue to undergo heavy
    fighting, less in the form of attempts to seize territory
    than as artillery bombardments, mainly on front positions,
    but sometimes on towns (notably Zadar) and villages behind
    the lines. None of the Croatian institutes have forwarded
    information on the condition of the cultural heritage
    previous to or following these bombardments. </font></p>
    <p><font size="3">4. The situation in the occupied zones of
    Croatia continues to be unknown. However the Croatian medias
    claimed that the late medieval Catholic Church of St. Anthony
    at Knin (southern Krajina) was recently destroyed and the
    emplacement turned into a parking lot (similar accusations
    have been made regarding the site of the Aladza mosque in
    Foca in Bosnia-Herzegovina). </font></p>
    <p><font size="3"><u>Restoration Initiatives</u></font></p>
    <p><font size="3">5. Following the previous information
    report further initiatives have come to light: </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><i>Ecole d'Architecture de Nantes (France)</i>
    </font></p>
    <p><font size="3">6. Contacts have been established between a
    group of young architects of Zagreb and the School of
    Architecture of Nantes in view of carrying out an evaluation
    of the destruction of the heritage and housing of the village
    of Nustar in Slavonia and preparing restoration projects. An
    exhibition on Nustar was shown at the School of Architecture
    on 26 May - 3 June.</font></p>
    <p><font size="3"><i>Initiatives in the Commune of Dubrovnik</i></font></p>
    <p><font size="3">7. Generally speaking foreign aid, apart
    from that sent by the Croatian diaspora, is slow in coming,
    and the most noticeable initiatives are those based within
    the country. </font></p>
    <p><font size="3">8. The Zagreb branch of the Soros
    Foundation has provided financial support for documentation
    of the condition of the villages in the Primorje, to be
    carried out in cooperation with the Dubrovnik Institute for
    the Protection of Historic Monuments. This initial aid may be
    followed by aid for building materials. </font></p>
    <p><font size="3">9. Croatian Caritas has brought in building
    materials for the villages. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><b>Bosnia-Herzegovina</b></font></p>
    <p><font size="3"><u>Intensification and Spread of Fighting</u></font></p>
    <p><font size="3">10. War destruction to cultural heritage
    continues, spreading into areas that hitherto have been
    spared. Although the heritage of Croatia is slowly acquiring
    international attention, Bosnia-Herzegovina has not been so
    fortunate. Moreover, good information remains scarce. </font></p>
    <p><font size="3">11. However, Dr. Marian Wenzel, Secretary
    General of Bosnia-Herzegovina Heritage Rescue U.K., and Roger
    Shrimplin, Chairman of the East Europe Committee of the Royal
    Institute of British Architects, carried out the very first
    international mission for cultural heritage to Sarajevo on
    12-18 June. This reports refers to some of the information
    transmitted during their mission, but more should be
    forthcoming in time for the meeting of 28 June. </font></p>
    <p><font size="3"><u>Central Bosnia</u></font></p>
    <p><font size="3">12. Following the Washington Conference,
    the situation in Central Bosnia, from Mostar to Travnik
    exploded: fighting around Konjic, initiated earlier by
    Bosnian forces (BiH), intensified, with the Croatian press
    accusing these forces of burning many villages; around
    Travnik, where fighting in April was confirmed by UNPROFOR to
    have been provoked by the HVO, there was a strong
    counter-offensive by BiH, with Travnik being damaged by the
    artillery of both sides, along with surrounding villages.
    Each side accuses the other of &quot;ethnic cleansing&quot;,
    which relies heavily on burning. It should be pointed out
    that Konjic and especially Travnik are historic towns in
    their own right. </font></p>
    <p><font size="3">13. There is no precise information on the
    damage done to heritage, though the correspondent of Le
    Monde, Yves Heller, confirmed that savage vandalism by BiH
    forces had taken place in the Franciscan monastery at Guca
    Gora and in at least one Catholic church in Travnik (19 June)</font></p>
    <p><font size="3">14. However, there is apparently a group of
    Bosnian architects in Zenica who are collecting information
    on the situation of cultural heritage there. Perhaps the
    projected Sub-Committee mission could attempt to contact
    them. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><u>Herzegovina</u></font></p>
    <p><font size="3">15. Dr. Marian Wenzel was in Mostar on 7-8
    June, but she was unable to see the town centre, which is a
    front zone. According to the staff of the Office for
    Monuments, the university library, stored in the basement of
    a building used by Caritas, was destroyed by fire; moreover,
    the two fine late 19th-century Austrian school buildings
    located on the west bank - the Grammar School had received
    only minor damage to the facade from impacts during the
    fighting from April to June 1992 - were also destroyed by
    fire. These incidents took place during the fighting in May
    between HVO and BiH forces. In other words, the destruction
    of the heritage of Mostar knows no respite. Moreover, it may
    be feared that the &quot;ethnic cleansing&quot; carried out
    in Central Bosnia by BiH forces will provoke a vast
    retaliation in Mostar that will spare neither the traditional
    mahala districts nor the mosques. </font></p>
    <p><font size="3">16. It was reported by Reuters (15 May, on
    the basis of a dispatch from Tanjug, the Yugoslavian press
    agency) that a mosque was destroyed at Ljubu&#154;ki i.e. in
    a zone controlled by HVO forces.</font></p>
    <p><font size="3"><u>Eastern and Northern Bosnia</u></font></p>
    <p><font size="3">17. The Moslem enclaves of Gorazde and
    Srebrenica have been the scene of fierce fighting, with heavy
    bombardment of the former throughout June. Western media
    cited UNPROFOR observors as saying that 44% of the houses in
    the eastern part of Gora_de had been destroyed. Moreover,
    Sarajevo Radio accuses the Serbian militias of destroying
    many villages around both of these towns. </font></p>
    <p><font size="3">18. The town of Maglaj, which boasts one of
    the finest mosques in Bosnia-Herzegovina (Kur&#154;umli
    D_amija - &quot;the lead mosque&quot;), and a town centre
    with 18th-century buildings, came under really serious
    Serbian militia artillery bombardment for the first time
    since the war began.</font></p>
    <p><font size="3">19. Finally, there has been much fighting
    elsewhere (notably around Grada_ac).</font></p>
    <p><font size="3">20. For these areas is virtually no
    information on the situation of cultural heritage. </font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><u>Cultural Cleansing behind the Lines</u></font></p>
    <p><font size="3">21. In the second information report the
    problem of the continuation of cultural cleansing after the
    war was evoked. This situation exists de facto in the zones
    that fell rapidly under the control of the Serbian militias
    in April-May 1992. While a great deal of destruction seems to
    have taken place early in the war, in some places the mosques
    were left alone. </font></p>
    <p><font size="3">22. In Banja Luka, it seems that the most
    of the incidents involving the dynamiting or firing of
    mosques took place in May 1993 (at least four of five).
    However, according to Jean-Baptiste Naudet (Le Monde, 17
    June) there are still 10 mosques standing in Banja Luka of 15
    that the city boasted before the war. In other words, to cry
    &quot;apocalypse&quot; is to treat the remaining 10 mosques
    as already destroyed and to discourage attempts to address
    the question of cultural heritage (see below, Letter from the
    Sarajevo Institute for the Protection of Historical and
    Natural Heritage). If slow ethnic cleansing is turning into
    the norm in occupied zones, the cultural heritage is a prime
    target for nocturnal vandalism that kills nobody but which is
    designed to intimidate the population that has persisted in
    remaining. This makes it all the more imperative to attempt
    to discover exactly what has happened to cultural heritage in
    the zones occupied especially by the Serbian militias and to
    seek to protect what remains. </font></p>
    <p><font size="3">23. Perhaps one ways of heading off such
    destruction (and laying the foundations for cultural
    cooperation in Bosnia-Herzegovina after the war) would be to
    set up exchanges of experts from the different zones. They
    would check the condition of the heritage, and the neutrality
    of their conclusions could be assured by the presence of
    outside observors. This was suggested to Dr. Wenzel in
    Mostar, and perhaps an appeal along these lines could be made
    by the Sub-Committee. </font></p>
    <p><font size="3"><u>Rectification of Damage Reports for
    Sarajevo</u></font></p>
    <p><font size="3">24. In the second information report a list
    of likely damage to heritage was presented. Since then
    information has been received on several cultural
    institutions and one mosque (which has been identified on
    video-cassettes). </font></p>
    <p><font size="3"><i>National and University Library</i></font></p>
    <p><font size="3">25. According to Relief Fund for the
    National and University Library of Sarajevo the fire in the
    library provoked by the Serbian bombardment of 23-24 August
    1992 destroyed the upper repositories - the complete lending
    stock, all the reference publications, the music collection.
    However, the incunabules, the manuscripts, the archives, the
    rare books, the Bosnian collection and much of the
    Bosnia-Herzegovinian periodical collection - not to mention
    some stored volumes from the other lending library - were
    saved. In other words, the damage was fortunately less than
    feared in terms of losses to irreplaceable documents, but
    still very serious (perhaps 600,000 volumes - a figure given
    by Dr. Mustafi_, see below - out of a total of 1,500,000
    library units). </font></p>
    <p><font size="3"><i>Zemalski Musej</i></font></p>
    <p><font size="3">26. Dr. Wenzel reported that the museum
    shows little damage, but that much of the archaeological
    collection remains unprotected, in situ. She recommended that
    the Roman stone monuments and medieval tombstones be swathed
    in plaster and that curtains and plastic for roofing be
    recuperated to make sandbags. </font></p>
    <p><font size="3"><i>Magribija Mosque (15th century)</i></font></p>
    <p><font size="3">27. This mosque was described in the
    Riyasat list as being in a state of ruin, with the minaret
    knocked down. This mosque, with its distinctive wooden porch,
    figures clearly in a video taken probably in the summer of
    1992. The stone minaret was indeed cut, just below roof
    level, but the pinnacle, probably of traditional materials
    and not a heavy concrete restoration, was visible on the
    roof. While the roof tiles had been blown off the wooden
    frame, the frame itself had not collapsed. A second video,
    taken just a few months ago shows the mosque in the same
    state, without any covering on the roof. </font></p>
    <p><font size="3">28. This information on the library and the
    mosque demonstrate that all data coming out of the war zones
    must be treated with circumspection; the second and third
    cases also reveal the enormous material - and probably
    psychological difficulties - that prevent people from being
    able to protect their heritage. Both of these points render
    all the more necessary an international presence and aid. </font></p>
    <p><font size="3"><u></u></font>&nbsp;</p>
    <p><font size="3"><u>Letter from the Institute for the
    Protection of Historical and Natural Heritage (Sarajevo)</u></font></p>
    <p><font size="3">29. For the first time, official contact
    has been made with the cultural heritage authorities of
    Sarajevo. In response to the consultant's letter of 6 April,
    Dr. Sejdalija Mustafi_, Director of the Institute for the
    Protection of Historical and Natural Heritage of Sarajevo,
    sent a letter to Paris on 16 June by fax. This letter
    presents approximate global figures for serious damage down
    to sacred buildings and points out some examples of
    destruction to individual examples of heritage. Given the
    importance of the cultural authority this letter must receive
    careful consideration. </font></p>
    <p><font size="3">30. For sacred Islamic heritage it claims
    that in Bosnia-Herzegovina 900 mosques have been destroyed,
    another 550 heavily damaged, and that 100 of the destroyed
    mosques represent &quot;the most valuable cultural
    monuments&quot; - these include 20 mosques dating from the
    16th century. </font></p>
    <p><font size="3">31. It is impossible to evaluate these
    global figures, except to note that they are far higher than
    the number of 613 Islamic properties (including mektebs,
    madrasas, etc.) contained in the lists of the Riyasat (dated
    September 1992 to February 1993, referred to in the previous
    report), and the information in the Riyasat lists was
    frequently exaggerated. </font></p>
    <p><font size="3">32. Moreover, it is interesting to compare
    the figure of 1,450 mosques destroyed or heavily damaged with
    the total number of 801 registered monuments damaged in
    Croatia, which includes monuments receiving only minor
    damage. If the figures are accurate, the damage done to the
    sacred heritage of the Ottoman period would far exceed the
    destruction carried out in both world wars in
    Bosnia-Herzegovina. Indeed, it would represent close to the
    total annihilation of that heritage in occupied zones. </font></p>
    <p><font size="3">33. The letter also notes that about 100
    Catholic churches, monasteries and other Catholic properties
    have been destroyed, and &quot;about the same
    number...seriously damaged&quot;. The Archbishopric of
    Bosnia, in its list of March 1993, indicated 103 properties
    for which there was damage of varying level, but this list
    also included properties for which there was no information
    (5). According to a French journalist who has been to Banja
    Luka on two occasions (Jean-Baptiste Naudet), the
    Archbishopric of Banja Luka reported that 26 churches had
    been destroyed and another 32 damaged to some degree in zones
    outside of the fronts, not top mention presbyteries and other
    ecclesiastical properties. If the two lists are added
    together - and they do not include Catholic properties in
    Herzegovina and Southeast Bosnia - they represent a total of
    156 buildings and complexes for which there are varying
    degrees of damage. They do not provide, in fact, any standard
    of comparison for the figures of the Institute of Sarajevo.
    Furthermore neither the Institute's figures nor those of the
    two archbishoprics have been verified by outsiders. </font></p>
    <p><font size="3">34. The letter advances no figures for
    Orthodox properties, except to note that &quot;several very
    valuable sacral installations...are also destroyed&quot;. </font></p>
    <p><font size="3">35. The letter draws attention to
    destruction (or serious damage) to pilgrimage churches and
    other holy sites, to archaeological sites, to the cultural
    institutions of Sarajevo. If the information on Sarajevo
    seems largely correct, it is not at all certain that
    archaeological site of Mogorjelo was damaged: in December
    1992 the architects and archaeologists of Mostar did not show
    it to the consultant, affirming that it had not suffered
    harm. </font></p>
    <p><font size="3">36. Finally, the letter notes the
    &quot;systematic and planned destruction of old city urban
    units mostly inhabited by Bosnian Muslims (average
    90%)&quot;, and cites a number of towns and cities that have
    undergone serious bombardment, but it also refers to Blagaj,
    which at least in December 1992, had not received much
    damage. It is not entirely clear if the &quot;90%&quot;
    refers to the urban population that is Muslim, or to the
    destruction. Percentages this high were frequently bandied
    about for Mostar (for the period before December 1992), and
    they were nonsense and counter-productive. Moreover, it is
    not just Muslim districts that are bombarded. Apart from
    these questions and reservations there can be no doubt that
    old urban centres are often targetted. </font></p>
    <p><font size="3">37. The letter from Dr. Mustafi_ is
    exceedingly alarming: inasmuch as the Muslim heritage is
    concerned, the word &quot;catastrophe&quot; that seemed
    appropriate in the earlier information reports, is being
    challenged by &quot;apocalypse&quot;. It is easy to criticize
    a letter whose basic intention was to establish contact with
    the Sub-Committee and not to provide information. Without
    endorsing what Dr. Mustafi_ has written, it is serious enough
    - notably following the earlier information reports - to
    underscore the necessity of strengthening the interest of the
    international community and its representatives on the spot
    in the situation of the cultural heritage in
    Bosnia-Herzegovina. Exaggerated evaluations by locals of
    destruction will be branded as propaganda (when they are
    often a reflection of despair and astonishment in the face of
    destruction) and they can backfire on those who propose them
    and hinder the work of those organisations who attempt to
    intervene on behalf of this heritage. If an apocalypse has
    taken place, only an international organisation will be
    believed by the international community. </font></p>
    <p><font size="3"><u>Restoration of the Cultural Heritage of
    Bosnia-Herzegovina</u></font></p>
    <p><font size="3"><i>Fund for the Restoration of National and
    University Libraries in Bosnia and Herzegovina </i></font></p>
    <p><font size="3">38. In November 1992 at the meeting of
    members of the Citizen's Helsinki Assembly it was decided to
    launch a project for the reconstruction of the National and
    University Libraries of Sarajevo. The appeal sent by the
    international secretariat stressed that &quot;we must not
    wait for &quot;better times&quot; or for &quot;more
    appropriate conditions&quot;, and that &quot;in launching
    projects for reconstruction - despite continuation of the war
    and destruction we cancel the effects of the
    destruction&quot;. </font></p>
    <p><font size="3">39. The project called for utilisation of
    the network of the International Pen Club, sponsorship by
    intellectuals, distribution and publication of petitions in
    prestigious periodicals and other techniques to sensitize
    intellectuals everywhere, providing of facilities by great
    libraries to receive and stock books for the future
    reconstructed library, contacting a wide variety of
    publishers, libraries, academies, the churches to
    reconstitute the book fund, asking for equipment and system
    donations from the major manufacturers of computers.
    Sub-projects include creation of Archives on the War and a
    related data-base, and the donations by artists of works for
    a museum of modern art that will be part of the library
    complex (sub-project Guernica). </font></p>
    <p><font size="3">40. Following launching of the project a
    Disaster Relief Fund was established at the Institute for
    Information Science in Maribor Slovenia, which is now the
    institutional base for the project. Coordinators have been
    designated in Copenhagen, Sienna and Malta. </font></p>
    <p><font size="3">41. The scope of this project has steadily
    widened to include the Oriental Institute and all national
    and university libraries having suffered war damage (15
    June). An international committee for the foundation will be
    designated by Unesco, and the International Federation of
    Library Associations and Institutions will be closely
    associated. </font></p>
    <p><font size="3">42. To date, along with the Unesco Action
    Plan for the Old Town of Dubrovnik this is the most ambitious
    international reconstruction/restoration project in the
    cultural field in the countries directly involved in the war.
    It is easy to point out the difficulties inherent in such
    large undertakings, but what must not be forgotten is their
    capacity to mobilize attention and stimulate other efforts,
    especially by breaking down the tenacious prejudice that
    nothing can be done until the war ends. </font></p>
    <p align="center"><font size="3"><b>Conclusion</b></font></p>
    <p><font size="3">43. This report adds nothing to the
    conclusions and recommendations of the previous reports: the
    situation today for Bosnia-Herzegovina and much of Croatia is
    worse than it was six months ago, and the same conclusions
    and recommendations can be made. What may be stressed, rather
    than added, is the astonishing lack of will on the part of
    the international community with respect to the defence of
    the cultural heritage of Croatia and Bosnia-Herzegovina or
    even to imagining what its future could be when the fighting
    stops. </font></p>
    <p><font size="3">44. This will could be expressed in the
    launching of a campaign for either or both of the countries
    grievously scarred by the war, or even of campaigns on the
    model of those noted above for the mosques of
    Bosnia-Herzegovina or for the historic districts of Mostar
    -many times worse damaged by the ongoing war than Old
    Dubrovnik, and although perhaps not of equal value for world
    architectural heritage, certainly of far greater value in
    human terms as a symbol of the cohabitation of different
    communities. Either would be severely criticized as leaving
    to one side this or that type of cultural heritage, but such
    criticisms might serve to stimulate other efforts. At the
    present time the international community seems to be falling
    back on routine notions of international cultural cooperation
    without being able to come to grips with the size and
    significance of the disaster that continues to spread. </font></p>
    <p><font size="3"><b>Appendix</b></font></p>
    <p><font size="3"><b>Letter to Dr Kaiser from Dr Sejdalija
    Mustafi_, Director of the Institute for the protection of the
    cultural-historical and natural heritage of Bosnia and
    Herzegovina, Sarajevo (June 1993)</b></font></p>
    <p><font size="3">........</font></p>
    <p><font size="3">We are writing to you on the basis of your
    letter sent to Mrs Azra Begic on 6 April, in which you asked
    for information about destruction of cultural heritage in
    Bosnia and Herzegovina. We would like to inform you that the
    Institute for the protection of the cultural-historical and
    natural heritage of Bosnia and Herzegovina, established in
    1945, is the official institution for the protection of the
    cultural and natural heritage. Our Institute regularly
    informed Unesco and other international organisations dealing
    with the problem of destroying and ruining cultural heritage
    in B&amp;H from the beginning of the aggression in April
    1992, on the basis of data collected in the last year.
    However, we have not received any answer up to now. Maybe,
    there are some problems of communication blockade, but in any
    case our Institute can be in touch through the Government or
    its Ministries.</font></p>
    <p><font size="3">We are glad to know you would like to be
    informed on destruction of cultural heritage in order to
    undertake some initiative. We seize the opportunity to inform
    you in brief, for the first time, about the very difficult
    condition of the heritage of the Bosnian-Herzegovinian
    population, especially of the Moslems:</font></p>
    <p><font size="3">1) Destroyed or heavily ruined are
    spiritual holy places of the Catholic religion (Church of St
    Ivo in Podmila_je near Jajce, Mother of Jesus holy places in
    Komu&#154;ina and Olovo), Moslem religion (Ajvatovica near
    Prusac), Orthodox religion (monastery in _itomisli_i near
    Mostar), Jewish religion (grave and Havra Mo&#154;e Danona).</font></p>
    <p><font size="3">2) Many archaeological localities are
    damages (Mogorjelo, Visi_i, O&#154;ani_i), and specially many
    necropolis with tombstones (Radimlja, Boljuni, Bivolje Brdo).</font></p>
    <p><font size="3">3) Numerous sacral buildings are totally
    destroyed or heavily damaged. 900 mosques are completely
    destroyed (550 seriously ruined) from which about 100
    represent the most valuable cultural monuments (about 20
    mosques dated to the 16th century). About 100 churches,
    monasteries and other buildings belonging to the Catholic
    Church (almost the same number is seriously damaged). Several
    very valuable sacral installations of the Orthodox Church are
    also destroyed.</font></p>
    <p><font size="3">4) Several cultural institutions are
    completely destroyed. The National Library is completely
    burnt (600,000 books), the Oriental Institute (about 30,000
    manuscripts from the 16th and 17th centuries), the Olympic
    Museum and other institutions. The Worldly Museum
    (established 1888), the City Museum of Sarajevo (established
    in 1945), the Archive of Sarajevo City, the Art Gallery and
    some other institutions are seriously damaged.</font></p>
    <p><font size="3">5) The basic characteristic of destroying
    burst of aggressor army is systematic and planned destruction
    of old city urban units mostly inhabited by Bosnian Moslems
    (average 70%), as follows: Grada_ac, Stolac, Tesanj, Prusac,
    Blagaj, Zvornik, Vi&#154;egrad, Fo_a, Biha_, Maglaj. The Old
    City of Mostar and Sarajevo are especially heavily damaged.</font></p>
    <p><font size="3">We have mentioned just in brief how much
    cultural heritage is destroyed or damaged, being even further
    destroyed on the day we send you this fax. That is why, we
    would like to ask you to let us know what kind of information
    you are interested in, so that we can send you documented and
    more explained information to be at your disposal for the
    purposes you need.</font></p>
    <p><font size="3">For the beginning of our co-operation, we
    would like to suggest:</font></p>
    <p><font size="3">1) We think it would be very useful if you
    and the delegation of the Council of Europe visit B&amp;H, in
    fact Sarajevo and some other places possible to visit, to
    assure yourself on the spot about the catastrophic
    destruction of cultural heritage of B&amp;H, as a part of
    Europe's heritage.</font></p>
    <p><font size="3">2) Please, let us suggest what kind of
    initiative to start in order to make the Council of Europe
    discuss the subject of destruction of B&amp;H cultural
    heritage.</font></p>
    <p><font size="3">3) We think it is necessary to discuss the
    question of the influence and coordination of the Council of
    Europe, Unesco and other international organisation dealing
    with the cultural heritage.</font></p>
    <p><font size="3">4) We are ready to send you all wider and
    documented information from the localities we have
    information about.</font></p>
    <p><font size="3">5) For further contacts our address is
    Njego&#154;eva 8/III, 71000 Sarajevo, PB 650; telephone (071)
    663 299; telefax (071) 144 63 27 through the Ministry of
    Foreign Affairs.</font></p>
    <p><font size="3">Expecting to continue our contacts</font></p>
    <p><font size="3">..............</font></p>
    <p><font size="3"></font>&nbsp;</p>
</blockquote>

<p><font size="3"><b>B. THE SITUATION OF THE CULTURAL HERITAGE IN
MOSTAR AND SARAJEVO</b></font></p>

<blockquote>
    <p><font size="3">by Dr Marian Wenzel</font></p>
    <p><font size="3">Bosnia-Herzegovina Heritage Rescue
    Foundation </font></p>
    <p><font size="3">and consultant expert (London 27 June 1993)</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">The following information was gathered by
    Dr Marian Wenzel, Secretary General, Bosnia-Herzegovina
    Heritage Rescue Foundation (UK), between 3 and 26 June 1993,
    and by Mr Roger Shrimplin, Chairman East Europe Committee,
    Royal Institute of British Architects (RIBA), between 12 and
    19 June 1993.</font></p>
    <p><font size="3">Whilst a limited number of performing
    artists as well as journalists, politicians and aid workers
    have visited Sarajevo, and representatives of various
    cultural organisations concerned with the heritage have
    visited Mostar (such as Dr Colin Kaiser, consultant expert
    for the Parliamentary Assembly of the Council of Europe, and
    Francesca von Habsburg and Dr Eric von Hendriksen of the ARCH
    Foundation), Marian Wenzel and Roger Shrimplin became, by
    means of this trip, <b>the first experts concerned with the
    cultural heritage to visit Sarajevo.</b></font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><b>I. Circumstances of the visits to Mostar
    and Sarajevo</b></font></p>
    <p><font size="3"><b>(a) Patrons of the journey</b></font></p>
    <p><font size="3">Both Marian Wenzel and Roger Shrimplin were
    invited as guests of the Bosnian Government. However, the
    expenses of their visit were shared by a number of bodies,
    not all of them Bosnian.</font></p>
    <p><font size="3">Free movement of both parties was
    facilitated by provision of press cards from the Art
    Newspaper, London and Turin (editor, Anna Somers-Cocks).</font></p>
    <p><font size="3">The ticket for Wenzel and a portion of
    hotel expenses in Split and Medjugorje, which latter town
    served as locale for some meetings with colleagues in Mostar,
    were paid by Mr Mamon Nahas, of the Bosnia-Herzegovina
    Information Centre in London, which functions at present as a
    Bosnian Embassy.</font></p>
    <p><font size="3">In Split, Wenzel was initially guest of the
    Institute for Protection of Historic Monuments, _upa Split
    (director, Dr Jo&#154;ko Belamari_), and subsequently, until
    the arrival of Mr Shrimplin on 12 June, personal guest of Dr
    Nada Ru_i_, Minister of Culture, History and Sport in the
    Government of the town of Split.</font></p>
    <p><font size="3">After the arrival of Mr Shrimplin, a
    contribution towards the hotel expenses of both parties was
    made by the Republic of Bosnia and Herzegovina, Government
    Logistic Centre, Split.</font></p>
    <p><font size="3">In Sarajevo, hotel expenses of Wenzel in
    the Holiday Inn were paid by the Open Society Fund, Soros
    Bosnia, (director: Zdravko Grebo) while the expenses of Roger
    Shrimplin were paid in full by the Bosnian Government at the
    specific request of Bosnian President Alija Izetbegovic
    before his departure to Turkey. It must be said that the
    British Council, which usually covers travel expenses of
    Roger Shrimplin in Eastern Europe, had been informed by the
    British Foreign Service shortly before this visit that they
    were not permitted to pay for any cultural visits to Bosnia.
    Hence, Shrimplin had to pay his air fares, and most other
    expenses incurred outside Sarajevo, from his own pocket.</font></p>
    <p><font size="3">Wenzel has subsequently received a fee from
    the Council of Europe for the preparation of this report.</font></p>
    <p><font size="3"><b>(b) Method of travel</b></font></p>
    <p><font size="3">Entry to and exit from Sarajevo was gained
    by air, on UNHCR food and troop transport carriers. To use
    these, possession of an UNPROFOR validated press car and a
    flak jacket was necessary. Internal transport, to the Post
    and Telegraph (PTT) building within Sarajevo, was provided by
    UNPROFOR and UNICEF armoured carriers. Both Shrimplin and
    Wenzel used occasional taxis: Wenzel crossed &quot;Sniper's
    Alley&quot; (the Boulevard Vojvode Putnik) separating the
    Zemaljski Museum and the Holiday Inn, by taxi, but walked
    from the Museum to the town parallel with &quot;Sniper's
    Alley&quot; on foot, as this was considered more safe.</font></p>
    <p><font size="3">Relevant parts of the town were visited by
    walking from one to the next. The rule of thumb was that,
    when a street crossing allowed a vista of the Trebevi_ hills,
    which was from where snipers operated, you ran. It was felt
    no sniper could get you if you ran. He could get you by
    mistake if you ran, shooting at someone in front of you, but
    that was rare. In some parts of the town big screens had been
    placed alongside walkways to protect pedestrians from the
    view of snipers. Snipers were interested in indicating to
    pedestrians they could in fact shoot them at any time, but
    sometimes chose not to do so. While Wenzel and Shrimplin were
    in Sarajevo, snipers shot dogs, walking the street in company
    with people, and the walls of water-carrying lorries
    providing water to the populace at various points round the
    town.</font></p>
    <p><font size="3">(During the visit to Sarajevo there were
    only short periods lacking bursts of sniper fire and the
    sounds of grenades; on the noon of Friday, June 18 there was
    a short cease-fire which was timed as lasting only 32
    minutes).</font></p>
    <p><font size="3">Entering Mostar was in fact more
    complicated than entering Sarajevo. Fighting was going on in
    the town between 5 and 8 June, when Wenzel wished to visit,
    and although Split-Mostar buses were running on all those
    days, they were avoided. Wenzel joined a select group of
    cultural representatives invited from Split to attend
    celebrations at the town of Siroki Brijeg, Herzegovina,
    celebrating the &quot;martyrdom&quot; of a large number of
    Franciscans from that town at the hands of Partisans at the
    end of the Second World War. The Mostar Department for
    Protection of Historic Monuments meanwhile made contact with
    the Split Institute for Protection of Monuments, and on
    learning Wenzel was at Siroki Brijeg, located her there. The
    Mostar Department found her a place to stay in Medjugorje
    where their members joined her daily for discussions.</font></p>
    <p><font size="3">On 7 June Wenzel was invited into the town
    to see the Institute headquarters, and to meet Sre_ko Vu_ina,
    President of the Cabinet of the Governing Council of Western
    Herzegovina. This individual vowed his devotion to the
    protection of monuments, gave assurances the Mostar bridge
    stood still happily in its place, gave Wenzel two inscribed
    books and the loan of a flak jacket, and paid for the petrol
    for Institute members to drive her back to Split the next
    day. There was a small-arms exchange going on near his office
    and there was no possibility to inspect monuments, though the
    Office provided careful information of recent losses.</font></p>
    <p><font size="3">On the day of June 7 1993, the front line
    of the war was said to be around the Catholic Church which
    Kaiser had visited, about 300-400 metres from the office of
    Srecko Vucina.</font></p>
    <p><font size="3"><b>II. MOSTAR</b></font></p>
    <p><font size="3"><b>(a) Heritage institutions</b></font></p>
    <p><font size="3">The Department for the Protection of
    Monuments is a sub-section of a body called the Public
    Enterprise for the Reconstruction and Development of Mostar
    from which the Department would prefer greater independence.</font></p>
    <p><font size="3">The <b>Public Enterprise for the
    Reconstruction and Development of Mostar</b> was described by
    its Director Borislav Pulji_ as being in toto responsible
    for:</font></p>
    <blockquote>
        <p><font size="3">a) Town infrastructure (utilities)</font></p>
        <p><font size="3">b) Town planning control</font></p>
        <p><font size="3">c) Protection of the environment</font></p>
        <p><font size="3">d) Protection of historic buildings
        (the above-mentioned Department)</font></p>
        <p><font size="3">e) Allotment of town-controlled
        Buildings and residences.</font></p>
    </blockquote>
    <p><font size="3">Personnel of the <b>Mostar Department for
    Protection of Historic Monuments</b>: The Director, Tihomir
    Rozi_ and art historians Ivanka Ribarevi_-Nikoli_ and Tanja
    Mi_evi_, accompanied Wenzel on her visits. These individuals
    were not able to visit the war zone, nor could they visit
    their families and friends on the left bank, held by Bosnian
    (called Moslem) forces attacking the HVO. Several other
    members of the Department had been caught on the left bank,
    but were alive and well, as were the parents of Tanja
    Mi_evi_. Two further members of the Office, said to be
    Moslems, were not caught on the left bank, and are in a
    Department photograph taken by Wenzel. The photographer _iro
    Rai_ was also present.</font></p>
    <p><font size="3"><b>(b) Losses in Mostar and new damage,
    post-dating the publication of the book &quot;Mostar
    Urbicid&quot; and the visit of Dr Colin Kaiser in December,
    1993</b></font></p>
    <p><font size="3">Members of the Department apologised that
    they had been unable to complete the damage listing forms
    given them by Kaiser. They could not move freely to examine
    closely buildings; their typewriters did not function.</font></p>
    <p><font size="3">Some new damage can be seen as a
    continuation of the former situation, aggravated because left
    without aid. The basic facilities of the town, including
    electricity, canalisation and running water, are still in the
    main destroyed. The right bank has water; a number of wells
    and springs on the right bank provide this. The left bank has
    no water; people have to go distances for it. Some
    institutions now do have telephones; it was possible to
    telephone Kaiser in Paris from the Department office.</font></p>
    <p><font size="3">The condition in respect to public
    buildings is not basically changed. They have not received
    what they needed in the way of quick repairs. People did
    repairs to their own houses (this was apparent in all of
    Mostar that was visible; most broken glass had for instance
    been replaced; access to the coast allowed for this kind of
    repair), but no-one repaired the historic public buildings;
    they were awaiting expert attention. By now, rain and
    atmosphere have affected everything.</font></p>
    <p><font size="3">The Department had planned to make some
    repairs to the Museum of Herzegovina, in the old Mesjid by
    the Old Bridge, but now the Museum of Herzegovina is taken
    over by the &quot;Islamska Zajednica&quot; (Islamic Society).
    And in any case, damage to the Museum included damage to its
    collections as a result of theft by occupying Serbs. In the
    early days of the war, a great number of displays
    disappeared, including weapons, a part of the jewellery, and
    the gold coins from the numismatic collection.</font></p>
    <p><font size="3">The <b>archives</b> became very damaged,
    because the atmosphere affected the tracing paper, and it may
    be that very few of the drawings concerning buildings of the
    town may be regarded as saved.</font></p>
    <p><font size="3"><b>Newly Destroyed Monuments</b> have been
    marked on the xerox copies of the photographs taken by
    Kaiser, and on a copy of the map in &quot;Mostar
    Urbicid&quot;.</font></p>
    <p><font size="3">What is mentioned here are only losses
    securely attested by members of the Department for Protection
    of Historic Monuments, Mostar. They are :</font></p>
    <p><font size="3">A.<b> Losses from January to June</b>: in
    the area of Bjelusina, Brankovac and Luka:</font></p>
    <p><font size="3">1. The Old Orthodox Church, destroyed 14-15
    January.</font></p>
    <p><font size="3">2. The &quot;Ruska ambasada&quot; so
    called, a Russian consulate in Austrian times, fired. (1 and
    2 are located each side of the New East Orthodox Church)</font></p>
    <p><font size="3">3. &quot;Kruljeva kuca&quot;, an old house
    in Austrian style on the left bank, Donja Mahala, destroyed
    after Kaiser left.</font></p>
    <p><font size="3">4. An Austrian house on Marshall Tito
    Street</font></p>
    <p><font size="3">5. Austrian house on the Lucki Bridge.</font></p>
    <p><font size="3">B.<b> Losses in May:</b> These losses lie
    west of the earlier historic centre of the town, towards the
    later centre of the town, between the area called
    &quot;Cernica&quot; and the big &quot;Rondo&quot; or
    roundabout to its west. They consist of:</font></p>
    <blockquote>
        <blockquote>
            <p><font size="3">1. Mikacica House: an Art Nouveau
            building, completely burned. There is no photo of it
            in &quot;Mostar Urbicid&quot; or among Kaiser's
            photographs taken in December 1992.</font></p>
            <p><font size="3">2. The University Library. The
            books were moved into the basement, and the upper
            part of the building was used by Caritas. The Caritas
            priest Ivan Vukci_ was imprisoned.</font></p>
        </blockquote>
    </blockquote>
    <blockquote>
        <blockquote>
            <p><font size="3">3. The Third Elementary School.</font></p>
        </blockquote>
    </blockquote>
    <p><font size="3">Although the Department members are quite
    sure of all these losses, they could only visit the
    University Library at the time of recording this material. </font></p>
    <p><font size="3"><b></b></font>&nbsp;</p>
    <p><font size="3"><b>(c) Recent activity of the Mostar
    Department of Historic Monuments Team</b></font></p>
    <p><font size="3">Very little. They said, initially, they had
    a lot of energy. They hardly knew how they managed to bring
    out the &quot;Mostar Urbicid&quot; book. But now everything
    was much harder. Tihomir's wife and baby girl were by the
    sea. Ivanka's husband and daughter were in Zagreb. There was
    shooting all night and it kept them awake; it wore them down
    (Wenzel was told the same about the shooting by the people in
    Zadar).</font></p>
    <p><font size="3">Recently, they had written to the Aga Khan
    foundation; but had received no help.</font></p>
    <p><font size="3"><b>What Mostar wanted told to Sarajevo:</b>
    Mostar wanted Sarajevo told their Department was active -
    they felt themselves to be still active, though being so was
    much harder than before, as they had so many technical
    problems. They had told all international institutions about
    what had happened to them, and sent &quot;Mostar
    Urbicid&quot; to everyone. They had lost all their books by
    fire, and needed books for research. They had hoped to
    receive books in exchange for &quot;Mostar Urbicid&quot;, but
    had not managed to get any. They hoped somehow they could
    make contact with parallel institutes in Sarajevo, and
    exchange material.</font></p>
    <p><font size="3"><b>For what concrete projects did Mostar
    need funds:</b></font></p>
    <blockquote>
        <p><font size="3">(i)<b> They would like to bring out a
        sequel to the &quot;Mostar Urbicid&quot; book which would
        cover new damage, and also include additional types of
        monuments, such as the notable medieval tombstones</b> (<b>stecci</b>).
        Like the other, they imagined a run of around 3000
        copies, amounting to 60,000 printed pages.</font></p>
        <p><font size="3">(ii)<b> They are left with no photo
        laboratory</b>, that of _iro Rai_ having been burnt up.
        Nor have they any photo materials, and their entire
        archive with contact copies of the photos for the whole
        of Herzegovina was burnt up. However, they still have the
        negatives - around 100,000 negatives for Herzegovina,
        packed in boxes by number. <b>They need money to re-print
        all of _iro's photographs</b>. This would save some
        documentation about Herzegovina.</font></p>
        <p><font size="3"><i>Note</i>: in Sarajevo, it was
        ascertained that the entire photo negative collection of
        Gojko Sikimi_, photographer of the Umjetni_ka Galerija
        who did a vast amount of photography of cultural heritage
        all over Bosnia, is preserved, He is retired, but is
        arranging that his successor at the Gallery will have the
        right to reprint these photos if needed. He took these
        photos as private investment, unfortunately, and probably
        still sells his prints at a high price. The negatives do,
        however, exist.</font></p>
        <p><font size="3">(iii)<b> They need to buy or obtain
        publications and books</b>. As stated above their compete
        library burnt. They would like anything to do with the
        war situation, particularly anything published in
        Sarajevo.</font></p>
        <p><font size="3">(iv)<b> They need a clearing office
        outside the war zone to which things for them could be
        sent</b>. They would suggest Medjugorje, nearby and
        accessible to post.</font></p>
        <blockquote>
            <p><font size="3"></font>&nbsp;</p>
        </blockquote>
    </blockquote>
    <p><font size="3"><i>Observation:</i> While the team <b>badly</b>
    wanted contact with colleagues in Sarajevo, they believed
    terrible propaganda stories about Moslems and every one of
    them said they expected nothing from Sarajevo which always
    wanted to be the centre of everything. Moslems had a plan to
    push all Croats out of Mostar and had printed an issue of
    &quot;Oslobodjene&quot; in advance (discovered by the HVO)
    saying Bosnian Moslems had &quot;freed&quot; Mostar by doing
    so. People in Sarajevo laughed heartily when told of this
    joke, but Tihomir Rozi_ believed in it fiercely. Sarajevo, in
    turn, felt rather threatened at the idea of a clearing office
    for anything to do with Bosnian culture in Medjugorje.</font></p>
    <p><font size="3"><b>(d) Other losses in Herzegovina</b></font></p>
    <p><font size="3">Medieval graveyards with tombstones
    inspected by _iro Rai_ and still intact: <b>Jezero, Konjic
    region</b> (tombstones moved to a new site after building a
    hydrocentral). <b>Boljuni, Hrasno</b> (these tombstones have
    been overgrown, which aids preservation) <b>Glumina, Hrasno</b>.
    Damaged tombstones: <b>Trebimlja, Popovo Polje</b>, alongside
    a little church, which is now razed to the ground. This would
    tie in with destruction in Konavlje, because that little
    church is halfway between Popovo Polje and the coast. The
    tombstones he maintains were blown up with grenades. Compared
    with the other sites mentioned, there were very few stones at
    Trebimlja with figurative decoration.</font></p>
    <p><font size="3">_iro Rai_ said that the <b>Radimlja
    necropolis in Stolac </b>was still undamaged, but Vlado
    Palameta (formerly of Stolac and now resident in Medjugorje
    and keenly interested in medieval tombstones) disagreed. He
    said everything was all right there, except the late 15th
    century tombstone in the form of a huge cross depicting a man
    with raised enlarged right hand which had the face shot away.</font></p>
    <p><font size="3"><b>III. SARAJEVO</b></font></p>
    <p><font size="3"><b>(a) Cultural and intellectual
    organisations based in Sarajevo</b></font></p>
    <p><font size="3">1. GOVERNMENTAL BODIES (BiH)</font></p>
    <p><font size="3"><b>Ministry of Foreign Affairs</b>:</font></p>
    <p><font size="3">Jasmina Pa&#154;ali_, Minister</font></p>
    <p><font size="3">Hasan Dervi&#154;begovi_, Minister (former
    Ambassador to Kuwait)</font></p>
    <p><font size="3">Husein Panjata, Minister (relations with
    Unesco)</font></p>
    <p><font size="3"><b>Department of Urban Planning</b>:</font></p>
    <p><font size="3">Mustafa Dizdarevi_, Minister for
    architecture, spatial planning, urban reconstruction and
    heritage</font></p>
    <p><font size="3">Amra Had_i Muhamedovi_, Deputy Minister</font></p>
    <p><font size="3">Mustafa Dizdarevi_ is perhaps best known as
    leader in the design and production of housing estates in and
    around Sarajevo before and after the time of the Olympic
    Games, during which period he built over 1000 flats. His
    department is responsible for town planning throughout
    Bosnia-Herzegovina.</font></p>
    <p><font size="3">His comments: it is with difficulty that he
    looks upon this destruction of Bosnia's built heritage.
    Almost 75% of the whole cultural heritage in the country has,
    he feels, been destroyed and there is no doubt that this
    particular destruction of heritage is an aspect of genocide.</font></p>
    <p><font size="3">Sarajevan institutions have been producing
    damage lists since the beginning of Serbian aggression into
    Bosnia, but have great difficulty in accurately assessing
    damage reports because of the lack of information concerning
    occupied territories. Sarajevo wants a special Unesco mission
    to Bosnia - a permanent mission:</font></p>
    <blockquote>
        <blockquote>
            <p><font size="3">(1) to obtain reliable information
            from occupied areas</font></p>
            <p><font size="3">(2) to help save what is remaining,
            particularly in Sarajevo</font></p>
            <p><font size="3">(3) to help Bosnian experts to
            expand their expertise by means of technical advice
            from outside.</font></p>
            <p><font size="3"></font>&nbsp;</p>
        </blockquote>
    </blockquote>
    <p><font size="3">2. SARAJEVO LOCAL GOVERNMENT
    (Skup&#154;tina Grada Sarajevo):</font></p>
    <p><font size="3">Prof Muhamed Kre&#154;evljakovi_, Mayor of
    Sarajevo and President of the Governmental Assembly</font></p>
    <p><font size="3">The Mayor takes a great interest in culture
    and in the fate of monuments. He holds information about the
    secret locations of stored movable heritage.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">3. INSTITUTES FOR MONUMENT PROTECTION</font></p>
    <p><font size="3"><b>Federalni Zavod za za&#154;titu
    spomenika</b> (National institute for the protection of
    historical and natural heritage):</font></p>
    <p><font size="3">Dr Sejdalija Mustafi_, Director</font></p>
    <p><font size="3">Mevlida Serdarevi_, Secretary</font></p>
    <p><font size="3">Ferhad Mulabegovi_, Architect and
    conservationist</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">Visited by Wenzel on 15 June 1993. All
    documentation is safe. A computerised list exists of the
    principal monuments in BiH against which damage can be
    checked (at present the list cannot be printed as there is no
    electricity or printing ink).</font></p>
    <p><font size="3">The Institute is very anxious for news
    about Mostar, since Mostar is within their area of concern.
    They wanted to know the degree to which Mostar's
    documentation for the whole of Herzegovina has been lost,
    since they should be able to replace some of it. They are
    also following the situation concerning monuments destroyed
    in Mostar and Wenzel was able to give them fresh information.</font></p>
    <p><font size="3"><b>Gradski Zavod za za&#154;titu
    kulturno-istorijkog i prirodnog nasledja </b></font></p>
    <p><font size="3"><b>Sarajevo</b> (Town Institute for
    protection of the cultural-historical and natural heritage -
    Sarajevo):</font></p>
    <p><font size="3">D_enane Golo&#154;, Director</font></p>
    <p><font size="3">Sne_ana Mustap_i_, Art historian and
    archaeologist</font></p>
    <p><font size="3">The documentation is safe, but most
    personnel have left. There are in fact very few art
    historians and archaeologists now remaining in non-Serbian
    held Sarajevo; most have left, others reside in Serbian-held
    Grbavica and cannot cross to the Bosnian government side,
    others still in Sarajevo are newly-retired and avoid offering
    assistance.</font></p>
    <p><font size="3">4. ART HISTORICAL AND ARCHAEOLOGICAL
    INSTITUTIONS</font></p>
    <p><font size="3"><b>Umjetni_a Galerija</b> (art gallery):</font></p>
    <p><font size="3">Vefik Had_ismailovi_, Director</font></p>
    <p><font size="3">Azra Begi_, Keeper</font></p>
    <p><font size="3">Nermina Zild_o, Keeper</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">The building has had windows broken but is
    basically in good condition. Works of art (mainly modern) are
    packed and stored in the basement.</font></p>
    <p><font size="3">Among a number of art exhibitions arranged
    by the Gallery during the war period was one entitled
    &quot;Wounded paintings&quot;, consisting of damaged
    paintings and held in a damaged church, and the exhibit of
    works by 20th century Jewish painters.</font></p>
    <p><font size="3"><b>Fine Arts Academy</b>:</font></p>
    <p><font size="3">Dr Muhamed Karamehmedovi_, Professor of
    history of art</font></p>
    <p><font size="3"><b>Zemaljski Muzej</b> (Land Museum):</font></p>
    <p><font size="3">Dr Rizo Sijari_, Director (natural history)</font></p>
    <p><font size="3">Lidija _eravica Feke_a, Archaeologist</font></p>
    <p><font size="3">Esad Vo&#154;kovi_ and Jasminka
    &#138;i&#154;i_, Conservation laboratory</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">The moveable museum objects (including the
    14th century Spanish Jewish Haggadah) have been packed safely
    by Prof Imamovi_ (Sarajevo University) but the Roman stone
    monuments in the courtyard lapidarium and inside remain
    exposed. </font></p>
    <p><font size="3">Seventy members of museum staff have gone.
    The remaining technician did not know what materials to use
    to protect the exposed monuments: Wenzel suggested making
    sandbags with the curtains. Here is additional evidence of
    the need in Sarajevo of foreign technical assistance. There
    has been little general interest in the vast technical
    difficulties faced by the museum. Wenzel was told she was the
    first foreign authority to inquire about the fate of the
    museum since the beginning of the war.</font></p>
    <p><font size="3">5. CULTURAL ASSOCIATIONS (from pre-war
    times)</font></p>
    <p><font size="3"><b>Kulturno Dru&#154;tvo Muslimana:
    Preporod</b> (The Muslim Cultural Society: Rebirth or
    Renaissance):</font></p>
    <p><font size="3">Prof Dr Enes Durakovi_, President</font></p>
    <p><font size="3">Muharun Hasanbegovi_, General Secretary</font></p>
    <p><font size="3">Enes Pelidija, President of the Board of
    Governors</font></p>
    <p><font size="3">Munib Maglajli_, Director of the Institute
    for literature at the Centar za bosansko-muslimanske studije
    (KDM Preporod)</font></p>
    <p><font size="3">Other members: Prof Dr Envar Imamovi_ (art
    historian and archaeologist), Azra Begi_ (art historian),
    Prof Dr Muhamed Nezirovi_ (linguist and Hebrew scholar),
    Alija Isakovi_ (writer and philologist), Muhidin Palesi_</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">Members wished to confirm that although
    Moslems, they felt solidly European and less able to join
    mentally with Islamic lands than say with Austria.</font></p>
    <p><font size="3">One initiative, suggested by the visit of
    Wenzel, is for &quot;Preporod&quot; to mediate between the
    Mostar Institute for Protection of Monuments and the Moslem
    counterparts with whom that Institute is having difficulties.
    The Mostar Moslems had felt responsible for Mostar mosques
    and wished to restore them in their own way, without allowing
    the technically superior Institute any say. The Institute had
    wished to collaborate with the Moslems, but the Moslems would
    not allow this. &quot;Preporod&quot; was in perfect sympathy
    with the Mostar Institute's point of view and felt it would
    have authority over the Mostar Moslem organisations.</font></p>
    <p><font size="3"><b>Hrvatsko Kulturno Dru&#154;tva Napredak</b>
    (The Croatian Cultural Society: Advance):</font></p>
    <p><font size="3">Prof Dr Franjo Topi_, President</font></p>
    <p><font size="3"><b>La Benevolencia</b> located in the
    Jewish Centre <b>Jevrejska op&#154;tina Sarajevo</b>:</font></p>
    <p><font size="3">Jakica Finci, President</font></p>
    <p><font size="3">David Kanihi, Vice-President</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">In 1992 during the war period, this Jewish
    organisation put on the festival of &quot;Sefarad 92&quot;,
    celebrating the 500th anniversary of the expulsion of the
    Jews from Spain, in order to demonstrate that the combined
    Moslem, Croatian and Serbian culture of Sarajevo is founded
    on the golden base of Spanish culture. They see their
    Sarajevan Jewish culture as one of the early links between
    Bosnia and Europe.</font></p>
    <p><font size="3">The 16th century Old Synagogue that houses
    the museum was structurally undamaged in June 1993.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">6. CULTURAL ORGANISATIONS (1992 or more
    recent)</font></p>
    <p><font size="3"><b>Asocijacija za interkulturne aktivnosti
    i spa&#154;avanje nasledje Republike BiH&nbsp;&nbsp;-AIASN</b>
    (The Association for intercultural activities and rescue of
    the heritage of the Republic of Bosnia and Herzegovina):</font></p>
    <p><font size="3">Mevlida Serdarevi_, President</font></p>
    <p><font size="3">Edina Vlasi_, Secretary</font></p>
    <p><font size="3">Founder members: Azra Begi_, Sne_ana
    Mutap_i_, Enver Imamovi_ and Nihad _engi_</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">The group began by organising the packing
    and storage of movable monuments of cultural value and by
    gathering information about the damage to immovable
    monuments, insofar as the circumstances permitted.</font></p>
    <p><font size="3">In a letter of 30 March 1993, the President
    recorded as saved:</font></p>
    <p><font size="3">(1) The Sarajevo Haggadah and other movable
    cultural displays from the Zemaljski Muzej</font></p>
    <p><font size="3">(2) Film and cinematographic material
    relating to film-making in BiH and taken from the Jagomir
    Studio the day before it was occupied by the Serbs</font></p>
    <p><font size="3">(3) Certain unburned works from the
    Oriental Institute Library, where most was lost</font></p>
    <p><font size="3">(4) Manuscripts and books from the Gazi
    Husref Beg Library (total contents)</font></p>
    <p><font size="3">(5) The most valuable source material and
    periodicals from the National and University Libraries before
    the &quot;Vje_nica&quot; building was burned</font></p>
    <p><font size="3">(6) The movable treasures from the Hadji
    Sinan tekije (shrine)</font></p>
    <p><font size="3">(7) Paintings from the Metropolitan's
    mansion of the Serbian Orthodox Church</font></p>
    <p><font size="3">(8) Exhibits from the Town Museum and the
    Despic House</font></p>
    <p><font size="3">(9) The documentation from the National
    Institute for the Protection of Cultural and Natural
    Heritage, as well as from a series of other, less well-known
    libraries and collections.</font></p>
    <p><font size="3">In August 1992, the group began to concern
    itself increasingly with documentation: (a) inventories of
    what was saved and where it was put; (b) documentation of
    damage and the circumstances of damage; (c) documentation of
    what was looted; (d) documentation of what was known about
    monuments which had disappeared before the war; and (e)
    assessment of the value and true nature of what was
    irretrievably lost. </font></p>
    <p><font size="3">Although an independent and non-political
    society of Sarajevan citizens, AIASN proposed to use the
    information it was gathering to inform the public both within
    Bosnia and abroad, through the press whenever possible, of
    the situation in Bosnia in respect to attack on its cultural
    heritage. Thus study of (d) above was needed to bring the
    world's attention to the fact that the attack on BiH had been
    planned well in advance: the most valuable books in the
    Yugoslav Federal Army's Library began to be removed from
    Sarajevo to Belgrade as early as 1988. From then on, various
    individuals within Sarajevan institutions, libraries and
    museums, including certain responsible for the preservation
    of cultural heritage, could be seen to have removed valuable
    items, particularly Orthodox objects, out of Bosnian
    territory.</font></p>
    <p><font size="3">As destruction of immovable monuments
    reached massive proportions, the work of AIASN began to
    inter-relate with that of the National Commission for War
    Crimes (see following).</font></p>
    <p><font size="3"><b>Dr_avna komisija za ratno zlo_ina</b>
    (National Commission for War Crimes):</font></p>
    <p><font size="3">Stepan Kluji_, President</font></p>
    <p><font size="3">Zvonimir Topic, Vice President</font></p>
    <p><font size="3">Mirsad Toka_a, Secretary</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">This organisation sifts through eye-witness
    accounts of injuries and damage inflicted upon Moslems. It
    gains some information through two other affiliated bodies:
    the <b>Centar za prikupljenje stradanje Muslimana</b> (Centre
    for collection of information concerning the destruction of
    Muslims) in Zenica (Director: Ragib Hadi_) and a similar
    organisation in Tuzla (Director: Rifat Kadi_).</font></p>
    <p><font size="3">The information needs however to be
    confirmed on the ground by international experts qualified in
    damage assessment.</font></p>
    <p><font size="3"><b>Muslimanski Akademski Klub MAK
    &quot;Bosanka&quot;</b> (The Muslim Academic Club - Poppy
    -the Bosnian women):</font></p>
    <p><font size="3">Azra Begi_, President</font></p>
    <p><font size="3">Hamiseta Ibri_evi_, Vice President</font></p>
    <p><font size="3">Jasna Bak&#154;i_-Mufti_, Secretary</font></p>
    <p><font size="3">Directors: Mevlida Serdarevi_, Nermina
    Kurspahi_ (editor of the literary journal &quot;Odjek&quot;
    -&quot;Echo&quot;), Jasmina Musabegovic (editor in the
    publishing house &quot;Svjetlost&quot;)</font></p>
    <p><font size="3">Members: Emira Dragulj-Idrizovic
    (architect), Abasa Begi_ (judge), Edina Vlasi_, Tanja
    Najdhart (architect), Sne_ana Mutap_i_ (art historian)</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">The organisation came into being through
    conversations between women in the street, who identified
    themselves as poppies by the roadside. At first there was a
    tendency to describe the rapes of Moslem women as
    &quot;contamination&quot;. The organisation was founded to
    elevate the Moslem women in their own minds as above this
    approach. This was a war against culture, and the Moslem
    woman was here sees as a carrier of culture - a library of
    Bosnian tradition - hence under attack. Members include women
    active in many professions, particularly the media, the arts
    and the sciences.</font></p>
    <p><font size="3"><b>The Open Society Fund of Soros Bosnia</b>:</font></p>
    <p><font size="3">Prof Dr Sdravko Grebo, Executive Director</font></p>
    <p><font size="3">Azra Begi_, President of the Board of
    Directors</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">The Fund was founded early in 1993 as a
    branch of the Soros Foundations in Eastern Europe concerned
    mainly with provision of humanitarian aid. It has however a
    freer mandate and can fund various endeavours which it feels
    are to Bosnia's general good. It has the potential to
    interest itself in funding the cultural heritage, although
    political studies and the performing arts are its principal
    present concerns.</font></p>
    <p><font size="3">7. UNIVERSITY</font></p>
    <p><font size="3">Prof Dr Enes Durakovi_ (philosophy)</font></p>
    <p><font size="3">Dr Hamiseta Ibri_evi_ (stomatology)</font></p>
    <p><font size="3">Prof Dr Enver Imamovi_ (Roman and medieval
    archaeology)</font></p>
    <p><font size="3">Prof Dr Muhamed Nezirovi_ (philosophy,
    Hebrew studies)</font></p>
    <p><font size="3">8. OTHER</font></p>
    <p><font size="3"><b>Commission for the renewal of Islamic
    societies in Bosnia</b>:</font></p>
    <p><font size="3">Muharun Hasanbegovi_, Member</font></p>
    <p><font size="3"><b>Historical Institute</b>:</font></p>
    <p><font size="3">Enes Pelidija</font></p>
    <p><font size="3">Muhidin Pelesi_</font></p>
    <p><font size="3"><b>Narodna Pozori&#154;te, Sarajevo</b>
    (National Theatre):</font></p>
    <p><font size="3">Alija Isakovi_, Director</font></p>
    <p><font size="3"><b>Society of Librarians of BiH</b>:</font></p>
    <p><font size="3">Edina Vlasi_, President</font></p>
    <p><font size="3"><b>(b) Additional note on cultural property
    in Sarajevo</b></font></p>
    <p><font size="3"><b>Museum of the Serbian Orthodox Church</b>
    (Marshall Tito Street)</font></p>
    <p><font size="3">The contents of the museum have been
    removed to Belgrade. None of the historic treasures within
    the actual church building have however been protected or
    removed - in June 1993 Wenzel observed some 17th century
    icons in place, the early iconostasis, the 15th-16th century
    wrought iron chandelier and a large quantity of early carved
    wood. A projectile had pierced the church roof (since
    repaired) and another the courtyard wall. The shells came
    from the same direction as those which struck the nearby
    Muslim Theological Seminary.</font></p>
    <p><font size="3"><i>For further information on the situation
    in Sarajevo in June 1993 see the separate report by Mr Roger
    Shrimplin.</i></font></p>
    <p><font size="3"><b>IV. Discussions including reactions to
    the proposals made by Dr Kaiser</b> (see Doc. 6869).</font></p>
    <p><font size="3"><b>(a) 6 June 1993: meeting in Medjugorje
    with the Mostar team: Tihomir Rozi_, Ivanka Ribarevic and
    Tanja Mi_evi_.</b></font></p>
    <p><font size="3">With regard to the <b>proposal that the
    mandate of the UN peace-keeping forces include protection of
    cultural heritage. </b>Tihomir Rozi_ recommended that experts
    go with the military groups into East Bosnia; each group
    would be able to advise the other.</font></p>
    <p><font size="3">With regard to the <b>exchange of experts</b>,
    Tihomir Rozic felt that free movement between those
    interested in culture should be encouraged between all the
    contending groups. Serbs should be invited to look at the
    condition of Orthodox monuments in Herzegovina just as those
    such as himself could assess the situation of Moslem
    monuments in east Bosnia. He himself is a student of
    Sarajevan architect Nejat Kurto, and is very interested in
    what has really happened to Islamic and other monuments in
    East Bosnia.</font></p>
    <p><font size="3">The other suggestions were approved, but
    additional comments were made:</font></p>
    <p><font size="3"><b>Ethnographic production should be
    studied along with other cultural monuments</b>. Ivanka
    Ribarevi_ was concerned about those who produced speciality
    objects in certain endangered areas, such as the apparently
    well-known horse-bags and horse-bag makers of Stolac.</font></p>
    <p><font size="3">Mostar needs outside help from her near
    neighbours, such as Split; and other Dalmatian centres cold
    help Mostar in conservation problems and with the needed
    replacement of literature. Josko Belamari_ of the Split
    Institute for Protection of Monuments had said he did not
    want to overstep the jurisdiction boundaries between states,
    by Croatian Split helping Bosnian Mostar. But he was willing
    to do more for Mostar, and did offer the use of the Split
    Zavod as a clearing house for books to be collected for
    Mostar and other aid to be discussed.</font></p>
    <p><font size="3">Tihomir Rozi_ suggested there is need for a
    wide information chain between all cultural bodies all over
    Bosnia and over a wider fringe area. Everywhere people
    desperately want to know what is happening in other war areas
    with culture related to their own.</font></p>
    <p><font size="3"><b>There is a need for a decentralised
    centre for Bosnia outside the war zone</b>. <b>Communications
    in Bosnia just do not work. Can we count on Sarajevo as a
    centre right now?</b> Tihomir wanted a centre in Medjugorje
    pro tem, until Sarajevo was freed of being under siege. In
    Medjugorje you could easily get space for an office, and have
    faxes set up. UNPROFOR is in Medjugorje, and the pilgrim
    passage assures continuation of transport facilities.</font></p>
    <p><font size="3">This point was later answered by Mevlida
    Serdarevi_ of the Institute for Protection of Monuments in
    Sarajevo who said: We do have a centre outside of the war
    zone - it is London.</font></p>
    <p><font size="3">Ivanka Ribarevi_ felt firmly: Members of
    this chain need to be part of a correctly paid organisation.
    None of them in Mostar have been paid for months; enthusiasm
    to do good work has to become related again to working to
    earn what people need for livelihood.</font></p>
    <p><font size="3">&quot;Mostar Urbicid&quot; was paid for by
    the organisation of Herzegovinians; &quot;Herceg
    Stjepan&quot; in Zagreb. Perhaps such organisations could
    contribute towards paying daily expenses for cultural
    projects.</font></p>
    <p><font size="3"><b>In respect to the culture-information
    chain, money must be allotted to smaller centres, and not
    just to central control areas</b>. This again expressed
    resentment about Sarajevo which was in an inactive situation,
    being likely to wish to seize authority and finance over a
    larger area than its siege situation allowed it to handle.</font></p>
    <p><font size="3">Certainly, many (though not all) in
    Sarajevo felt they should have central rights over all parts
    of Bosnia, even though at present they are obviously out of
    touch.</font></p>
    <p><font size="3"><b>Worry about Moslem Groups and need for
    arbitration between these groups and the Zavod</b>. This had
    been mentioned in Kaiser's report and was again brought up.
    There was a fear of sudden, ill-informed restoration.
    Ill-informed restoration is however generally felt allowable
    for private residences. Igor Fiskovi_, now in Dubrovnik,
    mentioned when he happened to be in Split, that window frames
    fitted with glass were coming into the Dubrovnik area from
    Slovenia, with window-frame dimensions that did not fit the
    space accorded within traditional Primorje house design. So
    the people of Primorje were knocking apertures in their walls
    to fit the new windows.</font></p>
    <p><font size="3"><b>(b) 16 June 1993: meeting of the Moslem
    Cultural Society Preporod in Sarajevo.</b></font></p>
    <p><font size="3">Preporod unanimously agreed to mediate if
    needed, as they were in total sympathy with the Mostar Zavod
    and felt they could certainly have influence over the local
    Mostar Islamic group, if necessary using the Reis, or head of
    the Bosnian Islamic Church, to calm the waters in this case.
    The Reis is in fact a very sympathetic and culturally minded
    figure.</font></p>
    <p><font size="3"><b>(c) 8 June 1993: meeting in Split</b></font></p>
    <p><font size="3">On June 8th, 1993, the Mostar team drove
    Wenzel to Split and held a conference on these matters with
    Josko Belamari_, Director, Institute for the Protection of
    Historical Monuments, zupa Split.</font></p>
    <p><font size="3">Concerning the Kaiser proposals Belamari_
    commented: &quot;We have to have people for culture moving
    along with UNPROFOR. We have no idea what is happening in the
    Serbian territories which adjoin Dalmatia - Knin, Biskuplje,
    for instance. They are building an airfield at Knin, on an
    archaeologically very interesting valley. They have got no
    experts present for the archaeology of the valley, which they
    should for such an undertaking.</font></p>
    <p><font size="3">&quot;We know nothing about Jajce. An
    international group should go to inspect Jajce; it is a
    complex of Roman, medieval and Islamic monuments of various
    dates, and of the highest importance. In Croatia, an
    unfortunate fact is that only the fate of the Croatian
    heritage is commented upon. They only hear about the fate of
    monuments in Serbian Knin by accident. The Split Zavod
    restored the medieval church of Sv. Ante there, after an
    earthquake. Now it is completely destroyed, and the place
    where it was has been reportedly asphalted over to make a
    market. Nobody has been to see what really happened&quot;.</font></p>
    <p><font size="3">UNPROFOR with its strength must have
    specialists who can be taken to these places to comment on
    what has and is being done. In Split, they tried at one point
    to give UNPROFOR a catalogue of what was needed to observe.
    UNPROFOR should be responsible to have a list of monuments to
    look at. But they would not consent to take on that
    responsibility.</font></p>
    <p><font size="3"><b>(d) 17 June 1993: Sarajevo cultural
    societies</b></font></p>
    <p><font size="3">Consideration of Kaiser's suggestions
    continued in Sarajevo on 17 June at a meeting of a number of
    select members of Sarajevo's many cultural societies. The
    report and recommendations, given into the care of Saidalija
    Mustafi_, director of the national Institute for the
    Protection of Monuments, was translated by Azra Begi_,
    Curator of the Art Gallery, Sarajevo and Director of the
    Governing Board of Soros, Bosnia.</font></p>
    <p><font size="3">The assembled company supported all the
    proposals made in Kaiser's report, but wished to add that it
    should be somewhere emphasised, that destruction is not the <b>result</b>
    of this war, but rather the <b>objective</b> of the war,
    where both culture (monuments) and the carriers of culture
    and inheritors of culture (women, who had to be a sort of
    library, educating children about the culture in which they
    lived, and children), were chosen for annihilation.</font></p>
    <p><font size="3">A distinction should not be made between
    humanitarian and cultural crimes, and humanitarian aid should
    have one aspect, which is aid to monuments. At its closest
    point of contact, the rebuilding of historic home complexes,
    such as the mahalas, should be taken under consideration.</font></p>
    <p><font size="3">Seijdalija Mustafi_ begged that the Council
    of Europe should use any possible influence on the General
    Director of Unesco that they cancel or rethink the
    conclusions of the Unesco meeting where they (Boutros Ghali)
    said they did not have convenient circumstances for the
    director of Unesco to visit Sarajevo. They needed someone
    such as the Director General of Unesco or an eminent
    representative, to come. They would like to have a small cell
    functioning from Sarajevo, for Unesco, relating to the
    observation of Bosnian losses elsewhere.</font></p>
    <p><font size="3"><b>(e) Meeting with the Deputy Minister for
    Architecture and Urban Reconstruction, Sarajevo</b></font></p>
    <p><font size="3">Both Shrimplin and Wenzel participated in a
    meeting of cultural experts in the office of <b>Mustafa
    Dizdarevi_</b>, Deputy Minister for architecture, spatial
    planning, Urban reconstruction and heritage, who in more
    fortunate times was personally responsible for the design of
    over 11,000 flats in Sarajevo. Here a discussion concerning
    the future of Sarajevan culture was led by the Minister, and
    by Mrs. Mevlida Serdarovic of the Association for
    Intercultural Activities and the Rescue of the Cultural
    heritage of Bosnia and Herzegovina (a body designed to run
    parallel with the activities of London's BHHR). </font></p>
    <p><font size="3">The Minister returned to the, now usual, <b>plea
    for a permanent mission of experts in Sarajevo</b> - a
    special Unesco mission - to concern themselves specifically
    with historic monuments, advising local architects and
    conservationists about what to do, and where they could look
    for additional required help. He maintained Sarajevo did not
    as yet have exact information. but it was believed that up to
    90% of these monuments were destroyed, or else had been
    heavily attacked. Study of the losses by foreign experts
    should begin now, so that the monuments could be properly
    stabilised until they could be rebuilt. He did not really
    feel Sarajevo needed foreign experts in respect to objects
    other than cultural monuments; concerning different sorts of
    buildings, Sarajevan architects could do what was needed
    themselves.</font></p>
    <p><font size="3">Unfortunately, it seemed next to impossible
    for Sarajevans to force the attention of the world upon this
    as one of their basic needs. &quot;An architect walking or
    not walking around Sarajevo&quot;, it was said, &quot;does
    not sell newspapers&quot;.</font></p>
    <p><font size="3">The usual embarrassing question was asked,
    this time directed at Roger Shrimplin: &quot;Why doesn't
    anyone do anything?&quot;</font></p>
    <p><font size="3">Shrimplin's answer was:</font></p>
    <blockquote>
        <blockquote>
            <p><font size="3">&quot;1: <b>Cost</b>. It is known
            to the UNHCR how many millions of dollars it costs to
            keep Sarajevo going. Additional efforts to help
            Sarajevo's cultural heritage in more positive ways
            are bound to raise those sums.</font></p>
            <p><font size="3">&quot;2: <b>Heavy manpower</b>. It
            is generally believed it would take more UN soldiers
            than anyone wants to provide.</font></p>
            <p><font size="3">&quot;3: <b>In most of Europe they
            do not understand the fierceness of hatred being
            expressed here</b>. This tends to make people stand
            back. Wild, ancient hatred can be seen at times
            between Ireland and England, or amongst the Basques
            in southern France. But anyone reaching this
            particular level of fierceness, we can't
            understand.&quot;</font></p>
        </blockquote>
    </blockquote>
    <p><font size="3">The Minister, Mustafa Dizdarevi_ responded:
    &quot;We can see, there gets to be a general belief, everyone
    has been bad. The world is not somehow able to understand -
    perhaps because of wrongly directed articles in the Press -
    that the destruction of one particular people is involved.
    Even so, the Moslems here are of such numbers - maybe around
    2 and one half million - that they cannot all be killed off.
    But even assuming Moslems do survive, it is very hard to
    accept that all the bad things that happen here can happen in
    the heart of Europe. Destruction of our heritage - a part of
    genocide - is destruction of heritage in the heart of Europe.
    And Bosnia as a European state, upon whose traditions our
    Moslem heritage is formed, is older than either Croatia or
    Serbia.</font></p>
    <p><font size="3">&quot;We need urgent help in the following
    forms:</font></p>
    <blockquote>
        <blockquote>
            <blockquote>
                <blockquote>
                    <p><font size="3">1) Information from
                    occupied areas</font></p>
                    <p><font size="3">2) Help from experts
                    towards saving what is left</font></p>
                    <p><font size="3">3) Help from foreign
                    experts to help our experts. We already have
                    groups of people gathered and organized to
                    protect heritage. But they need additional
                    experts, and technical aid.&quot;</font></p>
                </blockquote>
            </blockquote>
        </blockquote>
    </blockquote>
    <p><font size="3"><b>(f) Final observations by Roger
    Shrimplin</b></font></p>
    <p><font size="3">On 27 June Roger Shrimplin provided some
    further comments based on the above meetings and other
    architectural meetings he had attended and not Wenzel:</font></p>
    <p><font size="3">&quot;There needs to be a Unesco presence
    in Bosnia - first, for real help in protecting monuments, and
    second, to review how the money is to be spent there. For
    there will be money.</font></p>
    <p><font size="3">&quot;Third - and this is very important -
    resentment in Bosnia about the rest of the world not taking
    any interest in what happens to their ruined monuments is
    really very deep, and is in the course of mounting and
    becoming extremely strong. Unless international bodies do
    something immediately to show that such resentment is being
    taken seriously - not slighted - these foreign bodies can
    find themselves facing penalty. <b>Our</b> view is that <b>people</b>
    suffering is of first priority, never mind the monuments. But
    that is not <b>their</b> view. <b>They</b> take global
    destruction of their monuments very seriously indeed. It is
    time that their attitude about what is happening to their
    cultural heritage should be taken seriously by us&quot;.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><b>POSTSCRIPT</b></font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3">Bosnian consideration of Bosnians being
    European, whether Moslem or Christian, seems to us of primary
    international importance. It was expressed at a meeting of
    the Bosnian Moslem organisation Preporod, that if the Bosnian
    Moslems needed to choose a government to which they had been
    formerly allied as a kind of surrogate fatherland, they would
    choose Austria before Turkey. They agreed the
    Austro-Hungarian rule had wiped from them their feeling of
    being an Eastern people. The European, as well as the Serbian
    and Croatian press were trying to force a Moslem
    &quot;Easternness&quot; upon them, seemingly because they
    would then be conveniently alienated out of the European
    scene. Few of them, however, would know how to begin being
    &quot;Eastern&quot; in the way others seemed to require of
    them.</font></p>
    <p><font size="3">The western Press has favoured illustrating
    suffering Bosnian peasants in national costume in tears, at
    gravesides. As for citizens of the European city, Sarajevo,
    the press has preferred picturing them dying, dead, or in
    great distress, like chosen victims of gladiatorial combat,
    rather than as the well-dressed Europeans engaged in a
    remarkable variety of cultural pursuits (as well as in
    carrying their own water) apparent on any and all of the
    Sarajevan streets. Dead and dying Sarajevans are more readily
    &quot;Easternised&quot;, it is felt.</font></p>
    <p><font size="3">In the same way as Sarajevo is still an
    active, European town, with the majority of its citizens
    remarkably surviving the Apocalypse forced on them,
    Sarajevo's monuments in the core of the city also survive the
    Apocalypse. Though they are often damaged and need care, most
    of Sarajevo's principal monuments still retain the basic
    elements of their former appearances, and are <b>not</b> all
    flattened into moon-landscape (although some individual
    buildings on the fringes of the older town have
    moon-landscape qualities.)</font></p>
    <p><font size="3">Certainly, some monuments survive in rather
    good condition and test fortune. These include those
    preserved around and within the Zemaljski Muzej (Land
    Museum), an Austrian building which backs on the front line
    and is daily pounded with grenades and rifle shot. All the
    stone monuments of this museum, within and without, are still
    in situ and totally unprotected, and are in the main, until
    now, very well preserved. They have not been protected
    because seventy people have left the museum and of the five
    people left, no-one remained with the skill to see this
    protection properly done. Here is a type of badly needed
    technical assistance that should be well within the scope of
    Unesco.</font></p>
    <p><font size="3"><b>C. NOTE ON WAR DAMAGE IN ZADAR</b></font></p>
    <p><font size="3">by Dr Marian Wenzel</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><b>1. Official body responsible for
    monuments</b></font></p>
    <p><font size="3">Institute for the Protection of Monuments
    (Regionalni zavod za za&#154;titu spomenika kulture), Pave
    _ingrije 3, 57000 Zadar:</font></p>
    <p><font size="3">Miljenko Damjan, Director</font></p>
    <p><font size="3">Pavu&#154;a Vezi_, Conservation Officer</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><b>2. Damage to the city of Zadar in
    1992-93,</b> </font></p>
    <p><font size="3"><i>(as recounted by Professor Ivo
    Petricioli, historian and art historian, University of Zadar,
    by telephone from Zadar on 21 June 1993)</i> </font></p>
    <p><font size="3"><b>The Tower</b> (Bablja Kula or Bovo
    d'Antono), part of the medieval fortifications of the town,
    was hit early in the war, when bombardment of the town was at
    its height. The tower has now been repaired.</font></p>
    <p><font size="3"><b>The Church of St Simeon</b> (Sveti
    &#138;imun) was hit with two shells but was not badly
    damaged.</font></p>
    <p><font size="3"><b>The Cathedral of St Anastasia</b> (Sveta
    Sto&#154;ija), 13th-early 14th century, was heavily hit by
    one very powerful shell, which gravely damaged an important
    fresco of St Donatus (Sveti Donat) dated 1300, which had only
    been recently discovered in 1986. The eyes, nose and mouth
    are all that now remain.</font></p>
    <p><font size="3"><b>The Archaeological Museum</b> was
    struck, but has now been repaired.</font></p>
    <p><font size="3"><b>The Church of St Chrysogonos</b> (Sveti
    Kr&#154;evan), consecrated in 1175, a Romanesque building
    with blind arcades on the exterior of the middle apse, was
    struck by a shell on the north side of this apse, precisely
    where the Romanesque architecture was most complex, producing
    a large hole. Subsequently, sandbags were appended to the
    church exterior and also on the Cathedral fa�ade, but not
    before the damage to the present church had been made.</font></p>
    <p><font size="3">The buildings around the main square of
    Zadar, <b>Narodni Trg</b>, are mainly Renaissance in date.
    One shell struck the 19th century tower of the <b>Loggia</b>
    (1562), once the town's law court. It was not of great
    artistic value, but had been built of fine quality stone,
    which is now heavily damaged.</font></p>
    <p><font size="3"><b>The Grisogno-Vovo Palace</b>, opposite
    the Church of St Simeon, boasted a superb interior chamber
    with inset mirrors, typical of the best quality 19th century
    design. Two big shells destroyed this interior - chairs,
    piano and all historical fittings. This happened at the very
    beginning of the war.</font></p>
    <p><font size="3">The most recent major damage had taken
    place around 6 June. At the beginning of the war the <b>Bastion
    of the Town Fortifications</b> had been shelled and
    subsequently repaired. It had now been shelled again and once
    more badly damaged.</font></p>
    <p><font size="3">As well as the damage inflicted on the
    public buildings of Zadar, there has been considerable damage
    to the private sector of the town. Many <b>old houses in the
    historic core of the town</b> have been badly damaged and a
    certain number, some of which are medieval, have been
    completely destroyed. For instance, on 10 June, one such old
    house collapsed after a night in which five shells struck the
    town.</font></p>
    <p><font size="3">It had become the norm for three to six
    shells to be fired into the historic part of the town each
    night around 11pm. There was shelling at odd intervals during
    the day as well.</font></p>
    <p><font size="3">Although the <b>Roman Forum</b> has been
    shelled the <b>Church of St Donatus</b> (Sveti Donat), dating
    to the 9th century, was so far undamaged.</font></p>
    <p><font size="3">Likewise, <b>St Mary's Convent Church</b>
    (Sveta Marija), of the 16th century, has not been struck,
    although a shell did fall on the adjoining convent buildings.
    Happily all the art objects, including the treasures in
    precious metals,which are normally on display in these
    convent buildings, have been stored out of harm's way.</font></p>
    <p><font size="3">Prof Petricoli wished to state that he felt
    too little attention has been given to this terrible attack
    on the historical monuments of the town of Zadar. Huge
    outrage has been expressed about the damaging of Dubrovnik,
    but Dubrovnik does not have such important early monuments
    within its city complex as does Zadar. Dubrovnik lacks
    Romanesque churches or anything like the early Christian
    basilica which has recently been discovered by the Church of
    St Simeon, its south wall with its original bifora window. St
    Simeon is only by the greatest luck so far fairly well
    preserved, but there seems to be no cessation to its
    endangerment.</font></p>
    <p><font size="3"><b>3. Comments offered by Pavu&#154;a Vezi_
    (10 June 1993)</b></font></p>
    <p><font size="3">These concerned Orthodox Church treasures
    which were removed by Serbia from the Zadar commune in the
    August before the beginning of the war and were never
    returned. The treasures were transferred to Belgrade under
    false pretences and by means of trickery which had, it seems,
    been planned for some time.</font></p>
    <p><font size="3">The treasures were removed from Zadar's
    Convent Museum, ostensibly for a straight-forward exhibition
    of the Orthodox treasures of Zadar to be held in Belgrade.
    Once in Belgrade however, the objects were presented in the
    form of a different sort of exhibition - an exhibition of
    Orthodox treasures which were improperly cared for by Zadar.
    Zadar only learned about this new approach when they acquired
    a catalogue. The approach was particularly shocking to Zadar
    because all the objects had been prepared for exhibition by
    Miljenko Damjan himself, the highly skilled director of the
    Zadar Institute for Protection of Monuments, and by other
    very senior Zadar experts.</font></p>
    <p><font size="3">The new slant given to the exhibition was
    found even more astonishing because Serbian experts had
    participated in its reparation at the expense of Croatia.
    They had been invited by Croatia to come and consult with
    them on certain projects including fresco restoration in
    which Serbians are particularly skilled. In return, as a good
    will gesture, Zadar was to lend Serbia its Orthodox objects
    for exhibition in Belgrade. The Serbs had given assurances
    that all the objects would be returned after the exhibition.
    In the event the exhibition was mounted along the lines
    indicated above and the exhibits were never returned.</font></p>
    <p><font size="3">What was worse in Pavu&#154;a Vezi_'s view,
    was the fact that these Byzantine Orthodox treasures were not
    in the main Serbian in origin and had always been the
    specific property of the town of Zadar. The Eastern Orthodox
    Church in Zadar had been built at the expense of the town for
    the use of Greek traders doing business with Venice in the
    16th century. At that time Zadar was itself Venetian. In the
    18th century the town gave this Orthodox church to the newly
    enlarged Serbian Orthodox community for their use and allowed
    them access to the Greek Byzantine religious treasures which
    the Zadar Orthodox church had by then accumulated and which
    the town held for the continuing ritual of this specific
    Orthodox church.</font></p>
    <p><font size="3"><b>D. NOTE ON A VISIT TO SARAJEVO</b></font></p>
    <p><font size="3"><b>to review damage to the cultural
    heritage and to assess prospects </b></font></p>
    <p><font size="3"><b>for a repair/restoration programme</b></font></p>
    <p><font size="3"><b>June 1993</b> </font></p>
    <p><font size="3">by Roger C Shrimplin</font></p>
    <p><font size="3">Chairman East Europe Committee</font></p>
    <p><font size="3">Royal Institute of British Architects</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><u>Introduction</u></font></p>
    <p><font size="3">1. The visit was due to take place on
    Sunday 13 June to Tuesday 15 June 1993 but the considerable
    difficulties in the local situation caused unplanned changes
    to that programme. In fact flights between Split in Croatia
    and Sarajevo in Bosnia were suspended on Sunday 13 June and
    transport between Sarajevo Airport and the centre of the city
    was suspended for most of Monday 14 June due to fighting in
    the vicinity of the airport.</font></p>
    <p><font size="3">2. For the same reason, and because threats
    had been made to UNHCR aircraft, all UNHHCR flights out of
    Sarajevo were suspended from Tuesday afternoon, 15 June to
    Saturday 19 June inclusive.</font></p>
    <p><font size="3">3. The visit therefore took place from
    Monday 14 June to Sunday 20 June inclusive. A flight out of
    Sarajevo Airport was taken on Sunday morning, 29 June.</font></p>
    <p><font size="3">4. The difficulties of visiting Sarajevo
    should not be underestimated. Apart from sniper and shell
    fire (artillery and mortar) less dramatic difficulties pose
    very serious problems in undertaking any real study. Only
    hard currency (cash Deutsche Marks) is really useful and in
    any case there is a grave shortage of all commodities. Even
    food is in extremely short supply and some foodstuffs are
    simply not available for the local population (for example
    fresh meat, fruit, coffee and so on). So far as work is
    concerned photographic materials are virtually unobtainable
    and even writing paper is difficult of find.</font></p>
    <p><font size="3">5. The ordinary routine of everyday living
    in Sarajevo is difficult, tiring and dangerous.</font></p>
    <p><font size="3"><u>Summary of meetings</u></font></p>
    <p><font size="3">6. Nevertheless, it did prove possible to
    hold discussions with representatives of a number of
    organisations involved in the care of the cultural heritage
    including the Sarajevo Association of Architects, the
    Sarajevo Faculty of Architecture, the Ministry of Foreign
    Affairs and the Ministry of Construction and Redevelopment.</font></p>
    <p><font size="3">7. It also proved possible to view a number
    of significant buildings in Sarajevo.</font></p>
    <p><font size="3">8. The visit coincided with a major
    conference (&quot;Strategija Obnove&quot;) on reconstruction
    issues at the Holiday Inn Hotel in Sarajevo and while views
    were by no means unanimous it was evident that overall there
    is a strong commitment among professionals and policy makers
    to a free market enterprise culture and also to the
    rebuilding of the city and state as quickly as may be
    possible after the end of the present hostilities.</font></p>
    <p><font size="3">9. Similarly, a visit to the office of the
    Society of Architects in Sarajevo (as well as discussions
    with representatives of the Society of Architects)
    demonstrated the willingness and ability of local architects
    to document damage to the cultural heritage. Indeed, an
    exhibition illustrating that damage is to be mounted in
    Sarajevo in the near future although at the present time it
    is delayed by a lack of electricity (required to operate
    printing presses which are needed to print exhibition
    catalogues).</font></p>
    <p><font size="3"><u>Impressions and conclusions</u></font></p>
    <p><font size="3">10. Without going into great detail it is
    possible to state a number of clear impressions and
    conclusions which derive from the visit and which in turn
    lead to recommendations for action.</font></p>
    <p><font size="3">11. First, it is plain that Sarajevo has
    suffered badly at the hands of its attackers. Apart from the
    obvious human cost in the continued suffering and
    difficulties of day to day living, there has been serious
    damage to the urban fabric. The infrastructure (drainage,
    electricity, telephone services etc) is badly damaged. Most
    buildings are damaged significantly and probably <u>all</u>
    buildings are damaged to a greater or lesser degree (broken
    glass etc). Some buildings have been completely destroyed
    including ancient monuments (such as the Library) and
    including a number of modern steel framed buildings (such as
    the Unis Building) which in some cases have simply collapsed.
    35,000 dwellings are also assessed to have been destroyed
    during the past year.</font></p>
    <p><font size="3">12. On the other had Sarajevo has not been
    razed to the ground. Many interesting and significant
    buildings remain and the character of the city is very far
    from having been destroyed. It would be eminently possible to
    reconstruct the city and reconstitute its historic character,
    given sufficient investment of professional time and energy
    and of course of money.</font></p>
    <p><font size="3">13. There is a widely held view in Sarajevo
    that the attack on the physical fabric of the city is part of
    the deliberate policy of a foreign aggressor (Serbia). The
    fear caused by the intermittent bombardment and the effect on
    facilities in the city make this style of attack a sort of
    &quot;military terrorism&quot;, which over a period of time
    could have the effect of undermining morale in the city.
    After all Sarajevo is a Western European city not a third
    world refugee camp with many modern buildings as well as
    historic monuments (it hosted the winter Olympic Games in
    1984).</font></p>
    <p><font size="3">14. It is perhaps not surprising therefore
    that the protection and restoration of the cultural heritage
    is given a particularly high priority by Bosnians of all
    religions/origins. It was emphasised in meetings with
    Ministers and at the conference on reconstruction. The
    Bosnian cultural heritage is a particularly rich and mixed
    heritage and it is important for &quot;Yugoslavia&quot; as
    well as for Europe as a whole that it be reconstituted as
    quickly and as effectively as possible after the war.</font></p>
    <p><font size="3">15. Records of damage have been kept with
    considerable care in spite of the difficulties, although
    recording work is proving increasingly difficult and
    depressing. In order to facilitate the continuing work
    materials are needed but both architects and Government
    representatives were insistent that a panel of external
    advisers should visit Sarajevo to advise on the restoration
    of the damaged buildings and the organisation of the process.</font></p>
    <p><font size="3">16. In any case architects and others
    concerned with the cultural heritage have become so isolated
    from professional colleagues in other countries during the
    past fifteen months that contact with foreign professionals
    is desirable to stimulate new activity. There seems to be no
    reason why the United Nations should impose a cultural
    isolation on Bosnia (whatever the merits of the military
    arguments) yet experience during the visit showed that the
    United Nations organisations were, officially at least, not
    likely to be supportive of any cultural mission to Sarajevo.
    In reality, of course, local representatives of the United
    Nations were helpful but an officially sponsored and
    organised panel of experts would be welcomed.</font></p>
    <p><font size="3"><u>Recommendations</u></font></p>
    <p><font size="3">17. In the light of all the foregoing a
    number of clear recommendations should be made. </font></p>
    <p><font size="3">18. First, it must be emphasised that
    Unesco should be closely involved with promoting the
    protection of the cultural heritage in Sarajevo and looking
    towards its reconstitution as soon as possible after the
    cessation of hostilities.</font></p>
    <p><font size="3">19. In association with that it would be
    desirable to involve other international organisations such
    as the UIA and Icomos. Bearing in mind the fact that Sarajevo
    lies within the historic frontiers of Europe it would also be
    desirable for European organisations such as the Council of
    Europe to take a more positive role in promoting the
    protection and restoration of the cultural heritage.</font></p>
    <p><font size="3">20. Preferably under the auspices of Unesco
    (if only for reasons of practical administration) a
    delegation of cultural experts including Western European
    architect representatives should be dispatched to Sarajevo as
    soon as possible with a specific programme in view (including
    meetings with architects and Government representatives).</font></p>
    <p><font size="3">21. The United Nations and the Council of
    Europe should begin to give some thought to the question of
    funding the reconstruction of Bosnia, not only of historic
    buildings but also of &quot;ordinary&quot; buildings (homes,
    offices and factories) and the urban infrastructure.</font></p>
    <p><font size="3">22. In order to stimulate private concern
    and charity, as well as to reinforce official concern,
    funding should be provided for a series of exhibitions to be
    established throughout Western Europe, presumably through
    architects' institutes, to illustrate and publicise damage to
    the cultural heritage in Bosnia and Croatia.</font></p>
    <p align="center"><font size="3"><b>E. COORDINATION MEETING
    ON THE CULTURAL HERITAGE OF FORMER YUGOSLAVIA </b></font></p>
    <p align="center"><font size="3"><b>(Paris, 28 June 1993)</b></font></p>
    <p><font size="3"><b>1. List of participants</b></font></p>
    <p><font size="3"><u>Parliamentary Assembly of the Council of
    Europe</u></font></p>
    <p><font size="3">Jacques BAUMEL (Chairman of the
    Sub-Committee on the Architecutural and Artistic Heritage of
    the Committee on Culture and Education)</font></p>
    <p><font size="3">Nic TUMMERS (General Rapporteur on the
    Architectural Heritage))</font></p>
    <p><font size="3">_arko DOMLJAN (Leader of the Croatian
    Special Guest Delegation))</font></p>
    <p><font size="3">Colin KAISER (Consultant expert)</font></p>
    <p><font size="3">Christopher GRAYSON (Secretary to the
    Committee on Culture and Education)</font></p>
    <p><font size="3"><u>Council of Europe Working Group on
    Technical Co-operation</u></font></p>
    <p><font size="3">Andr� MEYER, Chairman (Chairman of the
    Swiss Federal Commission for Historic Monuments) </font></p>
    <p><font size="3">Christina VON ARBIN (Head of Department of
    the Swedish Central Board of Antiquities)</font></p>
    <p><font size="3">Jos� Maria BALLESTER (Head of the Cultural
    Heritage Division)</font></p>
    <p><font size="3"><u>Unesco</u></font></p>
    <p><font size="3">Mounir BOUCHENAKI (Director Physical
    Heritage Division)</font></p>
    <p><font size="3">Gis�le HYVERT (Consultant expert)</font></p>
    <p><font size="3"><u>International Council of Museums (ICOM)</u></font></p>
    <p><font size="3">Elisabeth DES PORTES (Secretary General)</font></p>
    <p><font size="3"><u>International Council for Monuments and
    Sites (Icomos)</u></font></p>
    <p><font size="3">Leo van NISPEN (Director)</font></p>
    <p><font size="3"><u>ARCH Foundation (</u><b><u>A</u></b><u>rt
    </u><b><u>R</u></b><u>estoration for the </u><b><u>C</u></b><u>ultural
    </u><b><u>H</u></b><u>eritage)</u></font></p>
    <p><font size="3">Eric Chr. von HENRIKSEN (Secretary General)</font></p>
    <p><font size="3"><u>Bosnia-Herzegovina Heritage Rescue
    Foundation</u></font></p>
    <p><font size="3">Marian WENZEL (Secretary General)</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><b>2. Summary of discussion</b></font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><b>Mr Baumel</b> (Chairman of the
    Sub-Committee on the Architectural and Artistic Heritage) in
    opening the meeting stressed its exceptional nature. It was
    the first time so many organisations concerned with the
    cultural heritage in former Yugoslavia had come together.
    They shared a common concern for this heritage and if their
    action could be coordinated something useful might be
    achieved. The first objective of the meeting was to exchange
    information. He welcomed the work of the consultant expert,
    Dr Kaiser, who had been monitoring the activities of the
    various organisations as well as events on the spot in
    Croatia and in BiH. The folly of what was going on there went
    beyond human reason: men and women were dying and their
    irreplaceable cultural identity being destroyed while Europe
    and the international community stood by.</font></p>
    <p><font size="3"><b>Dr Wenzel</b> had just returned from
    visiting Mostar and Sarajevo. Herself a specialist in Bosnian
    medieval architecture, she had been accompanied by Mr Roger
    Shrimplin, Chairman of the East Europe Committee of the Royal
    Institute of British Architects and an expert on more recent
    architecture. They had been the first experts concerned with
    the cultural heritage to visit Sarajevo since the siege had
    begun and their visit had clearly boosted the morale of
    cultural workers on the spot.</font></p>
    <p><font size="3">Much help was needed immediately and before
    the end of the war: information on a standard system of
    damage evaluation; advice on the protection of fa�ades;
    advice on priorities in the use of the scarce resources
    available; the establishment of a network of contacts between
    experts inside BiH and in peripheral areas; the setting up of
    a base just outside the war zone as a central point for
    materials, expertise and information (Split and the pilgrim
    centre of Medjugorje were mentioned); and the development of
    a corridor of human contacts.</font></p>
    <p><font size="3">The Bosnians supported the idea of
    including experts in cultural heritage as observers in
    UNPROFOR teams, but the idea did not seem universally well
    received by UNPROFOR.</font></p>
    <p><font size="3">Another possibility mentioned in BiH was to
    negotiate the movement of cultural heritage observers to and
    from areas held by the Serbs.</font></p>
    <p><font size="3">Technical assistance and interest now was
    essential to the morale inside BiH. There was considerable
    resentment growing that the outside world had its own agenda
    and refused to accept the concern of BiH for its monuments.
    Humanitarian aid should not be limited to food, medicine and
    blankets. People were fighting for their cultural identity.</font></p>
    <p><font size="3"><i>[The written reports by Dr Wenzel and Mr
    Shrimplin are reproduced in full above in B, C and D]</i></font></p>
    <p><font size="3"><b>Dr Kaiser</b> (consultant expert)
    referred to the three reports he had so far produced on war
    damage to the cultural heritage in Croatia and BiH <i>[see
    Docs 6756 and 6869; and above A]</i>. Fighting continued and
    information was uneven. Very little was yet known about what
    had happened in Serb controlled areas of Croatia (there were
    rumours that St Anthony's Church in Knin had been
    bull-dozed), of BiH or within Serbia itself. Destruction of
    mosques in Banja Luka in May 1993 showed that cultural
    cleansing was continuing behind the lines, as it probably
    would even after fighting stopped. There was a real danger of
    destruction spreading into areas that had so far been spared,
    such as Maglaj. </font></p>
    <p><font size="3">The situation in Mostar was particularly
    explosive. The town should be immediately placed on Unesco's
    World Heritage in Danger List as it was on the front line
    between HVO and BiH forces. There was a great deal of
    vandalism going on.</font></p>
    <p><font size="3">He appealed for presence on the spot of
    international cultural observers - to get the experts and
    local authorities talking and prevent more heritage being
    destroyed. Support should also be mobilised for restoration
    work. An international campaign had been launched for the
    National and University Library in Sarajevo that had been
    burned at the beginning of the war.</font></p>
    <p><font size="3"><b>Mrs des Portes</b> (Secretary General of
    ICOM) welcomed the Assembly's attempt to encourage the
    exchange of information and co-ordination of international
    effort. The situation was indeed dramatic, with the cultural
    heritage being used as a target in the conflict and this had
    led ICOM to abandon its usual role of a professional
    organisation. By resolution of its latest General Conference,
    an Intervention Unit has been set up and was considering
    together with the Documentation Centre in Zagreb how best to
    act. Lists of experts were being drawn up and financial and
    logistical arrangements investigated. When funding was
    assured, it was hoped that a mission of experts could be
    sent.</font></p>
    <p><font size="3">The problem was how to link cultural
    assistance with humanitarian aid. All the humanitarian
    organisations were not reacting very favourably. Arguments
    based on the importance of the heritage for the cultural
    identity of those involved in the conflict had to be more
    forcibly developed.</font></p>
    <p><font size="3"><b>Dr Meyer</b> (Chairman of the Council of
    Europe Working Group on Technical Co-operation and President
    of the Swiss Federal Commission for Historic Monuments)
    welcomed the opportunity the meeting provided of exchanging
    views and of possible co-ordination. His Working Group agreed
    with the view that humanitarian aid should also cover
    protection of the cultural heritage: ethnic and cultural
    cleansing were linked.</font></p>
    <p><font size="3">The Working Group had drawn up a specific
    action plan for the heritage of Croatia. Given the limited
    means available, emphasis was placed on activities that might
    encourage others. The plan involved (a) a polyvalent workshop
    to be held in Zagreb in September 1993 with 5-6 foreign
    experts and 50 Croatian participants on priorities,
    legislation and conservation techniques; and (b) 3 cases of
    direct technical assistance - modification of Ludbreg Castle
    for the storage of works of art, reconstruction of the spa
    buildings in Lipik and strategies for promoting the fortified
    town of Tyrda.</font></p>
    <p><font size="3">He hoped that individual countries could be
    encouraged to intervene with assistance on a bilateral basis.</font></p>
    <p><font size="3"><b>Mrs Von Arbin</b> (Council of Europe
    Working Group and Head of Department in the Swedish Central
    Board of National Antiquities) pointed out that the Working
    Group had also discussed the eventual transfer of such an
    action plan to BiH. The idea of workshops was to help local
    professionals help themselves.</font></p>
    <p><font size="3"><b>Dr von Henriksen</b> (Secretary General
    of the ARCH Foundation) regretted that it had been two years
    since the war started before international organisations had
    come together to attempt to co-ordinate their action for the
    cultural heritage in Croatia and BiH. Even now several of
    those involved were not represented.</font></p>
    <p><font size="3">Overlap had to be avoided and certain
    misconceptions dispelled. The Croatians for example were not
    ignorant of conservation techniques, but the international
    community could usefully find practical areas in which it
    might work alongside the skills that were available. </font></p>
    <p><font size="3">The ARCH Foundation had been set up two
    years ago with the specific objective of going to Croatia
    when the war broke out. It held the first conference on the
    protection of the cultural heritage in December 1991
    (together with the Austrian Kunsthistorischesmuseum) and in
    Zagreb in 1992 ran a course for 27 trainees on emergency
    techniques for protecting works of art (evacuation, storage,
    climate control and the provisional handling of damaged
    pieces). Three courses were planned in 1993 in Split,
    Dubrovnik and Bele_ to update 45 conservators in new
    techniques. He feared overlap with the workshop announced by
    the Council of Europe Working Group.</font></p>
    <p><font size="3">Another area where there was risk of
    overlap was with regard to the Master Plan for Dubrovnik on
    which six or seven independent organisations seemed to be
    working. Overall coordination was clearly necessary.</font></p>
    <p><font size="3">The organisations should look at their
    existing programmes and consider how they might apply to the
    situation in Croatia and BiH. One approach could be the
    designation of significant natural resource areas for
    protection against rampant tourist development.</font></p>
    <p><font size="3">Another was to ensure the availability of
    appropriate materials (for example lime for the repair of
    pock-marked fa�ades which could be carried out by local
    craftsmen).</font></p>
    <p><font size="3">More facilities were needed to enable the
    professionals to consult each other. He very much supported
    the idea of a local centralising office (for example in
    Split) to coordinate international effort.</font></p>
    <p><font size="3"><b>Mr Bouchenaki</b> (Director for the
    Physical Heritage, Unesco) recalled the fact that Dr Kaiser
    had been in Dubrovnik as an observer for Unesco with Bruno
    Carnez for a month in December 1991 when the city had been
    first shelled. Their appeals at that moment and their
    presence there had helped place Dubrovnik on the List of
    World Heritage in Danger. Unesco's efforts had since been
    concentrated on its protection.</font></p>
    <p><font size="3">At the same time and more generally, Unesco
    together with the Dutch Government was examining ways of
    reinforcing the Convention for the protection of cultural
    property in the event of armed conflict (The Hague 1954). The
    aim was to give the United Nations a supplementary
    responsibility to look after the cultural heritage as well as
    the civil population.</font></p>
    <p><font size="3">Despite resolutions of its Executive
    Committee, Unesco lacked means for effective intervention on
    the spot. It had failed to gain access to Mostar or elsewhere
    in BiH. The information being collected and published by the
    Assembly was invaluable for any assessment of the damage so
    far caused. </font></p>
    <p><font size="3">Unesco had however made a certain
    contribution through the efforts of Mrs Hyvert. A quantity of
    tiles had, despite considerable delays, been sent to
    Dubrovnik. Meetings had been held with experts in Dubrovnik
    and Zagreb to put together an action plan for Dubrovnik and
    draw up a list of priority activities, and first of all a
    fund-raising campaign. A mission was also being prepared for
    September 1993 under Dr Wolf Tochterman (of the Unesco
    Division for Human Settlements) to look at the villages and
    traditional architecture in the area around Dubrovnik.</font></p>
    <p><font size="3">These were isolated activities in face of
    the overall problems. Co-ordination of international effort
    was however necessary. The credibility of international
    organisations depended on their ability to conduct concerted
    action in a diversified and complex situation.</font></p>
    <p><font size="3"><b>Mrs Hyvert</b> (Consultant expert -
    Unesco Physical Heritage Division) confirmed the importance
    of coordination at national and international levels. She had
    been responsible for a Unesco working party involving several
    organisations but exclusively concerned with the medieval
    city of Dubrovnik; only last week their remit had been
    extended to include a limited area extra muros. For over a
    year she had also been planning a training programme and was
    expecting that the training courses organised by ICCROM and
    the University of Split would be open soon to Croatian
    architects, technicians and conservators. The local
    conservators needed retraining in new conservation techniques
    after having been long cut off from developments in this
    field. Next week Unesco would be organising a seminar on
    stone conservation and she hoped that specialists from
    Dubrovnik and other parts of Croatia would participate.</font></p>
    <p><font size="3"><b>Mr van Nispen</b> (Director of Icomos)
    laid claim to no programme for former Yugoslavia. Icomos had
    analysed its situation and decided that, while its individual
    members might have much to offer by way of technical
    assistance to former Yugoslavia, the organisation as such had
    another priority. This was to concentrate and coordinate
    international effort for the cultural heritage so as to bring
    it up to the level of international support and funding for
    wild life. This would be the focal point of the International
    Conservation Fair to be held in Amsterdam in 1994. It would
    not be difficult to find examples from Lebanon, Cyprus and
    the former Yugoslavia.</font></p>
    <p><font size="3">For action in former Yugoslavia he felt
    that Unesco's considerable past experience in mounting on the
    spot missions should be invoked.</font></p>
    <p><font size="3"><b>Mr Domljan</b> (Leader of the Croatian
    Special Guest Delegation to the Assembly) had been in charge
    of the Croatian Committee for the Reconstruction of Dubrovnik
    set up by the Croatian Parliament following the earthquake of
    1979. This controlled all action intra muros and Mrs Hyvert
    was a member. A new situation had been created by the war
    damage of 1991 and 1992. The heritage had been selected as a
    target.</font></p>
    <p><font size="3">He welcomed the monitoring carried out by
    Dr Kaiser. While the most recent report concentrated on BiH,
    it should not be forgotten that one third of Croatia was not
    under Croatian control and that the situation of the cultural
    heritage in that area was not known. He was particularly
    concerned about Knin, where it was reported that a unique
    archaeological site had been destroyed in the construction of
    a new airport. He also expressed concern about the condition
    of the Plitvica national park, on the World Heritage List but
    located in the Krajina. He appealed for an international
    mission to the area.</font></p>
    <p><font size="3">It was also necessary to verify the claims
    made by the Serbs concerning the safe-keeping and ultimate
    return of art collections seized from the museums of Vukovar.</font></p>
    <p><font size="3">He repeated his invitation for a meeting of
    the Assembly Committee on Culture and Education or the
    present Sub-Committee in Croatia to investigate these
    problems in greater depth. He reminded those present that the
    damage being done now to Croatian culture was far greater
    than the destruction carried out in the Second World War.</font></p>
    <p><font size="3"><b>Mr Baumel</b> regretted that neither the
    Council of Europe nor the UN military forces had so far shown
    a willingness to admit the cultural dimension alongside
    humanitarian considerations in former Yugoslavia. Media
    coverage continued to dwell on the details of physical
    carnage.</font></p>
    <p><font size="3">He concluded this part of the discussion by
    thanking those present for their contribution to this first
    attempt to co-ordinate international action for the cultural
    heritage of former Yugoslavia.</font></p>
    <p><font size="3">He noted that there was general agreement
    on the following items:</font></p>
    <p><font size="3">- There was a need for the <b>regular
    exchange of information between organisations concerned</b>
    with the cultural heritage in former Yugoslavia. Duplication
    of effort should be avoided. The present meeting should be
    followed by another in the autumn. </font></p>
    <p><font size="3">- <b>Experts should be enabled to visit the
    areas in question and contact networks should be established
    involving those on the spot</b>. An important objective of
    such missions would be to reassure those responsible for the
    cultural heritage on the spot of the support and sympathy of
    the international community. The Sub-Committee on the
    Architectural and Artistic Heritage would seek Assembly
    authorisation for a <b>fact-finding mission to Sarajevo and
    Mostar</b> in the course of the summer and would hope to be
    accompanied on this by experts. Parallel missions should be
    sought by other organisations and experts.</font></p>
    <p><font size="3">- Most important was the <b>creation of a
    small but suitably located central co-ordination point</b>
    for cultural heritage rescue operations. In the first
    instance this might most conveniently be placed in Split (for
    reasons of access to both Mostar and Sarajevo, but also to
    the north Croatian coastal region which was still being
    heavily bombarded). With <b>minimal personnel</b> such a
    centre would nevertheless serve as a practical starting point
    for the co-ordination of international action and a clearing
    house for information. It would also be a symbol of
    international concern for the cultural heritage of former
    Yugoslavia. Regular reviews should be issued on the current
    situation and convoys arranged to meet immediate needs
    (whether tiles, hammers, nails or plastic sheeting). The
    Council of Europe should be encouraged to give its official
    support to such an initiative. Could the Croatian authorities
    make premises available?</font></p>
    <p><font size="3">- In more general terms <b>a human corridor
    should be established</b> alongside that of humanitarian aid.
    The Committee on Culture and Education could launch an
    initiative for a broader approach to the cultural dimension
    (media, artists and other cultural activity) in the coming
    autumn. A campaign should therefore be launched to establish
    the case for cultural assistance and to raise financial
    support.</font></p>
    <p><font size="3">He thanked those involved for their
    contribution and regretted that he had to leave before the
    meeting finally concluded.</font></p>
    <p><font size="3"><b>Mr Tummers</b> (General Rapporteur for
    the Architectural Heritage) now took the chair.</font></p>
    <p><font size="3">He recalled the parallel parliamentary
    moves made within the Western European Union (WEU). In early
    1991 he had tabled a proposal for the involvement of Council
    of Europe cultural observers alongside the military force it
    had been hoped that the WEU would send. The response of the
    military had been to await peace.</font></p>
    <p><font size="3">The immediate question arose from the use
    of the cultural heritage as a target in the present conflict.
    This had already been seen in the Middle East and in Cyprus;
    it had occurred most recently in Florence. The implications
    of such &quot;iconocide&quot; had to be directly studied. One
    line of investigation was to update the 1954 Convention of
    The Hague; another was to include crimes against the cultural
    heritage in the War Crimes Tribunal currently being
    established.</font></p>
    <p><font size="3">A more general issue, that would only arise
    after the war was over, was whether to rebuild the cultural
    heritage. Was reconstruction as in Warsaw justified? And what
    should be done with traces of the more recent 20th century
    heritage?</font></p>
    <p><font size="3"><b>Mr Ballester</b> (Head of the Cultural
    Heritage Division, Council of Europe) welcomed the
    opportunity for co-ordination of the action of the different
    organisations concerned for the cultural heritage in former
    Yugoslavia. The problems were immediate and rapid action
    necessary. He invited those present to provide operational
    information on what was being planned so that a consolidated
    report could be produced.</font></p>
    <p><font size="3"><b>Mr Grayson</b> (Secretary to the
    Committee on Culture and Education, Parliamentary Assembly)
    pointed out that the objective of the series of information
    reports being produced by the Assembly was to assess the
    situation, monitor developments and list action by the
    different organisations involved, including the various
    levels of Council of Europe activity. This was also the
    reason for calling the present meeting. The information
    contained in the Assembly reports should be completed but not
    repeated.</font></p>
    <p><font size="3"><b>Mr von Henriksen</b> believed that the
    proposed coordination centre in Croatia could also serve as a
    basis for attracting emergency funding. A permanent
    representative should be nominated to co-ordinate matters
    from that base.</font></p>
    <p><font size="3"><b>Mr Domljan</b> welcomed the technical
    assistance programmes, pilot projects and seminars that were
    being proposed. The real problem was however lack of money.
    Loans had been offered (6000 DM) and stacks of roof tiles
    existed (200,000 in Dubrovnik), but neither could be used as
    private persons could not afford them; the government had had
    to drop the scheme as it was too expensive. There were enough
    skilled workers, but no-one could pay them.</font></p>
    <p><font size="3"><b>Mrs von Arbin</b> took up the point of
    raising funds and public involvement. She hoped that the
    present meeting, at which all the organisations present were
    seen to be co-operating, would be publicised so as to attract
    international attention.</font></p>
    <p><font size="3"><b>Mr Tummers</b> agreed and hoped that the
    Council of Europe would also be able to continue to publish
    regular information on the situation. The holding of a
    subsequent meeting would depend on developments during the
    summer, but should not in any case be postponed beyond the
    autumn.</font></p>
    <p><font size="3"><b>Mr von Henriksen</b> suggested it be
    held in Split in late August after the proposed mission to
    Mostar and Sarajevo.</font></p>
    <p><font size="3"><b>Mr Grayson</b> drew attention to the
    practical difficulties of this mission. It required Assembly
    authorisation (the Bureau would be meeting on 2 July) and the
    provision of a military escort (which had still to be
    negotiated). It should be understood that all the
    organisations involved would have to cover their individual
    costs both for the mission and second meeting.</font></p>
    <p><font size="3"><b>Mr Tummers</b> concluded by noting that
    the first priority was to arrange the fact-finding mission of
    parliamentarians and experts to Mostar and Sarajevo. Another
    priority was to convene a second co-ordination meeting at the
    end of the summer. Information would be circulated in due
    course on how these matters would be carried forward.</font></p>
    <p><font size="3"></font>&nbsp;</p>
    <p><font size="3"><b>F. CONCLUDING NOTE</b></font></p>
    <p><font size="3"><i>The Assembly Bureau meeting on 2 July
    1993 decided not to give the authorisation requested for a
    fact-finding mission in Croatia and Bosnia-Herzegovina at the
    end of July. The Committee on Culture and Education (through
    its Sub-Committee on the Architectural and Artistic Heritage
    and consultant experts) continues to monitor the situation
    from the outside.</i></font></p>
    <p><font size="3"><i>In a parallel initiative Mrs Leni
    Fischer, Chair of the Committee on Culture and Education, and
    other members tabled on 1 July 1993 a Motion for a
    recommendation on the cultural situation on the territory of
    former Yugoslavia (see Doc 6889). It is hoped that this will
    lead to a report and debate on the wider cultural dimension:
    including the cultural heritage, the media, young people,
    education higher education and research; and the arts and
    artists.</i></font></p>
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