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<p><b><font face="Verdana" size="3">War damage to the cultural heritage in
Croatia and Bosnia-Herzegovina</font></b></p>

<p><strong><font size="2" face="Verdana">Doc. 7464</font></strong></p>

<p><font size="2" face="Verdana">19 January 1996 </font></p>

<p><b><font size="2" face="Verdana">Ninth information report</font></b></p>

<p><font size="2" face="Verdana">presented by the Committee on Culture and
Education</font></p>

</blockquote>

<hr size="1">

<blockquote>

<p align="justify"><b><i><font size="2" face="Verdana">Contents</font></i></b></p>

<blockquote>
    <p align="justify"><a href="#1. INTRODUCTION"><strong><font size="2" face="Verdana">1.
    Introduction by Mr Lopez Henares (Chairman of the
    Sub-Committee on the Architectural and Artistic Heritage)</font></strong></a></p>
    <p align="justify"><a href="#2. REPORT ON MUSEUMS IN BOSNIA-HERZEGOVINA DURING THE PRESENT WAR"><strong><font size="2" face="Verdana">2. Museums in Bosnia-Herzegovina during the
    present war by Helen Walasek and Dr Marian Wenzel (BHHR) with
    supplementary reporting by Robert Child (National Museum of
    Wales)</font></strong></a></p>
    <p align="justify"><font face="Verdana" size="2"><a href="#3. REPORT ON A FACT-FINDING MISSION IN DECEMBER 1995 TO ZAGREB AND FORMER UNPA SECTORS NORTH AND SOUTH IN CROATIA"><strong>3. Report on a fact-finding mission in
    December 1995 to Zagreb and former UNPA Sectors North and
    South in Croatia by Hans-Christoph von Imhoff (consultant
    expert</strong></a><strong>)</strong></font></p>
</blockquote>

<hr size="1" width="50%" align="justify">

<p align="justify"><a name="1. INTRODUCTION"><b><font size="2" face="Verdana">1. INTRODUCTION</font></b></a></p>

<p align="justify"><b><font size="2" face="Verdana">by Mr Lopez Henares</font></b></p>

<p align="justify"><b><font size="2" face="Verdana">Chairman of the Sub-Committee on the
Architectural and Artistic Heritage</font></b></p>

<p align="justify"><font size="2" face="Verdana">In the course of 1995 three fact-finding
missions were sponsored by the Parliamentary Assembly on the
situation of the cultural heritage in areas of Bosnia-Herzegovina
and Croatia affected by the conflict. That relating to the museum
collections from Vukovar was reproduced in the 7th information
report (Doc 7308); more recent missions on museums in Bosnia and
on the former UNPA Sectors North and South (the
&quot;Krajina&quot;) in Croatia are included in the present
report.</font></p>

<p align="justify"><font size="2" face="Verdana">These reports have been discussed by the
Committee on Culture and Education (and its Sub-Committee on the
Architectural and Artistic Heritage) together with
representatives of intergovernmental and non-governmental
organisations concerned with this field. No position has been
taken on the technical recommendations, as these are in principle
addressed to the professional institutions and relevant local
authorities.</font></p>

<p align="justify"><font size="2" face="Verdana">Certain more general conclusions can however be
formulated.</font></p>

<p align="justify"><font size="2" face="Verdana">First is the need for the cultural dimension to
figure in any reconstruction planning. This was stated by the
Assembly in Resolution 1066 adopted last September.</font></p>

<p align="justify"><font size="2" face="Verdana">Damage to buildings is evidently more important
than to museum collections. In determining priorities in
reconstruction it is necessary to take account of the greatly
reduced heritage sector that the recovering economies of the area
may be able to sustain.</font></p>

<p align="justify"><font size="2" face="Verdana">It is important to reiterate the need for
concertation between the international bodies concerned with the
cultural sector (whether governmental or non-governmental). If
possible an overall strategy should be defined to which
multilateral and bilateral programmes can relate. The Assembly
has established close working relations with the International
Council of Museums and the European Community Monitoring Mission.
We would welcome in particular closer cooperation on the
intergovernmental level between the Council of Europe, Unesco and
the European Union. </font></p>

<p align="justify"><font size="2" face="Verdana">The international effort must be of course
linked to the local reconstruction programmes and to the
considerable work on damage assessment carried out by the
Croatian and Bosnian institutes. The survey that the ECMM is
systematically establishing must also be taken into account. To a
certain extent therefore much of what has been done here as
fact-finding for the Assembly can be seen as corroboration for
these other more substantial studies. </font></p>

<p align="justify"><font size="2" face="Verdana">Certain areas remain to be considered, such as
the parts of Bosnia still controlled by Serbs and also the
general situation in the Federal Republic of Yugoslavia (Serbia
and Montenegro), in particular Vojvodina and Kosovo. The Assembly
may be able to continue its monitoring in these areas.</font></p>

<hr size="1" width="50%" align="justify">

<p align="justify"><a name="2. REPORT ON MUSEUMS IN BOSNIA-HERZEGOVINA DURING THE PRESENT WAR"><b><font size="2" face="Verdana">2. REPORT ON MUSEUMS IN BOSNIA-HERZEGOVINA DURING THE
PRESENT WAR</font></b></a></p>

<p align="justify"><b><font size="2" face="Verdana">by Helen Walasek and Dr Marian
Wenzel, <i>Bosnia-Herzegovina Heritage Rescue</i></font> </b></p>

<p align="justify"><b><font size="2" face="Verdana">with R E Child, <i>Head
of Conservation at the National Museum of Wales</i></font> </b></p>

<p align="justify"><b><i><font size="2" face="Verdana">Contents:</font></i></b></p>

<blockquote>
    <blockquote>
        <p align="justify"><strong><font size="2" face="Verdana">1. Introduction</font></strong></p>
        <blockquote>
            <p align="justify"><a href="#1.1 Purpose of Mission"><strong><font size="2" face="Verdana">1.1
            Purpose of mission</font></strong></a></p>
            <p align="justify"><a href="#1.2 Background to Mission and Funding"><strong><font size="2" face="Verdana">1.2 Background to mission and
            funding</font></strong></a></p>
            <p align="justify"><a href="#1.3 Organisation"><strong><font size="2" face="Verdana">1.3
            Organisation</font></strong></a></p>
            <p align="justify"><a href="#1.4 Limitations of Mission"><strong><font size="2" face="Verdana">1.4 Limitations to mission</font></strong></a></p>
        </blockquote>
        <p align="justify"><a href="#2. Museums in Bosnia-Herzegovina"><strong><font size="2" face="Verdana">2. Museums in Bosnia-Herzegovina</font></strong></a></p>
        <p align="justify"><a href="#3. Museums in War"><strong><font size="2" face="Verdana">3.
        Museums in War</font></strong></a></p>
        <p align="justify"><strong><font size="2" face="Verdana">4. Findings</font></strong></p>
        <blockquote>
            <p align="justify"><a href="#4.1 Damage to and loss of collections/documentation"><strong><font size="2" face="Verdana">4.1 Damage to and loss of
            collections/documentation</font> </strong></a></p>
            <p align="justify"><a href="#4.2 Damage to and loss of buildings"><strong><font size="2" face="Verdana">4.2 Damage to and loss of buildings</font></strong></a></p>
            <p align="justify"><a href="#4.3 Dispossession of museum buildings"><strong><font size="2" face="Verdana">4.3 Dispossession of museum
            buildings</font></strong></a></p>
            <p align="justify"><a href="#4.4 Lack of staff"><strong><font size="2" face="Verdana">4.4
            Lack of staff</font></strong></a></p>
            <p align="justify"><a href="#4.5 Lack of materials and equipment"><strong><font size="2" face="Verdana">4.5 Lack of materials and equipment</font></strong></a></p>
            <p align="justify"><a href="#4.6 Lack of conservators and conservation facilities"><strong><font size="2" face="Verdana">4.6 Lack of conservators and
            conservation facilities</font></strong></a></p>
            <p align="justify"><a href="#4.7 Security of collections"><strong><font size="2" face="Verdana">4.7 Security of collections</font></strong></a></p>
            <p align="justify"><a href="#4.8 The future of Revolutionary and other museums"><strong><font size="2" face="Verdana">4.8 The future of Revolutionary and
            other museums</font></strong></a></p>
            <p align="justify"><a href="#4.9 Unresolved ownership problems"><strong><font size="2" face="Verdana">4.9 Unresolved ownership problems</font></strong></a></p>
        </blockquote>
        <p align="justify"><strong><font size="2" face="Verdana">5. Conclusions and
        recommendations</font></strong></p>
        <blockquote>
            <p align="justify"><a href="#5.1 Introduction"><strong><font size="2" face="Verdana">5.1
            Introduction</font></strong></a></p>
            <p align="justify"><a href="#5.2 Improving the status of museums"><strong><font size="2" face="Verdana">5.2 Improving the status of museums</font></strong></a></p>
            <p align="justify"><a href="#5.3 Lack of conservators and conservation facilities"><strong><font size="2" face="Verdana">5.3 Lack of conservators and
            conservation facilities</font></strong></a></p>
            <p align="justify"><a href="#5.4 Short-term assistance"><strong><font size="2" face="Verdana">5.4 Short-term assistance</font></strong></a></p>
            <p align="justify"><a href="#5.5 Long-term assistance"><strong><font size="2" face="Verdana">5.5
            Long-term assistance</font></strong></a></p>
            <p align="justify"><a href="#5.6 How individual institutions and professionals can help"><strong><font size="2" face="Verdana">5.6 How individual institutions can
            help</font></strong></a></p>
            <p align="justify"><a href="#5.7 Making contact"><strong><font size="2" face="Verdana">5.7
            Making contact</font></strong></a></p>
        </blockquote>
        <p align="justify"><strong><font size="2" face="Verdana">6. Reports on individual
        museums</font></strong></p>
        <blockquote>
            <p align="justify"><a href="#SARAJEVO"><strong><font size="2" face="Verdana">Sarajevo</font></strong></a></p>
            <p align="justify"><a href="#ZENICA"><b><font size="2" face="Verdana">Zenica</font></b></a></p>
            <p align="justify"><a href="#TUZLA"><strong><font size="2" face="Verdana">Tuzla</font></strong></a></p>
            <p align="justify"><a href="#MOSTAR"><strong><font size="2" face="Verdana">Mostar</font></strong></a></p>
        </blockquote>
        <p align="justify"><strong><font size="2" face="Verdana">Appendices</font></strong></p>
        <blockquote>
            <p align="justify"><strong><font size="2" face="Verdana">A. Report by R E Child on
            the Zemaljski Muzej</font></strong></p>
            <p align="justify"><strong><font size="2" face="Verdana">B. Report by R E Child on
            the Museum of the City of Sarajevo</font></strong></p>
        </blockquote>
    </blockquote>
</blockquote>

<hr size="1" width="50%" align="justify">

<p align="justify"><b><font size="2" face="Verdana">1. Introduction</font></b></p>

<p align="justify"><a name="1.1 Purpose of Mission"><b><font size="2" face="Verdana">1.1 Purpose
of Mission</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">This joint Bosnia-Herzegovina Heritage Rescue
(BHHR)-Parliamentary Assembly of the Council of Europe (PACE)
mission had two primary purposes. The first was that the PACE, in
association with the International Council of Museums (Icom)
wished to discover the situation of museums in Sarajevo (and, if
possible, elsewhere in Bosnia-Herzegovina) and to report on their
current and future needs as a basis for any assistance which
outside organisations and institutions might wish to give them. </font></p>

<p align="justify"><font size="2" face="Verdana">The second purpose of the mission was for BHHR
to implement its long-proposed plan of taking collections
management expert Robert Child, Head of Conservation at the
National Museum of Wales, to assess the conditions of the
collections at the National Museum of Bosnia Herzegovina
(Zemaljski Muzej) in Sarajevo. His report was intended both to
inform the museum director and curators of the state of their
collections after 3 years of war and to provide a basis for
material assistance to the museum. At the request of BHHR and the
Open Society Fund BH (OSF-BH), Mr Child was also asked to assess
the training needs of the museum with the aim of devising a
training programme.</font></p>

<p align="justify"><font size="2" face="Verdana">BHHR also wished to show in their report,
however, how museums coped with the realities of war in the
&quot;new world order&quot;, particularly in light of the current
re-assessment of the Hague Convention. They also hoped that a
description of the problems faced by museums in
Bosnia-Herzegovina as a result of the change in political and
ideological structures as result of the break-up of the former
Yugoslavia might illuminate similar problems faced by museums in
other regions.</font></p>

<p align="justify"><a name="1.2 Background to Mission and Funding"><b><font size="2" face="Verdana">1.2
Background to Mission and Funding</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">The PACE mission and report was planned after
the appearance of Dr Enver Imamovic, Director of the Zemaljski
Muzej, at the 18th Icom General Assembly, held in Stavanger in
July 95. Until then, unfortunately, there had been very little
interest (with a few exceptions) in the museum community and in
other organisations dealing with the protection of physical
cultural heritage in the plight of museums in Bosnia-Herzegovina.
The PACE asked BHHR consultant experts, Helen Walasek and Dr
Marian Wenzel, to undertake this mission and report on their
behalf.</font></p>

<p align="justify"><font size="2" face="Verdana">BHHR had planned since 1994 to take in an
expert in the care of museum collections to assess the
collections at the Zemaljski Muzej. After some difficulty in
locating someone who was willing to go to Sarajevo, Robert Child
volunteered in March 95 to go with BHHR on an expenses-only
basis. The war situation did not allow Mr Child to make this
visit until October 95.</font></p>

<p align="justify"><font size="2" face="Verdana">The airfares, 10 days expenses for Dr Wenzel
and report fee were paid by the PACE. The airfares and Sarajevo
expenses of Robert Child were paid for by the Open Society Fund
BH, while his expenses in Zagreb were paid by the British
Council, Croatia.</font></p>

<p align="justify"><a name="1.3 Organisation"><b><font size="2" face="Verdana">1.3 Organisation</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">The short time between the decision by the PACE
to fund this report and their requested completion date and the
need to fit in with Robert Child's prior commitments, meant that
much of this mission was organised by BHHR on the spot. The
consultants travelled from Zagreb to Sarajevo on 7 October 1995.
Robert Child returned 12 October, while BHHR staff returned 28
October. BHHR received assistance and advice from (among many
others) Dr Sejdalije Mustafic, General Secretary to the
Presidency, staff at the Ministry of Education, Science, Culture
and Sport of the Republic of Bosnia and Herzegovina, municipal
and cantonal authorities in Sarajevo, Zenica, Tuzla and Mostar,
UNHCR Zagreb and Sarajevo, the British Embassy and the Overseas
Development Administration-Emergency Engineering Unit (ODA-EEU),
Sarajevo and the Open Society Fund BH.</font></p>

<p align="justify"><a name="1.4 Limitations of Mission"><b><font size="2" face="Verdana">1.4
Limitations of Mission</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">Time and funding restrictions meant that BHHR
was only able to visit 11 publicly-owned museums, all in
territory held by the Bosnian Government or Federation. BHHR
would like in future to visit other museums, including those in
territory held at this time by the Republika Srbska. They would
also like to make assessments of important Franciscan monastery
collections in Bosnia-Herzegovina.</font></p>

<hr size="1" align="justify" width="15%">

<p align="justify"><a name="2. Museums in Bosnia-Herzegovina"><b><font size="2" face="Verdana">2.
Museums in Bosnia-Herzegovina</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">With the exception of the Zemaljski Muzej
(1888) and the Narodni Muzej in Banja Luka (1930), all other
publicly-owned museums in Bosnia-Herzegovina were founded after
WW II. The Zemaljski Muzej, founded by the Austrian
administration as a tool in their economic development of the
country, dominates the museum scene. Regional and local museums
frequently have at their heart collections of documentary and
other evidence relating to the Partisan period, but have other
significant collections such as archaeology (pre-history -
frequently very rich, ancient, Roman, medieval), ethnology (which
often includes sophisticated work of the Ottoman period), art
(usually 19th and 20th century paintings), numismatics and
natural history. There were also a number of museums devoted
solely to the interpretation of the history of the Partisan and
early Communist era, such as those at Jablanica and Jajce, and
their parent institution, the Museum of the Revolution in
Sarajevo (now the Historical Museum).</font></p>

<p align="justify"><font size="2" face="Verdana">Museums can fall under a number of different
political authorities ranging from the Republic to district,
cantonal or municipal governments. The Ministry of Education,
Science, Culture and Sport of the Republic maintains overall
authority for museum policy. Education, Science and Culture is to
become a responsibility of the Federation Government; its
ministry will be based in Mostar, according to the Dayton
Agreement. The transition from communist rule and political
problems arising from the war have caused uncertainty as to which
authority some museums are accountable. The director of the
Museum of Herzegovina in Mostar told BHHR that for 5 or 6 months
they fell under the authority of the town, then the okrug
(district) and now he understood they may fall under the
Republic. </font></p>

<p align="justify"><font size="2" face="Verdana">In some cases museums complain of poor
relationships with their political masters ranging from lack of
support and indifference, lack of understanding about what they
are doing, to outright obstructiveness and political
interference. These complaints could be voiced by publicly-owned
museums around the world. However, in Bosnia-Herzegovina, these
problems are exacerbated by the war situation where the concern
of authorities is inevitably focused on urgent humanitarian and
defense problems and the needs of museums are seen as having a
low priority.</font></p>

<p align="justify"><font size="2" face="Verdana">Nonetheless, the Republic of Bosnia-Herzegovina
has passed a law concerning museum provision, (BiH13/1993/20/3),
which among other issues, dictates the types of spaces and
facilities a museum should have, which are: 1) Exhibition space
or permanent and temporary exhibitions 2) Storage space for
systematic collections 3) conservation workshop 4) Space for
lectures and groups 5) Workspace for experts 6) A scientific
library.</font></p>

<p align="justify"><font size="2" face="Verdana">All the museums visited by the consultants,
including the Zemaljski Muzej, were poorly equipped before the
war in terms of modern museum practice, and now, much of what
they did possess is damaged or destroyed. None of the museums
visited operated computerised information systems before the war.
Only the Gallery of International Portraits in Tuzla owns a
computer (given by the OSF-BH for the use of all cultural groups
in the city). However, documentation was of a high level, with
standard record cards used in all museums. Conservation
facilities outside Sarajevo, where there were conservation
workshops at the Zemaljski Muzej, the Art Museum and the Academy
of Fine Arts, were generally poor or non-existent. The Academy
ran training courses on paper and painting conservation. When
conservation was required, a conservator was sent from Sarajevo,
or work was carried out in Sarajevo, Belgrade, Ljubljana or
Zagreb. </font></p>

<p align="justify"><font size="2" face="Verdana">Before the war, all the museums visited carried
out active programmes of exhibitions, research, publication, and
symposia. During the war, most have tried to continue to hold at
least some exhibitions. During the time of BHHR's visit there
were exhibitions being held at the Art Museum, the Museum of East
Bosnia and the Gallery of International Portraits, Tuzla. The
Zemaljksi Muzej, the Historical Museum and the Museum of the XIV
Winter Olympics have all held exhibitions in other premises
during the war, where their own buildings were too either damaged
or dangerous to visit, or were destroyed. </font></p>

<hr size="1" align="justify" width="15%">

<p align="justify"><a name="3. Museums in War"><b><font size="2" face="Verdana">3. Museums in
War</font></b></a></p>

<p align="justify"><i><font size="2" face="Verdana">&quot;We had no idea what it would be
like&quot;</font></i></p>

<p align="justify"><font size="2" face="Verdana">These findings are based on the experiences of
museums in Sarajevo and related to BHHR over several missions. In
the pre-war period, as early as 1991 (war broke out 5 April
1992), staff at some museums felt that collections would need to
be protected. The Zemaljski Muzej asked the Ministry of Culture
to provide them with packing materials and storage containers.
These were never forthcoming, and BHHR was told that it was never
clear whether this was because there were no funds, or because it
suited the political purposes of those who where in power at the
time. Nevertheless, basement depots were prepared, cleaned and
some collections moved there. In October 1991, Enver Imamovic
(now Director of the Zemaljski Muzej, then an archaeology
professor) wrote an open letter to cultural institutions urging
them to protect their collections, but felt he met with little
response. Two or three months before war broke out, the director
of the Museum of the XIV Winter Olympics began to store his
collections in metal cupboards in the basement of the museum; he
gave the excuse that he was doing so because the museum needed
painting, and by this expedient saved his collections. It is
clear that it was extremely difficult to take overt action in
this period to protect collections, when many of those in power
(and some colleagues) were shortly to become the enemy (see PACE
Doc 6999, No. 2 p.60, regarding this).</font></p>

<p align="justify"><font size="2" face="Verdana">This problem is vividly illustrated by the
account of the protection of the famous Sarajevo Haggadah,
property of the Zemaljski Muzej. The obvious place for the
Haggadah to be deposited was the vault of the National Bank,
where it had stayed throughout WW II; however, no-one could
predict who would hold the bank. A decision was made by the then
director and senior staff to keep the Haggadah at the museum. It
was removed from the safe in the director's office (and replaced
with a facsimile) and hidden in a small safe in the museum
library basement. Later, when fierce fighting broke out around
the museum, the Haggadah was rescued from the safe and eventually
deposited at the bank. </font></p>

<p align="justify"><font size="2" face="Verdana">On 14 May 1992, a Commission for the Protection
of the Cultural Heritage of the City was founded, which formed
teams of volunteers who rescued and stored a large amount of the
moveable heritage of the city, including collections from the
Museum of the City of Sarajevo and some material from the
Zemaljski Muzej. Nevertheless, most of the collections of the
Zemaljski Muzej, and those of other museums and galleries,
remained in their respective buildings. Objects were removed from
display cases, packed and moved to safer locations within the
building. All museums in Sarajevo displayed Unesco flags sent to
them by the Museum Documentation Centre, Zagreb; unfortunately,
these provided no protection. Evidence suggests some museums were
deliberately targeted. In the early period of the war, until it
was provided with military guards, at least 4 staff members slept
at the Zemaljski Muzej; one of the conservators still slept there
until recently. </font></p>

<p align="justify"><font size="2" face="Verdana">It was not until autumn 1994, when the war
worsened and there was an assumed threat of rocket attacks, that
most collections at the Zemaljski Muzej were moved to basement
stores. Now, the dilemma of curators was whether to put
collections in safe, but very damp stores, or keep them above
ground in environmentally better, but potentially dangerous
conditions. It was further found that sandbagging basement
windows totally cut off any air circulation, increasing humidity
levels (see Appendix A). The Keeper of Natural Sciences resisted
strong pressure to move all his collections below ground,
believing their chances of survival were better in remaining in
situ. In the case of ornithological and zoological collections
there was simply no space to put them in the basement. During
this time the Army provided some packing materials and sand for
sandbags and 40 people from the Army and Civilian Protection
Forces assisted staff with the packing and evacuation of
artefacts to basement stores. Packing of the collections was
carried out in freezing winter conditions with no heating or
electricity. </font></p>

<p align="justify"><font size="2" face="Verdana">A large area of the roofs of the Natural
Sciences and Archaeology pavilions at the Zemaljski Muzej were
glazed. Once shattered, these remained unrepaired for 2 1/2
years, due to a combination of the extreme danger to workers from
sniper fire (though UNPROFOR tried unsuccessfully to broker a
temporary cease fire), problems with contractors and a lack of
funds. Museum staff devised huge chutes of plastic sheeting to
drain rain and snow out of windows, or into containers. In summer
1995, using funds raised by the Swiss National Museum the roofs
from the inside. Whether these will last through heavy winter
snows remains to be seen.</font></p>

<p align="justify"><font size="2" face="Verdana">Descriptions of actions taken in war must take
into account the extreme psychological trauma suffered. People
were living and working under continual shelling and sniper fire.
There was no water, lighting or heat in museum buildings, whose
roofs and windows were shattered. Many lost close relatives, most
of their associates had left. And there was the additional factor
that those who were attacking them were in many cases friends,
neighbours and former colleagues. Indeed, staff at the Zemaljski
Muzej and Historical Museum are convinced that one of their
colleagues directs snipers on the Bosnian Serb side, and believe
this is why none of them has ever been hit by a sniper's bullet,
though many other people have been wounded or killed near the
museums. Maintenance of a semblance of normality was also
important; for this reason some lapidarium objects at the
Zemalsjki Muzej were left unprotected, so that there was at least
one exhibition still on view.</font></p>

<hr size="1" align="justify" width="15%">

<p align="justify"><b><font size="2" face="Verdana">4. Findings</font></b></p>

<p align="justify"><a name="4.1 Damage to and loss of collections/documentation"><b><font size="2" face="Verdana">4.1 Damage to and loss of collections/documentation</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">Damage to or destruction of collections by
direct war action was surprisingly slight. The worst damage and
destruction encountered was at the Museum of Herzegovina, Mostar,
where the archaeological store is buried under a destroyed
building, and where collections in the Cejvan Cehajin Mosque were
destroyed. In the Historical Museum, Sarajevo, approximately 4%
of the paintings collection has suffered shrapnel damage, while
around 4% of three-dimensional objects, 0.21% of archival
material, 1% of the library and just over 5% of the documentation
centre are damaged. The Zemaljski Muzej, situated like the
Historical Museum, directly on the confrontation line, has
experienced relatively little damage to collections, mainly to
artefacts left <i>in situ</i>, such as the Ottoman period
panelled rooms in the Ethnology pavilion (minor bullet and
shrapnel damage). In the Natural Sciences pavilion, exhibited
specimens of <i>Apidae</i>, <i>Colydiidae</i>, <i>Acrididae </i>and
<i>Nolidae</i> were either destroyed or damaged by sniper fire.
The director of the Museum of the XIV Winter Olympics estimates
that perhaps 10% of his collection was destroyed.</font></p>

<p align="justify"><font size="2" face="Verdana">Perhaps more serious was the loss of
collections by theft: 40 icons, 2 Hodler paintings and Islamic
manuscripts from the Art Museum, Sarajevo, while a collection of
gold and silver Roman jewellery was taken from the Museum of East
Bosnia, Tuzla. Serious theft of collections occurred from the
Museum of Herzegovina, Mostar, where according to varying
accounts, all the weapons collection, all the numismatic
collection and all of jewellery from the ethnographic collection
as well as the most important ethnographic artefacts were taken.
Some of the jewellery was later recovered and is being held by
the Museum of Herceg-Bosna. Also stolen from the museum safe were
the museum's most valuable artefacts, a group of Early Christian
reliquaries. The theft of about 10 weapons occurred at the
Historical Museum, where over 200 objects were damaged in a
break-in with attempt to steal. It will be difficult to determine
the exact extent of loss until surviving collections are checked
against inventories.</font></p>

<p align="justify"><font size="2" face="Verdana">It will probably be found that more damage and
loss has been suffered by collections simply by being moved
during evacuation to storage depots, because of the inevitably
poor environmental conditions in which they are stored (most
notably, high levels of humidity) and from the lack of packing
materials, storage containers and shelving, and being poorly
stored. In particular, it seems likely that natural history
collections will have survived the least well because of the
extreme fragility of many of the specimens and their
susceptibility to adverse environmental conditions. However the
report of Robert Child (Appendices A &amp; B) on the collections
at the Zemaljski Muzej and the Museum of the City of Sarajevo,
shows that collections have, in fact, survived remarkably well so
far.</font></p>

<p align="justify"><font size="2" face="Verdana">Documentation has survived well, with only the
Art Museum in Sarajevo reporting serious loss or damage by war
actions.</font></p>

<p align="justify"><a name="4.2 Damage to and loss of buildings"><b><font size="2" face="Verdana">4.2
Damage to and loss of buildings</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">Of all the museums and galleries visited in
Sarajevo, only 2 buildings were completely unusable or destroyed
due to war damage: the Museum of the XIV Olympic Winter Games and
the Museum of the Sarajevo Assassination (part of the City
Museum, Sarajevo). Others, however, suffered serious damage which
had implications for the state of the collections, which in the
majority of cases are stored on site. Damage to buildings made it
extremely difficult for museums to operate due to the loss of
workshops, administration offices and other facilities.
Frequently infrastructure was completely destroyed, though most
now have some localised electricity, water and gas. All, however,
continued to operate as best they could. Repairs are temporary
due to the lack of funds, the difficulty in procuring materials
and the danger from shelling and sniper fire to workers repairing
damage. Frequently repairs were carried out only to be damaged by
further shelling. Once again, the situation was worst in Mostar:
of 6 buildings formerly occupied by the Museum of Herzegovina,
only two were not seriously damaged. Elsewhere, destruction and
damage to museum buildings had not occurred. However, unoccupied
and unguarded buildings frequently suffered from vandalism,
usually in attempts to remove fixtures and fittings.</font></p>

<p align="justify"><a name="4.3 Dispossession of museum buildings"><b><font size="2" face="Verdana">4.3
Dispossession of museum buildings</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">A significant problem which came to BHHR's
attention were the extreme difficulties being caused to museums
by being dispossessed of one or more museum buildings. This was
almost entirely as a result of the change in political structures
at the end of Communist rule when the restitution of property to
its original owners was carried out. In nearly every case (the
City Museum Sarajevo, the City Museum Zenica, the Museum of
Herzegovina, Mostar) museums had been lodged in buildings which
belonged to the Islamic community in the pre-Communist era. The
Museum of East Bosnia, Tuzla was removed from a building
belonging to the Croatian community and was compelled to give up
half of its storage space (itself in a primary school) to the
Islamic community administration.</font></p>

<p align="justify"><font size="2" face="Verdana">The result of this loss of buildings is that
collections from 2 or 3 buildings are stored in cramped
conditions in one, thus eliminating exhibition space (Zenica),
with museums frequently losing their main administrative and
operational centres (Sarajevo,Mostar).</font></p>

<p align="justify"><a name="4.4 Lack of staff"><b><font size="2" face="Verdana">4.4 Lack of
staff</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">All the museums suffered from a severe lack of
staff, particularly of trained curators and
preparators/conservators. Many staff have left the country, while
the younger men are in the army. Some have been killed or are
ill. Others have gone to the Serb side. Frequently staff who
remain are too physically unfit to work actively at the museum.
Of those who remain, many are nearing retirement age. It is
unlikely that a high proportion of those who have left will
return to museums. It is worth noting that those staff who BHHR
encountered were multi-ethnic, of all nationalities.</font></p>

<p align="justify"><a name="4.5 Lack of materials and equipment"><b><font size="2" face="Verdana">4.5
Lack of materials and equipment</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">War damage and destruction of equipment, lack
of funds, the frequent impossibility of obtaining suitable
materials and equipment locally, and at the worst of the war, the
loss of supplies being sent to museums, means that all museums
visited suffered from the lack of the most basic working tools,
equipment and materials. Where they had survived, equipment and
tools were frequently very antiquated. Particularly problematic
was the lack of proper packing materials and storage cases,
shelving and cleaning tools and equipment. As well, preservation
chemicals and alcohol are urgently needed as are insect and pest
control measures. Some materials have got through: conservation
supplies for the Zemaljski Muzej purchased by BHHR on contract
with Unesco, began to reach the museum in October 95.</font></p>

<p align="justify"><a name="4.6 Lack of conservators and conservation facilities"><b><font size="2" face="Verdana">4.6 Lack of conservators and conservation facilities</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">There was an almost total absence of
conservators (except at the Zemaljski Muzej) and a complete lack
of functioning, equipped, conservation facilities.</font></p>

<p align="justify"><a name="4.7 Security of collections"><b><font size="2" face="Verdana">4.7
Security of collections</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">In Sarajevo all depots/buildings have permanent
militia or police guards. Those in the Zemaljski Muzej patrol the
building regularly and recently put out a fire which began when a
sniper's bullet struck a display of <i>Apidae</i> in the Natural
Sciences pavilion. However, the militia themselves are careless
with cigarettes. Some are not regarded as particularly
trustworthy.</font></p>

<p align="justify"><font size="2" face="Verdana">The Zemaljski Muzej recently improved its
security by installing steel door and window grilles on basement
stores. But in general security is poor. Alarm systems do not
exist (or if they did, do not function) and windows are
frequently broken or only covered by plastic sheeting. Both
institutions visited in Tuzla shared storage space with other
organisations.</font></p>

<p align="justify"><a name="4.8 The future of Revolutionary and other museums"><b><font size="2" face="Verdana">4.8 The future of Revolutionary and other museums</font></b></a></p>

<p align="justify"><i><font size="2" face="Verdana">&quot;What do you do with a museum which no
longer serves any purpose?&quot;</font></i></p>

<p align="justify"><font size="2" face="Verdana">One noteworthy problem which emerged was the
future of museums whose cultural <i>raison</i> <i>d'etre</i> has
disappeared and whose method of interpretation are at severe odds
with the new political and social structures. In the main, these
are museum which focus on the exploits of the Partisan and
Communist era in the former Yugoslavia. Often they are in
purpose-built modern buildings and had much money lavished on
their displays and facilities. </font></p>

<p align="justify"><font size="2" face="Verdana">The former Museum of the Revolution in Sarajevo
is trying to redefine itself as the Historical Museum of
Bosnia-Herzegovina. Staff feel there will be a need after the war
to research the history of the country from the arrival of the
Slavs to the present and that no other museum fulfils this
purpose. The Historical Museum always did in fact cover the
history of the country from the Austrian period. The eventual
fate of its smaller outposts such the Museum of the Battle of the
Wounded on the Neretva at Jablanica, which is currently being
used as a prison, remains to be seen.</font></p>

<p align="justify"><font size="2" face="Verdana">Another museum which will never be restored to
its original form, perhaps not even returned to its former
building, is the Museum of the Sarajevo Assassination (formerly
the Museum of &quot;Mlada Bosna&quot; and Gavrilo Princip) in
Sarajevo. The exhibitions of this museum (presently in store) are
now regarded as too pro-Serb in their presentation. Opinions
varied as to where its collections would eventually be displayed,
though one source felt they might return to their original
location at the spot where Princip fired the fatal shot at Franz
Ferdinand.</font></p>

<p align="justify"><font size="2" face="Verdana">However, all those with whom BHHR discussed
this issue felt that it was important that this material
continued to be displayed in some form.</font></p>

<p align="justify"><a name="4.9 Unresolved ownership problems"><b><font size="2" face="Verdana">4.9
Unresolved ownership problems</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">Two instances of unresolved ownership of
collections were encountered in institutions visited by BHHR. The
first concerned the Gallery of International Portraits in Tuzla
which holds a rich collection of modern paintings, drawings and
graphics. The gallery was formerly the Portrait Gallery of all
Yugoslavia, and the issue of ownership of its assets may well
arise in the future. Its documentation is said to be in Belgrade.
Because of this background it is unclear at present to which
political authority the gallery is accountable and this is
causing uncertainty in its relationship with the cantonal
government. The second was the status of artefacts from the
Museum of Herzegovina, Mostar which are now in the possession of
the Museum of Herceg-Bosna, Mostar, who regard them as theirs.</font></p>

<p align="justify"><font size="2" face="Verdana">The question of ownership of assets and
information has also relevance in the case of the Museums
Documentation Centre (MDC) in Zagreb, which operates solely in
respect of Croatian museums. The MDC was previously documentation
centre for all former Yugoslavia, and as such may hold records of
museums of all the Republics, including Bosnia-Herzegovina. The
status of these records and their future use needs clarification.
</font></p>

<p align="justify"><b><font size="2" face="Verdana">5. Conclusions and recommendations</font></b></p>

<p align="justify"><a name="5.1 Introduction"><b><font size="2" face="Verdana">5.1 Introduction</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">This report was finished as the peace agreement
was signed in Dayton, Ohio on November 1995. It should now be
easier to help museums in Bosnia-Herzegovina. However it <u>was</u>
possible to help during the war, and much, much, more should have
been done by the international museum community to help museums
protect their collections. Small scale efforts frequently work as
well as larger ones (and sometimes better). With ingenuity and
persistence, supplies do get through, even if they are sometimes
lost, and vital morale-boosting links are maintained with the
outside world. Museums have perhaps been worst-assisted by their
fellow professionals outside Bosnia of all cultural institutions
in the country during the war - musicians, artists and academics
have all received support.</font></p>

<p align="justify"><a name="5.2 Improving the status of museums"><b><font size="2" face="Verdana">5.2
Improving the status of museums</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">Support needs to be given to museums in
Bosnia-Herzegovina to improve their status. Representation at
Icom, agreed at the 18th General Assembly, has still not been
implemented. This should be done as soon as possible, and country
representation encouraged on other international bodies such as
ICCROM. Museum staff should be encouraged and invited to attend
international conferences to bring them into contact with other
museum professionals. Museums in Bosnia-Herzegovina should be
encouraged to act in concert and helped to present themselves to
their government as a part of the educational and scientific, as
well as the cultural, system of the country, and to be included
in relevant policies and programmes. They should be helped to
demonstrate positively what they can offer their country in its
post-war reconstruction, for example, by presenting the
industrial and commercial potential of the Natural Sciences
Department of the Zemaljski Muzej, or the use of museum
collections in educating schoolchildren in multi-cultural
programmes.</font></p>

<p align="justify"><font size="2" face="Verdana">The museum profession in Bosnia-Herzegovina is
decimated, and in need of revitalisation; it has been isolated
from the outside world and within the country, due to the
difficulties of communication and transport. Re-establishment of
professional contacts within and without the country are
essential. Art galleries have been somewhat more successful in
maintaining links with the outside world- chiefly, it appears, as
a result of the initiatives of foreign artists and private
gallery owners.</font></p>

<p align="justify"><a name="5.3 Lack of conservators and conservation facilities"><b><font size="2" face="Verdana">5.3 Lack of conservators and conservation facilities</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">Any plans for assistance should take into
account 4.6. How conservation facilities will be structured, and
how and where conservators will be trained will need to be
addressed, and in this the cultural authorities will need
assistance. The Academy of Fine Arts would like to reinstate and
expand its training programme in painting and paper conservation
and is seeking help in developing this. Links with regional and
other conservation centres should be established, especially
those outside the war zones in the former Yugoslavia.</font></p>

<p align="justify"><a name="5.4 Short-term assistance"><b><font size="2" face="Verdana">5.4
Short-term assistance</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">Museum collections are likely to remain in
store for some time, given the problems of repairing buildings
for some, and finding suitable accommodation for others.
Therefore the initial emphasis in providing assistance should be
on creating good storage environments and stabilising and
cleaning collections. Dehumidifiers, moisture monitoring
equipment, packing materials, storage containers, shelving,
racking, cleaning equipment for premises and objects are all
needed, as are insect and pest control programmes. Provision of
conservation chemicals, materials and equipment should take into
account 4.6.</font></p>

<p align="justify"><font size="2" face="Verdana">Training programmes to bring new people into
the profession and to train volunteers for dealing with immediate
post-war collections problems are urgently needed (see Appendix
B). BHHR is currently developing and seeking funding for a Care
of Collections and Object Care programme.</font></p>

<p align="justify"><a name="5.5 Long-term assistance"><b><font size="2" face="Verdana">5.5
Long-term assistance</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">In the longer term, museums in
Bosna-Herzegovina will need assistance in such areas as modern
museum management techniques, setting up computerised
documentation and information systems and developing imaginative
educational and interpretative programmes. In this last area
particularly, museums are still working within the legacy of not
only the Communist era, but of the Austrian period.</font></p>

<p align="justify"><a name="5.6 How individual institutions and professionals can help"><b><font size="2" face="Verdana">5.6 How individual institutions and professionals can
help</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">Purchasing the urgently-needed materials
mentioned above will require funds. Fund raising is something the
museum community seems loathe to do. However, the Swiss National
Museum, by the simple expedient of placing a collection box and a
small display about the Zemaljski Muzej in their front foyer,
collected a considerable sum of money from visitors for the
museum. <u>Half</u> this amount paid for temporary roofing for
the Natural Sciences and Archaeology buildings, 6 steel security
doors, 19 steel window grilles and new locks for storage depots. </font></p>

<p align="justify"><font size="2" face="Verdana">Museums can begin to make contact with their
colleagues (see 5.7), collect professional journals for them (as
the National Museum of Wales is doing), invite them to
conferences and arrange visits for training or professional
development (a textile conservator from the Zemaljski Muzej has
been upgrading her skills recently at the Norsk Folkemuseum).
Though much attention has been focused on the great problems of
the Zemaljski Muzej, other museums would greatly benefit from
contacts - especially from museums of a similar size, with
similar collections to theirs.</font></p>

<p align="justify"><a name="5.7 Making contact"><b><font size="2" face="Verdana">5.7 Making
contact</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">BHHR has provided telephone numbers for
institutions where possible. They are willing to establish
contacts with museums in case of difficulties, and for further
information: Bosnia-Herzegovina Heritage Rescue, 12 Flitcroft
Street, London WC2H 8DJ, England, Tel/fax: ++ 44 171-240-7966.
The Open Society Institute in Sarajevo has a good communication
links and will pass on messages: (Via USA) Tel/fax: ++ 1 412
339-4788, tel: ++ 1 412 339-4736, fax: ++ 1 412 339-4724. E-mail:
<a href="/cdn-cgi/l/email-protection" class="__cf_email__" data-cfemail="becdd1ccd1cde1d3dbdad7df90dddbd0cadfccfec4dfd3d7cc93cddf90c4cad090dfcedd90d1ccd9">[email&#160;protected]</a> <u>or</u>
<a href="/cdn-cgi/l/email-protection" class="__cf_email__" data-cfemail="93e0fce1fce0bde0f2d3e9f2fefae1bee0f2bde9e7fdbde9f6e1bdf7f6">[email&#160;protected]</a>. The Unesco office in Sarajevo will
also pass on messages: Tel/fax: ++ 387 71 670-728 or 670-726. </font></p>

<hr size="1" align="justify" width="15%">

<p align="justify"><a name="6. Reports on Individual Museums"><b><font size="2" face="Verdana">6.
Reports on Individual Museums</font></b></a></p>

<p align="justify"><a name="SARAJEVO"><b><font size="2" face="Verdana">SARAJEVO</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">War conditions in Sarajevo have been severe. It
has been subjected to constant shelling by Bosnian Serb forces,
its streets raked with sniper fire. The city has been without
water, electricity or gas for long periods. Two of its major
museums, the Zemaljski Muzej and the Historical Museum, stand
side-by-side on &quot;Sniper's Alley&quot;; behind them the
confrontation line lies only 50 metres away across the Miljacka
River. In this hostile environment, nevertheless, museums have
continued to function, in one way or another. BHHR visited all
publicly-owned museums and galleries in the city, with the
exception of the Museum of Literature and Theatre Arts. Some of
its requirements, however, are listed in the report described
below.</font></p>

<p align="justify"><font size="2" face="Verdana">The Open Society Institute, Budapest report <i>Cultural
Institutions and Monuments in Sarajevo</i> lists the requirements
for rehabilitation which museums in the city have requested in
order for them to operate. This useful report, however, focuses
primarily on long-term requirements, and some requests for
materials and equipment are obviated by the lack of staff trained
to use them. The report is available from: Open Society
Institute, Budapest, Tel: ++ (36-1) 327-5100.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">National Museum of Bosnia and Herzegovina
(Zemaljski Muzej</font></u></b><font size="2" face="Verdana"><u>)</u></font></p>

<p align="justify"><font size="2" face="Verdana">Zmaja od Bosne 7, 71000 Sarajevo </font></p>

<p align="justify"><font size="2" face="Verdana">The Zemaljski Muzej, Bosnia-Herzegovina's
foremost museum, has a long and distinguished history, and has
been called the country's most prolific and significant research
institution. Its <i>Glasnik Zemalskog muzeja u Sarajevu</i> has
been in constant publication since 1889. During the present war
its staff have worked to preserve its collections under
conditions of extreme danger, facing shelling and sniper fire
daily (see 3). The museum's first wartime director, Rizo Sijaric,
was killed by a shell. Robert Child's report (Appendix A) gives a
detailed picture of physical conditions at the museum.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Contact:</font></b> <font size="2" face="Verdana"> Dr Enver Imamovic, Director</font></p>

<p align="justify"><b><font size="2" face="Verdana">Informants:</font></b> <font size="2" face="Verdana"> Dr Enver Imamovic
(Director), Dr Svjetoslav Obratil (Keeper of Natural Sciences),
Svetlana Bajic (Senior Curator of Ethnology), Enisa Causevic
(Ethnology Dept), Olga Lalevic (Librarian), Esad Veskovic
(Conservator)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Date of foundation:</font></b> <font size="2" face="Verdana"> 1 February 1888</font></p>

<p align="justify"><b><font size="2" face="Verdana">Political authority:</font></b> <font size="2" face="Verdana"> Republic of Bosnia
and Herzegovina (Ministry of Education, Science, Culture and
Sport).</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war buildings, depots:</font></b> <font size="2" face="Verdana"> Austrian
period, (1913) purpose-built group of 4 brick and stucco-faced
pavilions (Archaeology, Ethnology, Natural Sciences, Library)
arranged in a square with botanic garden in central area (5,000 m<sup>2</sup>).
Buildings designed by Karlo Parzik. Total area approximately
14,000 m<sup>2</sup>.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present buildings, depots:</font></b> <font size="2" face="Verdana"> as above.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present condition of buildings, depots:</font></b>
<font size="2" face="Verdana">
Heavily damaged by several hundred shell impacts. Temporary
repairs have finally been carried out to the roof, much of which
was glazed (wood, plywood and plastic sheeting), after being open
for over 2 years. Temporary repairs to windows (wood, plywood and
plastic sheeting) made in spring '95 are partially damaged by
continued shelling or are deteriorating due to inferior plastic
sheeting being used by outside contractors.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present staff:</font></b> <font size="2" face="Verdana"> approximately 20,
including curators of archaeology, ethnology and natural
sciences. However, a proportion of these are ill and not active.
Several conservators and preparators remain; of these, two
(textiles and archaeology) have recently been abroad to upgrade
their training. Natural Sciences: 4, plus cleaners (2 not
active). There is no-one to care for the botanical garden.
Ethnology: 10, 5 experts, 5 technical, plus cleaners. Not all are
active. Library: 1 librarian, and 1 cleaner.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war staff:</font></b> <font size="2" face="Verdana"> approximately 70,
including subject experts, preparators, conservators. Natural
Sciences: 20, including 4 PhDs, botanic gardens had botanist plus
4 gardeners, 4 preparators (invertebrates, vertebrates,
geological, botanical). Ethnology: 19 experts. Library: 6
librarians with degrees, 1 with diploma.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections (pre-war):</font></b> <font size="2" face="Verdana"> 1) Archaeology:
prehistoric, ancient, medieval (over 105,000 artefacts. 2)
Ethnology: material culture (14,000), spiritual culture, folk
music, oral folklore (14,000) 3) Natural Sciences: geological,
paleotological, mineralogical, petrological, botanical,
ornithological, entomological, zoological, with collections of
the flora and fauna of the entire Balkan Peninsula as well as
foreign items. Its herbarium, mineral (particularly those of the
karst regions), insect and bird collections are among the most
important in the former Yugoslavia (over 1,000,000 items). 4)
Library: the oldest scholarly library in Bosnia-Herzegovina with
large and rich holdings.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of collections:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">in situ:</font></i></b> <font size="2" face="Verdana"> Archaeology Dept:
exterior lapidarium objects (mainly tombstones - <i>stecci</i>)
in botanic garden and in front of building. Interior lapidarium:
classical and medieval stone objects, mosaics, cannons on ground
and first floors of archaeology pavilion. Ethnology Dept:
panelled Ottoman room settings. Natural Sciences: Herbarium, some
of ornithological and entomological collection, a small portion
of mineral collection.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> remainder of collections
stored in basement or between floor storage areas.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">moved:</font></i></b> <font size="2" face="Verdana"> Haggadah and other
valuable artefacts to bank. Display cases with ornithological and
zoological specimens moved to safer interior halls away from
front lines.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of documentation:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> in basement storage
depots in fireproof metal cabinets.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Security of collections:</font></b> <font size="2" face="Verdana"> Now good.
Permanent militia guard patrol regularly. Recently iron security
grilles were installed on doors and windows and new locks on
doors<b>.</b></font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of collections:</font></b> <font size="2" face="Verdana"> A small number of
exhibited insect specimens through war damage. Possible theft of
weapons.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Damage to collections:</font></b> <font size="2" face="Verdana"> Minor war damage
to some lapidarium objects (most of which were not protected by
sandbagging) and panelled rooms, insect specimens. A small number
of mineral specimens disintegrated on being moved. The full
extent of damage due to poor environmental conditions will not be
known until collections are removed from storage.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of/damage to documentation:</font></b> <font size="2" face="Verdana"> None.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections assessment:</font></b> <font size="2" face="Verdana"> See Appendix A.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Recommendations:</font></b> <font size="2" face="Verdana"> See Appendix A</font></p>

<p align="justify"><b><font size="2" face="Verdana">Urgent requirements:</font></b> <font size="2" face="Verdana"> See Appendix A, OSI
report pp 16-21, BHHR has requirements list.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Historical Museum of Bosnia-Herzegovina
(Historijski Muzej BiH)</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">Zmaja od Bosne 9, 71000 Sarajevo </font></p>

<p align="justify"><font size="2" face="Verdana">The Historical Museum was formerly the Museum
of the Revolution, and is now defining its future role (see 4.8).
On previous visits to Sarajevo, BHHR was told that the museum did
not function, that there was no-one there, due to its extremely
dangerous location and damage to its building. By persistent
enquiries, however, we found that not only did the museum
operate, but that staff had continued to work there every day
during the war. Staff carried out major repairs to the building
themselves, as no-one else was prepared to do this. In full view
of snipers in apartment buildings behind the museum, they spent 2
weeks patching the roof and dug 300 metres of trench to lay a gas
line to their basement office. BHHR staff were the first people
to visit the museum since the beginning of the war - apart from a
representative of the firm Intertect, who told them the roof
could not be repaired. Materials donated by an Austrian firm to
properly repair the roof have not arrived as the museum could not
afford to pay for transport. At the request of BHHR, the Austrian
Cultural Institute in Zagreb has undertaken to ensure the
materials are delivered at no cost to the museum. </font></p>

<p align="justify"><b><font size="2" face="Verdana">Contact:</font></b> <font size="2" face="Verdana"> Dr Ahmed Hadzirovic, Director</font></p>

<p align="justify"><b><font size="2" face="Verdana">Informants: </font></b> <font size="2" face="Verdana"> Soniboj Stanicic (Deputy
Director), Stanislav Tomasevic (Legal Officer), Nurudin
Mulahuseinovic<b> </b>(Administrator) </font></p>

<p align="justify"><b><font size="2" face="Verdana">Date of foundation: </font> </b><font size="2" face="Verdana">1945, present
building opened 1966</font></p>

<p align="justify"><b><font size="2" face="Verdana">Political authority:</font></b> <font size="2" face="Verdana"> Republic of Bosnia
and Herzegovina (Ministry of Education, Science, Culture and
Sport).</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war buildings, depots: </font></b> <font size="2" face="Verdana"> purpose-built
modern building (1963) of flat roof construction, close to
Miljacka River. Predominate materials, marble facing and glass
(60% of surface area of building is glass). </font></p>

<p align="justify"><b><font size="2" face="Verdana">Present buildings, depots:</font></b> <font size="2" face="Verdana"> as above</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present condition of buildings, depots:
</font></b>
<font size="2" face="Verdana">
23 holes in roof from direct shell impacts. All glass surfaces to
roof broken. All infrastructure installations (heating, lighting,
water, telephone) damaged. Windows and roof temporarily repaired
with plywood and plastic sheeting. Storage depots in basement
suffer from high humidity levels and water damage from broken
pipes, all windows were without glass but have been protected
with metal-reinforced plastic sheeting. Only a few rooms useable.
</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present staff:</font></b> <font size="2" face="Verdana"> 10 active. These include
the director, chief curator, administrator, legal officer,
cleaner, photographer.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war staff:</font></b> <font size="2" face="Verdana"> 40. Of these, 17-19
curators (half subject specialists, half technical)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections (pre-war): </font></b> <font size="2" face="Verdana"> Although the
collections focus largely on WW II, they also have a considerable
number of artefacts from the medieval, Ottoman, Austro-Hungarian
and pre-WW II periods. </font></p>

<p align="justify"><font size="2" face="Verdana">1) 5 photographic collections, 88,600 (24,600
rare) 2) archival sources, 68, 500 (18,300 rare) 3) works of art,
2,300 (870 rare) 4) three-dimensional objects: ranging from
weapons, uniforms, personal artefacts, to a tank, howitzers and a
glider 5) library, over 20,000 items (3,680 rare) 6)
documentation centre, 2,500 items.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of collections:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">in situ:</font></i></b> <font size="2" face="Verdana"> several tapestries,
statue of Tito (inside building), howitzer, glider (in
courtyard).</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> majority of collections
except library stored in basement depots on site. These were all
purpose-built storage areas for the collections.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">moved:</font></i></b> <font size="2" face="Verdana"> some of weapons collection
on loan to Bosnian Army.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of documentation:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored: </font></i></b> <font size="2" face="Verdana"> in basements depots on
site. </font></p>

<p align="justify"><b><font size="2" face="Verdana">Security of collections:</font></b> <font size="2" face="Verdana"> Militia guard,
but depot windows only covered with metal reinforced plastic
sheeting.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of collections: </font></b> <font size="2" face="Verdana"> Approximately 10
rifles on display were stolen in the first days of the war. </font></p>

<p align="justify"><b><font size="2" face="Verdana">Damage to collections:</font></b> <font size="2" face="Verdana"> 1) 142 archival
works damaged, 2) 97, mainly oil, paintings damaged by shrapnel,
3) 215 three-dimensional objects damaged in a break-in with
attempt to steal, another 97 by war action 4) 200 library items
damaged 5) 130 items in documentation centre damaged.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of/damage to documentation:</font></b> <font size="2" face="Verdana"> some
shrapnel damage, but none destroyed.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections assessment:</font></b> <font size="2" face="Verdana"> only
photographic collections were seen by consultants. Staff
regularly inspects collections and open cupboards to air them.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">storage/packing:</font></i></b> <font size="2" face="Verdana"> Excellent for
photographic collections. All collections in original pre-war
storage. Photographs in individual archival envelopes,
cross-referenced with negatives which are stored separately in
plastic envelopes. Envelopes are stored in archival boxes in
museum quality wooden cupboards.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">environmental conditions:</font></i></b>
<font size="2" face="Verdana">
Extremely high humidity levels. Abrasive dust reported a problem
in library, but otherwise storage areas (and rest of building)
appeared relatively dust free .</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">insect/animal infestation:</font></i></b> <font size="2" face="Verdana"> Staff
have noticed mice from time to time, but no evident damage. No
problem with insects reported.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">biological deterioration, corrosion:</font></i></b>
<font size="2" face="Verdana">
Staff report no evidence of mould so far. Large artefacts stored
outside suffering from rust.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Urgent requirements:</font></b> <font size="2" face="Verdana"> Dehumidifiers. OSI
report pp 22-23, BHHR has requirements list.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Museum of the City of Sarajevo (Muzej
Grada Sarajeva)</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">Titova bb, Sarajevo Tel: ++ (387-71) 535-688</font></p>

<p align="justify"><font size="2" face="Verdana">This museum has lost its main (and largest
premises), which have been returned to the Faculty of Islamic
Sciences (see 4.3). A new location for the museum has not yet
been decided. See also 4.7 regarding its branch, the Museum of
the Sarajevo Assassination (formerly the Museum of &quot;Mlada
Bosna&quot;). Of all museums visited, this was the most in need
of help in cleaning and re-storing artefacts. Three cleaners (for
all surviving premises) were about to start work at the time of
BHHR's visit. However, they are not permitted to clean museum
objects.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Contact: </font> </b><font size="2" face="Verdana">Bajro Gec, Director</font></p>

<p align="justify"><b><font size="2" face="Verdana">Informants:</font></b> <font size="2" face="Verdana"> Branko Kolakovic (Curator),
Nazif Borovina (Education Officer)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Date of foundation:</font></b> <font size="2" face="Verdana"> 1949</font></p>

<p align="justify"><b><font size="2" face="Verdana">Political authority:</font></b> <font size="2" face="Verdana"> City of Sarajevo
(Secretariat for Education, Science, Culture and Sport)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war buildings, depots:</font></b> <font size="2" face="Verdana"> 1)
Austrian-period former Islamic school 2) Jewish Museum 3) The
Svrzo House 4) The Despic House 5) Museum of the Sarajevo
Assassination</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present buildings, depots: </font></b> </p>

<p align="justify"><font size="2" face="Verdana">1) <u>Jewish Museum</u> (1581) - stone-built
former synagogue, 3 storey with 2 internal galleries. </font></p>

<p align="justify"><font size="2" face="Verdana">2) <u>The Svrzo House</u> (17th c) -
traditional Bosnian house of wood and stucco, with tiled roof 3) <u>The
Despic House</u> (1881) - stone, wood and stucco </font></p>

<p align="justify"><font size="2" face="Verdana">4) <u>Museum of the Sarajevo Assassination</u>
- Austrian period building, modernised and faced with stone
slabs.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present condition of buildings, depots: </font></b> </p>

<p align="justify"><font size="2" face="Verdana">1) <u>Jewish Museum</u>: damage to roof and all
windows broken by direct shell impact. Roof since repaired,
windows partially glazed, partially plastic sheeting. Light
damage.</font></p>

<p align="justify"><font size="2" face="Verdana">2) <u>The Svrzo House</u>: indirect shell
damage to roof, facade, windows. Some windows broken. Interiors
slightly damaged by vandals to remove light fittings. Light
damage. Some wood-worm and panel distortion. Otherwise in good
condition</font></p>

<p align="justify"><font size="2" face="Verdana">3) <u>The Despic House</u>: unable to examine.
OSI Report states building in critical condition.</font></p>

<p align="justify"><font size="2" face="Verdana">4) <u>Museum of the Sarajevo Assassination</u>:
heavy shell damage to entire building. Windows blown out and
unreplaced by plastic sheeting. Damaged and unusable at present.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present staff:</font></b> <font size="2" face="Verdana"> 5 (approx.). Director,
curator (when not in army), education officer (when not in army),
2 cleaners.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war staff:</font></b> <font size="2" face="Verdana"> 25. Of these 1
archaeologist, 1 ethnographer, 1 orientalist, 1 art historian, 3
historians, 1 conservator, 1 education officer.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections (pre-war):</font></b> <font size="2" face="Verdana"> archaeological,
historical, social history, furniture, textiles, paintings,
weapons.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of collections:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">in situ: </font> </i></b><font size="2" face="Verdana">Roman stone artefacts
found at Marijin Dvor still in place in front of old Museum
building.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> All collections stored in
the Jewish Museum</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of documentation:</font></b> <font size="2" face="Verdana"> Not
known to consultants</font></p>

<p align="justify"><b><font size="2" face="Verdana">Security of collections:</font></b> <font size="2" face="Verdana"> Good. Militia
guard.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of collections:</font></b> <font size="2" face="Verdana"> None, as far as
informant was aware.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Damage to collections:</font></b> <font size="2" face="Verdana"> No war damage.
Possible damage due to poor storage and abrasive dust.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of/damage to documentation:</font></b> <font size="2" face="Verdana"> None,
as far as informant was aware</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections assessment:</font></b> <font size="2" face="Verdana"> See Appendix B
for detailed assessment</font></p>

<p align="justify"><b><font size="2" face="Verdana">Recommendations:</font></b> <font size="2" face="Verdana"> See Appendix B.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Urgent requirements:</font></b> <font size="2" face="Verdana"> Shelving, packing
materials, storage containers, cleaning equipment and tools. OSI
report pp 13-15.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Museum of the XIV Winter Olympics</font></u></b><font size="2" face="Verdana"><u>
</u><b><u>(Muzej XIV Zimska Olympske Igre)</u></b></font></p>

<p align="justify"><font size="2" face="Verdana">c/o Ul Kantardzica 1/I, Sarajevo Tel: ++
(387-71) 670-323</font></p>

<p align="justify"><font size="2" face="Verdana">The name of this museum is deceptive, for its
pre-war role was as a centre for contemporary art, holding
avant-garde and controversial programmes featuring such artists
as photographer Robert Mapplethorpe. It was for this reason, the
director felt, and because it symbolised the spirit of the
Olympic Games, which had lifted Sarajevo out of the system and
made it special, that the museum was the first cultural
institution to be deliberately targeted and destroyed. The museum
was struck by 5 direct grenade impacts on 28 April 1992. The
director told the bizarre story of how, as the museum burned,
officers of the Yugoslav National Army living nearby came out and
shot at the building with their revolvers, such was their hatred
of all it symbolised. The building is now totally gutted and
unusable.</font></p>

<p align="justify"><font size="2" face="Verdana">The collections however, were saved (see 3),
and the director also managed to remove a large amount of
equipment and materials from the building. There is a possibility
that the museum may be relocated at the sports complex at Zetra.
In spite of the destruction of 10 years of work, the museum held
an exhibition in 1994 to celebrate the 10th anniversary of the
Winter Olympics and its spirit of multi-culturalism.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Contact:</font></b> <font size="2" face="Verdana"> Edin Numenkadic, Director</font></p>

<p align="justify"><b><font size="2" face="Verdana">Informant:</font></b> <font size="2" face="Verdana"> Edin Numenkadic (Director)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Date of foundation:</font></b> <font size="2" face="Verdana"> 1983</font></p>

<p align="justify"><b><font size="2" face="Verdana">Political authority: </font> </b><font size="2" face="Verdana">Republic of
Bosnia-Herzegovina (Ministry of Education, Science, Culture and
Sport.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war buildings, depots: </font> </b><font size="2" face="Verdana">&quot;Villa
Mandic&quot; - Austrian period stucco-faced brick villa (1907).</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present buildings, depots:</font></b> <font size="2" face="Verdana"> Storage
depots in various locations in Sarajevo and Zetra.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present condition of buildings, depots:</font></b>
<font size="2" face="Verdana">
Storage depots: not seen.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present staff:</font></b> <font size="2" face="Verdana"> 1 (Director).</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war staff:</font></b> <font size="2" face="Verdana"> 7</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections (pre-war):</font></b> <font size="2" face="Verdana"> 1) Numismatics:
220 gold coins (modern special editions) 2) Personal artefacts
donated by Olympic sportsmen and women 3) 400 works of art
(paintings, sculptures, drawings) of artists from the former
Yugoslavia donated for opening of museum 3) Graphics (20) on the
theme of the Olympics, including works by Andy Warhol, Henry
Moore, James Rosenquist, Gabriel Stupi, Giuseppe San Tomaso and
Jiri Kola.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of collections:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> 1) Numismatic collection
in bank 2) Other collections in basement storage depots in Zetra
and Sarajevo.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of documentation:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> location not known to
consultants.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Security of collections:</font></b> <font size="2" face="Verdana"> Militia guards
on storage depots.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of collections:</font></b> <font size="2" face="Verdana"> Director estimates
that 10% of collection destroyed.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Damage to collections:</font></b> <font size="2" face="Verdana"> Not known.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of/damage to documentation:</font></b> <font size="2" face="Verdana"> Some
collections documentation, all documentation about Olympic Games,
video cassettes and all organisational documentation destroyed.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections assessment:</font></b> <font size="2" face="Verdana"> Not seen by
consultants.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Recommendations:</font></b> <font size="2" face="Verdana"> Expert assessment of
stored collections.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Art Museum of Bosnia and Herzegovina
(Umjetnicka Galerija BiH)</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">Branilaca grada 38, 71000 Sarajevo Tel/fax: ++
(387-71) 664-162</font></p>

<p align="justify"><font size="2" face="Verdana">The Art Museum building was used as a shelter
for refugees at the beginning of the war. It later suffered
serious shell damage. In spite of this, it has succeeded in
making temporary repairs to its exhibition space, restoring some
electricity and has held around 50 temporary exhibitions during
the war, playing an important role in maintaining Sarajevo's
cultural life.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Contact:</font></b> <font size="2" face="Verdana"> Prof. Seid Hasanefendic,
Director</font></p>

<p align="justify"><b><font size="2" face="Verdana">Informant: </font> </b><font size="2" face="Verdana">Prof. Seid Hasanefendic
(Director)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Date of foundation:</font></b> <font size="2" face="Verdana"> 1946</font></p>

<p align="justify"><b><font size="2" face="Verdana">Political authority: </font></b> <font size="2" face="Verdana"> Republic of
Bosnia-Herzegovina (Ministry of Education, Science, Culture and
Sport) </font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war buildings, depots:</font></b> <font size="2" face="Verdana"> Former
merchant's house of the Austro-Hungarian period (1912) near
Miljacka River. 2 1/2 storey, stucco-faced brick construction.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present buildings, depots:</font></b> <font size="2" face="Verdana"> As above.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present condition of buildings, depots:</font></b>
<font size="2" face="Verdana">
building suffered from many direct shell impacts, with the roof
badly damaged and windows blown out. Only 2 exhibition halls, 2
offices and the basement storage depots are useable. The library,
documentation centre, conservation department, curators' offices
and photo studio are not used. There are no heating,
air-conditioning or physical protection systems functioning.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present staff:</font></b> <font size="2" face="Verdana"> 9. Of these, Director, 1
art historian, 1 documentation officer, 1 consultant, 1
preparator, 2 cleaners, 2 administrative.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war staff:</font></b> <font size="2" face="Verdana"> 31. Of these, 10
curators/art-historians, 1 conservator, 2 documentation officers,
1 librarian, 1 photographer, 1 framemaker, 5 cleaners.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections (pre-war):</font></b> <font size="2" face="Verdana"> 4,500 inventoried
works of art, including paintings, graphics, photographs and
sculpture. These were of Bosno-Herzegovinian and Yugoslav
artists, European artists, including works by Ferdinand Hodler, a
small international collection and a collection of icons.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of collections:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> in basement depot on
site.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of documentation:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> in basement depot on
site.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Security of collections:</font></b> <font size="2" face="Verdana"> Militia guard
on building.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of collections:</font></b> <font size="2" face="Verdana"> Over 40 icons, 2
Ferdinand Hodler paintings and some Islamic manuscript art works
have been found to be missing and are believed to be stolen.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Damage to collections:</font></b> <font size="2" face="Verdana"> No war damage. No
environmental damage as far as known. Director reports that
though the collection at present is in good condition, he is
concerned that prolonged storage under current conditions would
cause deterioration.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of/damage to documentation:</font></b>
<font size="2" face="Verdana">
Director reports much lost or damaged. Photo library only
partially preserved.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections assessment:</font></b> <font size="2" face="Verdana"> Consultants were
not able to examine collections.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Recommendations:</font></b> <font size="2" face="Verdana"> Urgent assessment of
collections.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Urgent requirements:</font></b> <font size="2" face="Verdana"> Probably
dehumidifiers. OSI report pp 28-30.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Collegium Artisticum Gallery</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">Skenderija, Sarajevo Tel: ++ (387-71) 523-065</font></p>

<p align="justify"><font size="2" face="Verdana">The Collegium Artisticum is foremost a centre
for large exhibitions of contemporary art. It has kept open and
remained operating throughout the war, mounting a series of
exhibitions.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Contact:</font></b> <font size="2" face="Verdana"> Fuad Hadzihalilovic, Director</font></p>

<p align="justify"><b><font size="2" face="Verdana">Informant:</font></b> <font size="2" face="Verdana"> Zijo Osmankovic (technician)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Date of Foundation:</font></b> <font size="2" face="Verdana"> 6 April 1975</font></p>

<p align="justify"><b><font size="2" face="Verdana">Political Authority:</font></b> <font size="2" face="Verdana"> City of Sarajevo
(Secretariat for Education, Science, Culture and Sport)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war buildings, depots:</font></b> <font size="2" face="Verdana"> large
underground premises at the Skenderija Olympic and Sport Centre,
a modern concrete construction.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present buildings, depots:</font></b> <font size="2" face="Verdana"> As above.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present condition of buildings, depots:</font></b>
<font size="2" face="Verdana">
Some shell damage, especially to air conditioning and electrical
systems.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present staff:</font></b> <font size="2" face="Verdana"> 2. Director and
technician.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war staff: </font> </b><font size="2" face="Verdana">9.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections (pre-war): </font></b> <font size="2" face="Verdana"> contemporary art </font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of collections:</font></b> <font size="2" face="Verdana"> stored
on site. Also stored is an exhibition of graphics from the
Gallery of International Portraits in Tuzla.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of documentation:</font></b> <font size="2" face="Verdana"> Not
known to consultants.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Security of collections:</font></b> <font size="2" face="Verdana"> Militia guard.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of collections:</font></b> <font size="2" face="Verdana"> None.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Damage to collections:</font></b> <font size="2" face="Verdana"> None.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections assessment:</font></b> <font size="2" face="Verdana"> Objects stored
on pallets away from walls and covered with tarpaulins. Regularly
aired.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Urgent requirements: </font> </b><font size="2" face="Verdana">OSI report, pp
26-27. A projector is requested for lectures.</font></p>

<p align="justify"><a name="ZENICA"><b><font size="2" face="Verdana">ZENICA</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">Zenica is a steel-producing city on the banks
of the River Bosna (pop. 250,000). It has suffered light damage
during the war.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Museum of the City of Zenica (Muzej Grada
Zenica)</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">c/o Opcina Zenica, Branilaca BiH broj 6, Zenica
</font></p>

<p align="justify"><font size="2" face="Verdana">Tel: ++ (387 72) 21-732 Fax: ++ (387 72) 36 724</font></p>

<p align="justify"><font size="2" face="Verdana">The Museum of the City of Zenica is in the
unfortunate position of having lost 3 of its former buildings,
which were returned to their former owners around 2 years ago.
The Hadzi Mazic House (ethnographic collections) and the Sultan
Ahmed Medreseh (archaeology, mineralogy and library) were
returned to the Islamic community, while the Art Gallery building
was returned to Napredak, the Croatian cultural organisation. It
has also lost 2 pavilions in which maquettes of the steel
industry and town were displayed: these are now a shop and a
cafe, located behind the one remaining museum building, the
former synagogue.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Contact:</font></b> <font size="2" face="Verdana"> Zdravko Baltan, Director</font></p>

<p align="justify"><b><font size="2" face="Verdana">Informants:</font></b> <font size="2" face="Verdana"> Prof. Anto Orsulic (Former
Secretary of Culture), Enisa Kovacevic (Assistant to the
Secretary of Information on Culture and Sport).</font></p>

<p align="justify"><b><font size="2" face="Verdana">Date of foundation:</font></b> <font size="2" face="Verdana"> c 1979, Art Gallery
c 1985</font></p>

<p align="justify"><b><font size="2" face="Verdana">Political Authority:</font></b> <font size="2" face="Verdana"> Municipality of
Zenica (Secretariat of Culture and Sport)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war buildings, depots: </font> </b><font size="2" face="Verdana">1) Jewish
Synagogue 2) Hadzi Mazic House 3) Sultan Ahmed Medreseh 4) Art
Gallery 5) 2 pavilions where maquettes where displayed</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present buildings, depots:</font></b> <font size="2" face="Verdana"> 1) Jewish
Synagogue, Austrian period, neo-Moorish style stucco-faced brick.
2 storey (approx. 15 x 25 m ground area), with internal gallery
and half-storey attic storage area. 2) Storage depot outside
Zenica 3) Storage depot for art collection.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present condition of buildings, depots:</font></b>
<font size="2" face="Verdana">
1) Synagogue: some windows in upper storey broken, some damp
apparent at rear of building, Leaking rainwater pipes. 2) Depots
not seen.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present staff:</font></b> <font size="2" face="Verdana"> 4. 1 curator, 1
technician, 1 secretary, 1 cleaner.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war staff:</font></b> <font size="2" face="Verdana"> Approximately 10. Of
these 4 curators (archaeology, history, ethnology, art
historian), 1 technician. There was no conservator; when
conservation was required, a conservator would come from
Sarajevo.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections (pre-war):</font></b> <font size="2" face="Verdana"> Ethnographic,
archaeological, historical, art (57 paintings, 11 sculpture, 35
drawings and graphics), mineralogical, library, maquettes of the
steel industry.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of collections: </font></b> </p>

<p align="justify"><b><i><font size="2" face="Verdana">in situ:</font></i></b> <font size="2" face="Verdana"> Historical collections
remain in synagogue.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> Majority of collections
stored in synagogue, less valuable artefacts stored in depot 3 km
outside Zenica. Art collection stored in depot.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">moved:</font></i></b> <font size="2" face="Verdana"> 13 medieval gravestones
and stone coffins from lapidarium moved from beside the medreseh
to open ground at the junction of the River Bosna and Kocev
Brook. Remainder located in museum garden where they are
partially sitting on the terrace of a cafe situated in an old
pavilion formerly belonging to the museum.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of documentation:</font></b> <font size="2" face="Verdana"> In
synagogue.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Security of collections:</font></b> <font size="2" face="Verdana"> Synagogue not
particularly secure, broken windows. Some lapidarium objects in
garden small enough to be easily removed.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of collections:</font></b> <font size="2" face="Verdana"> Some items from the
ethnographic collections were stolen through windows of
synagogue.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Damage to collections: </font></b> <font size="2" face="Verdana"> None as far as
known. </font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of/damage to documentation:</font></b> <font size="2" face="Verdana"> None as
far as known.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections assessment:</font></b> <font size="2" face="Verdana"> Consultants were
not able to examine collections in detail.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">storage/packing:</font></i></b> <font size="2" face="Verdana"> artefacts in
synagogue appeared to be fairly carefully stored, but severe lack
of shelves and packing materials. Pottery vessels sitting on
window sills.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Recommendations: </font> </b><font size="2" face="Verdana">assessment of
collections. Help with storage.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Urgently requested: </font></b> <font size="2" face="Verdana"> The municipal
Council estimates that 3,500 DM is needed to bring the Synagogue
into a satisfactory condition. </font></p>

<p align="justify"><a name="TUZLA"><b><font size="2" face="Verdana">TUZLA</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">The Canton of Tuzla in North-East Bosnia has a
population of around 1,000,000. Buildings in the centre of the
City of Tuzla have great problems with subsidence due to salt
mining. There is considerable damage from shelling, but not to
the extent suffered by Sarajevo and Mostar. There is a Museum of
Salt (Muzej Fabrike Soli Tuzla) located at the salt mine, which
BHHR was not able to visit.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Museum of East Bosnia, Tuzla (Muzej
Istocne Bosne u Tuzli)</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">Tuzla Tel: ++ (387 75) 212-111 ext.236 Fax: ++
(387 75) 821-396</font></p>

<p align="justify"><font size="2" face="Verdana">This regionally-important museum collection has
moved 17 times since its foundation, twice during the war. The
earlier moves were as a result of subsidence (see above). However
the last move occurred when the building in which the museum was
located was given to the Croatian community, while half of its
storage depot was given to the Islamic community administration.
The director told the BHHR he felt he was about to lose the other
half of his storage depot in the near future. However, the Mayor
of Tuzla, Selim Beslagic, assured both the director and BHHR that
this would not happen. A partially-completed project to convert
an Austrian period former post office into a new museum was
halted by lack of funds and the outbreak of war. The building has
since suffered shell damage. It is estimated that 912,800 DM are
needed to bring the building into use. Another project is to
create a Gallery of Djordje Mihajlovic (see below): estimated
cost, 16,500 DM.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Contact:</font></b> <font size="2" face="Verdana"> Nikola Panjevic, Director</font></p>

<p align="justify"><b><font size="2" face="Verdana">Informants:</font></b> <font size="2" face="Verdana"> Nikola Panjevic (Director),
Dr Enver Halilovic (Minister of Education, Science, Culture and
Sport for the Canton of Tuzla)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Date of foundation:</font></b> <font size="2" face="Verdana"> 1947</font></p>

<p align="justify"><b><font size="2" face="Verdana">Political authority: </font> </b><font size="2" face="Verdana">Canton of Tuzla
(Minister of Education, Science, Culture and Sport)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war buildings, depots:</font></b> <font size="2" face="Verdana"> See above.
The museum has moved 17 times since its foundation, 2 times
during the war. Most recent spaces were 1) Space in the Workers'
University 2) First floor of wing of primary school 3) The Borko
Ristic House.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present buildings, depots:</font></b> <font size="2" face="Verdana"> 1) Space in
the Cultural Centre, modern, concrete (1956). First floor
exhibition space, and basement storage area (each 250 m<sup>2</sup>)
2) Three south-facing rooms on first floor of wing of modern
primary school (200 m<sup>2</sup>) 3) The Borko Ristic House: 3
storey modernised 19th century house, brick and stucco.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present condition of buildings, depots:</font></b>
<font size="2" face="Verdana">
1) Cultural Centre: structurally sound. Heating did not appear to
function. Broken windows in basement storage area. 2) Primary
school: structurally sound 3) The Borko Ristic House: Roof
slightly damaged and leaking, window on second floor damaged but
otherwise good. Interior vandalised: all electrical installations
removed, some damage to interior doors and ceilings and sanitary
equipment. No functioning services.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present staff:</font></b> <font size="2" face="Verdana"> 5. Of these: 1 curator
(director), 1 administrator, 1 secretary, 1 cleaner, 1
photographer.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war staff:</font></b> <font size="2" face="Verdana"> 14. Of these: 9 curators
(incl. archaeologist, ethnologist, historian, biologist, art
historian), 1 preparator, 1 education officer, 1 photographer.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections (pre-war):</font></b> <font size="2" face="Verdana"> 50,000 artefacts.
1) Archaeology (15,000) - rich pre-history, incl. Celtic bronze
jewellery, Roman, medieval 2) History (12,000) with emphasis on
Partisan period 3) Ethnology (8,000) 4) Natural History (3,000)
5) Art (1,000) including works by Djordje Mihajlovic (1875 -
1924) , the first academic painter in Bosnia-Herzegovina.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of collections:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> 1) Cultural Centre:
Ethnography (wood, textiles, metal), some art works, Numismatics
2) Primary school: Archaeology, library, ethnography, greater
part of paintings of D. Mihajlovic, history 3) Borko Ristic
House: Natural History.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of documentation:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">in situ:</font></i></b> <font size="2" face="Verdana"> 1) Cultural Centre: All
records, inventories, accession books, photographs, except
archaeology, stored in metal cabinets.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> 2) Primary school: All
archaeology records, including site records and maps, stored in
metal cabinets.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Security of collections:</font></b> <font size="2" face="Verdana"> Poor. Broken
windows in basement depot. Shared access to school storage depot.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of collections:</font></b> <font size="2" face="Verdana"> Director estimates
a percentage of collection lost in each move. A collection of
Roman gold and silver jewellery was stolen at the beginning of
the war.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Damage to collections:</font></b> <font size="2" face="Verdana"> Director
estimates 50% of Natural History collections damaged in moves,
particularly to Herbarium.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of/damage to documentation:</font></b> <font size="2" face="Verdana"> None.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections assessment:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">storage/packing:</font></i></b> <font size="2" face="Verdana"> Ranges from good
to very poor. Textiles in 11 aluminium cases and 50 cardboard
boxes, but interleaved with old posters printed in red ink.
Archaeological material mainly well-boxed and labelled but poor
internal packing. Ethnographic ceramics on floor due to lack of
shelves, which were moved to Cultural Centre. Boxes of photos
stacked on top of each other. Mihajlovic paintings wrapped and
stored on racks. Paper art works beginning to buckle. In one room
of depot historical and ethnographic material heaped on floor in
piles. Natural History collections piled on floors in cramped
conditions and alcohol levels in wet specimens very low.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">environmental conditions:</font></i></b> <font size="2" face="Verdana"> None of
the buildings/stores heated. 1) Basement store: 78% RH, very
dusty 2) School: large windows facing south, only partially
covered with green blinds, dusty.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">insect/animal infestation:</font></i></b> <font size="2" face="Verdana"> No
apparent evidence of damage.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">biological/chemical deterioration:</font></i></b>
<font size="2" face="Verdana">
1) Basement stores: heavy mould on wooden ethnographia. Metal
objects beginning to rust.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">overall condition of collections: </font></i></b><font size="2" face="Verdana">Artefacts in basement store deteriorating very quickly after
only 2 months. </font></p>

<p align="justify"><b><font size="2" face="Verdana">Recommendations:</font></b> <font size="2" face="Verdana"> That collections are
moved from the basement store and more shelving is installed in
the storage depot in the primary school to accommodate them.
Windows in primary school covered properly so that light can be
totally excluded.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Urgent requirements:</font></b> <font size="2" face="Verdana"> The director
requests 2 ventilators to improve air circulation in basement
store, though problem may be solved with dehumidifiers. Shelving,
acid free tissue, storage containers. BHHR has requirements list
and project proposals.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Gallery of International Portraits
(Galerija Portreta Tuzla)</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">Tuzla Tel: ++ (387 75) 234-897 Fax: ++ (387 75)
235-220</font></p>

<p align="justify"><font size="2" face="Verdana">This still very active gallery was formerly the
Yugoslav Portrait Gallery (4.9). The ground floor and part of the
basement store have been rented by the gallery to the Red Cross
(ICRC), which gives the gallery some income. The ICRC has shared
access to the store rooms. The first floor is still used for
exhibitions and was being prepared for a biennale involving 100
artists from 30 countries at the time of BHHR's visit. The
gallery has maintained good international contacts who are
helping it mount exhibitions and with some equipment. It is
currently seeking funding to restore the atelier of Izmet
Mujezinovic.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Contact:</font></b> <font size="2" face="Verdana"> Cazim Sarajlic, Director</font></p>

<p align="justify"><b><font size="2" face="Verdana">Informants:</font></b> <font size="2" face="Verdana"> Cazim Sarajlic (Director),
Dr Enver Halilovic (Minister of Education, Science, Culture and
Sport for the Canton of Tuzla)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Date of foundation:</font></b> <font size="2" face="Verdana"> 1964</font></p>

<p align="justify"><b><font size="2" face="Verdana">Political authority: </font> </b><font size="2" face="Verdana">Unclear. Overseen
by Canton of Tuzla (Ministry of Education, Science, Culture and
Sport).</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war buildings, depots: </font> </b><font size="2" face="Verdana">1) Atelier
Izmet Mujezinovic 2) &quot;Dom Mladi&quot;, 2 floors and
basement.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present buildings, depots:</font></b> <font size="2" face="Verdana"> 1) Atelier
Izmet Mujezinovic, house and studio of the artist in its own
grounds (1968) 2) &quot;Dom Mladi&quot;, modern steel frame
multi-storey construction (1953) - first floor and part of
basement.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present condition of buildings, depots:</font></b>
<font size="2" face="Verdana">
1) Atelier Izmet Mujezinovic: studio severely cracked due to
subsidence 2) &quot;Dom Mladi&quot;: good condition.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present staff:</font></b> <font size="2" face="Verdana"> 5. Of these 1 art
historian, 1 workshop, 2 technicians, 1 legal advisor/secretary</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war staff:</font></b> <font size="2" face="Verdana"> 11. Of these, 2 curators,
1 documentation officer, and as above. They never had a
preparator or conservator - artefacts were sent to Sarajevo and
Ljubljana if conservation was necessary.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections (pre-war):</font></b> <font size="2" face="Verdana"> 1) 300 painting
and 3,000 drawings of Izmet Mujezinovic 2) Portrait collection
(200 graphics) 3) International collection including works by
James Haim Pinto 4) Works of Adela Bervukic, d. 1976 (200) 5)
Paintings by Bosno-Herzegovinian artists (300) 6) Collection of
artists who lived or worked in Tuzla</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of collections:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> Basement of &quot;Dom
Mladi&quot; 1) Paintings in half of shared store 2) graphics in
caged store.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of documentation:</font></b> <font size="2" face="Verdana"> Not
known to consultants. EH stated documentation was in Belgrade.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Security of collections:</font></b> <font size="2" face="Verdana"> Poor. Paintings
are stored on racks in unlocked shared store, secured only by
cardboard held in place with wood. Cigarette butts evident in
other half of store.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of collections:</font></b> <font size="2" face="Verdana"> None.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Damage to collections: </font></b> <font size="2" face="Verdana"> No war damage. </font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of/damage to documentation:</font></b> <font size="2" face="Verdana"> Not
known to consultants.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections assessment:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">storage/packing:</font></i></b> <font size="2" face="Verdana"> Good, paintings
racked.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">environmental conditions:</font></i></b>
<font size="2" face="Verdana">
Basement store: T: 23<sup>o</sup>C RH: 72% . Poor air circulation
due to sandbagging over windows.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Recommendations:</font></b> <font size="2" face="Verdana"> Improve security of
paintings</font></p>

<p align="justify"><b><font size="2" face="Verdana">Urgent requirements:</font></b> <font size="2" face="Verdana"> Dehumidifiers for
basement stores.</font></p>

<p align="justify"><a name="MOSTAR"><b><font size="2" face="Verdana">MOSTAR</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">Mostar has been devastated, first by Bosnian
Serb (6.92) and later by Bosnian Croat (5.93) attacks on the
city. The fighting has ended, but the city remains divided into
East (Bosnian Government) and West (the Bosnian Croat para-state
of Herceg-Bosna) sides. This division of the city is echoed in
the division of the pre-war Museum of Herzegovina (Muzej
Hercegovine) across the boundaries. There are now two museum
entities in Mostar: the Museum of Herzegovina on the East side
and the Museum of Herceg-Bosna on the West. Their affairs are
inextricably entangled.</font></p>

<p align="justify"><font size="2" face="Verdana">The present Museum of Herzegovina retains most
of the surviving collections of the pre-war museum. However, its
staff, including the director, are all amateurs with no museum
experience. On the West side sits the Museum of Herceg-Bosna,
four of whose staff are highly-qualified experts, three of whom
formerly worked at the pre-war Museum of Herzegovina, and one who
worked at the Zemaljski Muzej. Its only collections (aside from a
small quantity of ethnographic textiles) are a few remnants from
the collections of the pre-war Museum of Herzegovina, including a
quantity of valuable ethnographic jewellery which was stolen from
the museum and later recovered on the West side. The Museum of
Herceg-Bosna regards these objects as belonging to them. Indeed,
until well after the fighting had stopped, as the remaining staff
of the pre-war museum, they regarded themselves as the Museum of
Herzegovina.</font></p>

<p align="justify"><font size="2" face="Verdana">Two meetings between the East and West side
museums were organised by Dr Colin Kaiser, Unesco Representative
in Mostar, and Mr Oswald Schroder, Head of the Dept of Cultural
Life, Youth and Sport of the European Union Administration (EUAM)
in December 94 and January 95. There, the state of the
collections and their present whereabouts were outlined and
potential collaboration between the two bodies was discussed. The
Museum of Herzegovina particularly requested the assistance of
the former Archaeology curator at the museum, who was now at the
Museum of Herceg-Bosna, to advise in the excavation of the buried
archaeology store on the East side. This collaboration has so far
come to nothing, due entirely, both sides felt, to the current
political climate. When asked by BHHR, both museums expressed
(though with some reservations) a willingness to work with each
other in the future, but stated this would only happen if they
were permitted to do so by their political masters.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Museum of Herzegovina (Muzej Hercegovine)</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">Marsala Tita, Mostar </font></p>

<p align="justify"><font size="2" face="Verdana">Apart from the problems described above, the
Museum of Herzegovina has suffered the loss of all its pre-war
buildings due to a combination of war damage and dispossession.
The Cejvan-Cehajin Mosque and Mekteb have been returned to the
Islamic community. The Mekteb, in any case, is badly damaged and
unusable. The Dzemal Bijedic House, 1 of the 2 museum buildings
which survived without damage) is currently being used by the
Dzemal Bijedic University. It is not known whether this building
will be returned to the museum. though it was used as a storage
depot earlier in the war. The Gojko Vukvic House though not
damaged, is not accessible. The museum is currently housed in a
building unsuitable for museum purposes.</font></p>

<p align="justify"><font size="2" face="Verdana">The new staff of volunteers were asked by the
authorities on the East side to carry out 3 tasks: to make an
inventory of the surviving museum objects, to bring their new
quarters into a suitable condition to store the objects and to
purchase objects people were selling. The director believes the
museum is unique in Bosnia-Herzegovina in having been given funds
to buy new objects, such was the extreme destruction and theft of
its collections during the war. He has been buying icons and
academic paintings, ethnographia and coins. However, this has
been without expert advice, and both he and others are concerned
about this situation. Marian Wenzel of BHHR recommended in August
95 that experts in paintings and ethnographia be sent from
Sarajevo to assist; Unesco agreed to fund these visits, but they
had not yet been carried out in October 95.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Contact: </font> </b><font size="2" face="Verdana">Sabit Hodzic, Director</font></p>

<p align="justify"><b><font size="2" face="Verdana">Informants: </font> </b><font size="2" face="Verdana">Sabit Hodzic (Director),
Tomislav Andjelic (Museum of Herceg-Bosna), Andjelko Prga (Museum
of Herceg-Bosna)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Date of foundation:</font></b> <font size="2" face="Verdana"> 1950</font></p>

<p align="justify"><b><font size="2" face="Verdana">Political authority: </font> </b><font size="2" face="Verdana">at present director
believes it is the Okrug (district) of Mostar. May soon fall
under the Republic of Bosnia-Herzegovina.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war buildings, depots: </font> </b><font size="2" face="Verdana">1)
Cejvan-Cehajin Mekteb (main building) 2) Cejvan-Cehajin Mosque 3)
Corovic House/Aleksa Santic Memorial Space 4) Gojko Vukovic House
5) Dzemal Bijedic House</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present buildings, depots:</font></b> <font size="2" face="Verdana"> 1) Former
Zavod building- 19th C stone 3 storey house (11 small rooms)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present condition of buildings, depots:</font></b>
<font size="2" face="Verdana">
Good, due to efforts of staff to rebuild and repair building.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present staff:</font></b> <font size="2" face="Verdana"> 5, all amateurs with no
museum experience.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war staff:</font></b> <font size="2" face="Verdana"> 17. Of these, director, 2
curators, archivist, preparator, Education Officer, Librarian,
Photographer, administrative and cleaning staff. 3 curators are
now at the Museum of Herceg-Bosna in West Mostar</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections (pre-war):</font></b> <font size="2" face="Verdana"> Archaeology,
history, ethnography (incl. textiles, weapons, jewellery),
numismatics, photographs, Islamic manuscripts, paintings,
archives and library</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections (present):</font></b> <font size="2" face="Verdana"> Active unadvised
collecting of ethnographia, paintings manuscripts and numismatics
until<b> </b>recently.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of collections:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">in situ:</font></i></b> <font size="2" face="Verdana"> lapidarium objects in
garden of Cejvan-Cehajin Mosque.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored:</font></i></b> <font size="2" face="Verdana"> surviving and new
collections in present building.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of documentation:</font></b> <font size="2" face="Verdana"> in
present building.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Security of collections:</font></b> <font size="2" face="Verdana"> Fair.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of collections:</font></b> <font size="2" face="Verdana"> Destroyed:
collections in mosque. Stolen: group of 5 silver Early Christian
reliquaries and sacral objects from Basilica at Cim, all
numismatics collection, all ethnographic jewellery (part
recovered and now in possession of Museum of Herceg-Bosna), more
important ethnographic artefacts, including costumes, 70 art
photographs. <b>Damage to collections:</b> Impossible to
determine at present. Archaeology store with stone artefacts is
buried and requires excavation.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Loss of/damage to documentation: </font></b> <font size="2" face="Verdana"> Pre-war
documentation intact. </font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections assessment:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">storage/packing:</font></i></b> <font size="2" face="Verdana"> Poor. Textiles
which are heaped on tables, a rail of costumes had collapsed.
Some paintings on walls had objects resting against them.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">environmental conditions:</font></i></b> <font size="2" face="Verdana"> Not
obviously damp.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">insect/animal infestation:</font></i></b>
<font size="2" face="Verdana">
Evidence of moth infestation.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Recommendations:</font></b> <font size="2" face="Verdana"> Insect control measures
be instituted immediately. Expert advice on storing textiles and
costume also required urgently. Staff training.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Urgent requirements:</font></b> <font size="2" face="Verdana"> Shelving, packing
and storage materials.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Museum of Herceg-Bosna (Muzej
Herceg-Bosna)</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">Starcevica 17, Mostar </font></p>

<p align="justify"><font size="2" face="Verdana">The museum shares tiny accommodation with the
Archives of Herceg-Bosna. There is no funding available to
purchase collections, although there is an initiative to get a
building. At present staff have mounted exhibitions in
collaboration with the archives and are working on a publication <i>Herzegovina</i>.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Contact: </font> </b><font size="2" face="Verdana">Ivan Kordic, Director</font></p>

<p align="justify"><b><font size="2" face="Verdana">Informants: </font> </b><font size="2" face="Verdana">Tomislav Andjelic
(archaeologist), Andjelko Prga, Erazim Hadzic (historian)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Date of foundation:</font></b> <font size="2" face="Verdana"> 1994</font></p>

<p align="justify"><b><font size="2" face="Verdana">Political authority:</font></b> <font size="2" face="Verdana"> so-called Croatian
Republic of Herceg-Bosna (Ministry of Culture, Education and
Sport).</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war buildings, depots:</font></b> <font size="2" face="Verdana"> None. See
above.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present buildings, depots:</font></b> <font size="2" face="Verdana"> 2 rooms
(approx 45m<sup>2</sup>) in shared accommodation with archives
located in the basement of a modern apartment building.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present condition of buildings, depots:</font></b>
<font size="2" face="Verdana">
Good.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present staff:</font></b> <font size="2" face="Verdana"> 5. Of these, 2
archaeologists, 2 historians, 1 expert in Herzegovinian
literature.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Pre-war staff:</font></b> <font size="2" face="Verdana"> None. See above.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Collections:</font></b> <font size="2" face="Verdana"> Ethnographic jewellery (see
above), small amount of ethnographic textiles, some badly damaged
objects from the Museum of Herzegovina used in an exhibition
about war damage, 7-8 Roman coins found near the safe of the
Museum of Herzegovina after it had been broken into and robbed.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Present location of collections:</font></b></p>

<p align="justify"><b><i><font size="2" face="Verdana">stored: </font> </i></b><font size="2" face="Verdana">All collections in museum
except ethnographic jewellery.</font></p>

<p align="justify"><b><i><font size="2" face="Verdana">moved:</font></i></b> <font size="2" face="Verdana"> Ethnographic jewellery
held in safe deposit outside Mostar.</font></p>

<hr size="1" align="justify" width="15%">

<p align="justify"><font face="Verdana" size="2"><b>Appendix A - Report by R.E. CHILD </b><a href="fdoc7464.htm#Annexe A - Rapport de R E Child"><b>(FR)</b></a></font></p>

<p align="justify"><font face="Verdana" size="2"><b>Appendix B - Report by R.E. CHILD </b><a href="fdoc7464.htm#Annexe B - par R E Child"><b>(FR)</b></a></font></p>

<hr size="1" width="50%" align="justify">

<p align="justify"><a name="3. REPORT ON A FACT-FINDING MISSION IN DECEMBER 1995 TO ZAGREB AND FORMER UNPA SECTORS NORTH AND SOUTH IN CROATIA"><b><font size="2" face="Verdana">3. REPORT ON A FACT-FINDING MISSION IN DECEMBER 1995
TO ZAGREB AND FORMER UNPA SECTORS NORTH AND SOUTH IN CROATIA</font></b></a></p>

<p align="justify"><b><font size="2" face="Verdana">by Hans-Christoph von Imhoff,
consultant expert</font></b></p>

<p align="justify"><i><u><font size="2" face="Verdana">Objective</font></u><font size="2" face="Verdana">: Upon accounts from
Croatian authorities and concern expressed by the Serbian
community about the state of Serbian Orthodox cultural heritage,
particularly monasteries and churches in the , the Assembly
Committee on Culture and Education felt it necessary that an
independent assessment be made of the general situation and the
actual state of cultural heritage in the former SRK-occupied
areas of Croatia.</font></i></p>

<p align="justify"><b><font size="2" face="Verdana">Contents</font></b></p>

<blockquote>
    <p align="justify"><a href="#A. Introduction"><strong><font size="2" face="Verdana">A.
    Introduction</font></strong></a></p>
    <p align="justify"><a href="#B. Recalling dates and events relevant to the former UNPA Sectors North and South"><strong><font size="2" face="Verdana">B. Recalling dates and events relevant to
    the Former UNPA Sectors North and South</font> </strong></a></p>
    <p align="justify"><strong><font size="2" face="Verdana">C. The state of cultural heritage
    in the Former UNPA Sectors North and South</font></strong></p>
    <blockquote>
        <p align="justify"><a href="#1. Information provided by other sources"><strong><font size="2" face="Verdana">1. information provided by other sources</font></strong></a></p>
        <blockquote>
            <p align="justify"><strong><font size="2" face="Verdana">a. Croatian authorities</font></strong></p>
            <p align="justify"><strong><font size="2" face="Verdana">b. Catholic Bishops
            Conference of Croatia, Zagreb</font></strong></p>
            <p align="justify"><strong><font size="2" face="Verdana">c. ECMM, Zagreb</font></strong></p>
            <p align="justify"><strong><font size="2" face="Verdana">d. IPB, Belgrade</font></strong></p>
        </blockquote>
    </blockquote>
    <blockquote>
        <p align="justify"><a href="#2. The consultant's own observations in the former Sectors North and South"><strong><font size="2" face="Verdana">2. The consultant's own observations</font></strong></a></p>
        <blockquote>
            <p align="justify"><strong><font size="2" face="Verdana">a. Agglomerations and sites
            visited</font></strong></p>
            <p align="justify"><strong><font size="2" face="Verdana">b. Previously given
            information, its relevance and reliability</font></strong></p>
            <p align="justify"><strong><font size="2" face="Verdana">c. Police protection of
            Orthodox sites</font></strong></p>
            <p align="justify"><strong><font size="2" face="Verdana">d. The influence of the
            pre-1991 ethnic composition of the communities on
            their actual state</font></strong></p>
            <p align="justify"><strong><font size="2" face="Verdana">e. Some observations on
            population, housing, infrastructure, education and
            economics</font> </strong></p>
        </blockquote>
    </blockquote>
    <p align="justify"><a href="#E. Recommendations"><strong><font size="2" face="Verdana">D.
    Recommendations</font></strong></a></p>
    <p align="justify"><strong><font size="2" face="Verdana">Appendices</font></strong></p>
    <blockquote>
        <p align="justify"><a href="#Appendix 1"><strong><font size="2" face="Verdana">1. Site
        visits in detail, data and comments</font></strong></a></p>
        <p align="justify"><strong><font size="2" face="Verdana">2. Map</font> </strong></p>
        <p align="justify"><a href="#Appendix 3 Bibliography"><strong><font size="2" face="Verdana">3.
        Bibliography</font></strong></a></p>
    </blockquote>
</blockquote>

<table border="1" width="75%">
    <tr>
        <td>
        <p align="justify"><b><font size="2" face="Verdana">Signs and abbreviations used in the
        report</font></b></p>
        <p align="justify"><font size="2" face="Verdana">* Photographic record
        made by the consultant expert (available on request from
        the secretariat of the Committee on Culture and Education
        in Strasbourg)</font></p>
        <p align="justify"><font size="2" face="Verdana">ASRK Army of the Serbian Republic of
        &quot;Krajina&quot;</font></p>
        <p align="justify"><font size="2" face="Verdana">ECMM European Community Monitoring
        Mission</font></p>
        <p align="justify"><font size="2" face="Verdana">Icom International Council of Museums</font></p>
        <p align="justify"><font size="2" face="Verdana">IPB Institute for the Protection of the
        Historical and Cultural Heritage of the Republic of
        Serbia (Belgrade)</font></p>
        <p align="justify"><font size="2" face="Verdana">MDC Museum Documentation Centre
        (Zagreb)</font></p>
        <p align="justify"><font size="2" face="Verdana">SAPH State Agency for the Protection of
        Cultural and Natural Heritage (Zagreb)</font></p>
        <p align="justify"><font size="2" face="Verdana">SRK Serbian Republic of
        &quot;Krajina&quot;</font></p>
        <p align="justify"><font size="2" face="Verdana">UNPA United Nations Protection Area</font></p>
        </td>
    </tr>
</table>

<p align="justify"><a name="A. Introduction"><b><font size="2" face="Verdana">A. Introduction</font></b></a></p>

<p align="justify"><font size="2" face="Verdana">1. The Committee on Culture and Education of
the Parliamentary Assembly of the Council of Europe had asked the
International Council of Museums (Icom), an NGO with Unesco, to
name a consultant, experienced in estimating conditions of
cultural heritage. He was to undertake a fact-finding mission in
the once SRK-occupied Croatian &quot;Krajina&quot; territories to
provide a general assessment of the state of the cultural
heritage there. Press reports of looting and atrocities after the
Croatian Operation &quot;Storm&quot;, and concern expressed by
Serbs about the Orthodox heritage had led to this decision. </font></p>

<p align="justify"><font size="2" face="Verdana">2. There were a number of restrictions though
which did not allow for what the consultant could call a fully
successful mission. Due to the very short preparation time, it
was impossible to collect in advance all the relevant information
which would have enabled him to carefully choose sites and plan
the route of the visit which thus might have enabled much more
comprehensive statements and more relevant to all of the former
UNPA Sectors North and South. </font></p>

<p align="justify"><font size="2" face="Verdana">3. Second, the most important information only
exists in a very fragmented form and is not publicly accessible.
Precise published inventory lists, not only of Serbian Orthodox
and of Croatian Catholic, but also of all other cultural heritage
on the territories of the former Yugoslavia, would be of capital
importance. Only through their independent verification might
light be shed on what really happened and what is hearsay up to
and during the last 5 years of war in the former UNPA Sectors
North and South and other areas.</font></p>

<p align="justify"><font size="2" face="Verdana">4. Third, the time allowed for the actual
mission was insufficient for anything approaching a complete
survey of the entire Former UNPA Sectors North and South. The
area covered had to be restricted and a selection made of types
of sites and habitations representative of the structure in the
area.</font></p>

<p align="justify"><font size="2" face="Verdana">5. A fourth restriction was the weather itself.
In this early snowy period, all agglomerations and sites off the
main roads and north of the Crnopac mountain near Golubic,
despite being more or less approachable on small uncleared ways
or roads, permitted practically no access to the buildings
themselves (for example Appendix 1 - S2, S4, S10, S12) and
particularly when they were still deserted.</font></p>

<p align="justify"><font size="2" face="Verdana">6. The MDC report on the museum situation in
the former UNPA Sectors North and South from August 1995
(Bibliography R.8) deals with the subject in some detail and is
documented with external observations such as by the ECMM. It
describes mainly only minor damage to the museums in the former
Sectors North and South; this is surprising and in no way
comparable with the disastrous happenings and the condition of
the Vukovar Municipal Museum (R.1 no.7). The consultant gave
priority to the survey of built cultural heritage objects and
their content; within the tight time-frame his own personal
inquiries and observations would not have allowed him to get
enough relevant information to add new facts to the MDC report.</font></p>

<p align="justify"><font size="2" face="Verdana">7. For these reasons, it is evident that the
consultant's findings and conclusions are valid only for what he
actually saw. They are not proof of the unvisited part of the
former UNPA Sectors North and South. Nevertheless the consultant
has allowed himself to make certain generalisations (a) in view
of the large and diverse area covered during his four-day visit
and (b) due to the fact that he had had occasion to observe and
gather information during previous visits to Croatia, eastern
Slavonia under SRK occupation and Serbia in 1993, 1994 and 1995.</font></p>

<p align="justify"><font size="2" face="Verdana">8. As the ECMM is active in the field of
cultural heritage monitoring in the area (see for example
Doc.7133 and Bibliography R.4), it had the personnel, the
experience and last but not least the equipment necessary to
enable the consultant to carry out the on-site work which is the
basis of this report. The consultant is very grateful for the
excellent collaboration and extensive assistance given by the
ECMM specialist in the field, Jan Gallus, and his team. He would
also like to mention Tomislav Petrovic (interpreter) and Michel
Simon (driver, often in difficult conditions).</font></p>

<p align="justify"><font size="2" face="Verdana">9. The consultant was helped by the authorities
in Zagreb. He would like to thank </font></p>

<ul>
    <li>
    <p align="justify"><font size="2" face="Verdana">Dr Zarko Domljan, Vice President of the
        Croatian Parliament and leader of the Croatian Special
        Guest Delegation to the Council of Europe's Assembly</font></li>
    <li>
    <p align="justify"><font size="2" face="Verdana">Professor Ferdinand Meder, Director of the
        &quot;State administration for the protection of cultural
        and natural monuments&quot; (SAPH) and</font></li>
    <li>
    <p align="justify"><font size="2" face="Verdana">Dr Branca Sulc, Vice Minister of Culture
        of the Republic of Croatia,</font></li>
</ul>

<p align="justify"><font size="2" face="Verdana">for the coordination of the meetings with
representatives of relevant institutions in Croatia and the
provision of Croatian reports on the situation (Bibliography
R.5-8). He would like to ask them to forward his thanks to all
the colleagues they had arranged for him to meet.</font></p>

<p align="justify"><font size="2" face="Verdana">10. He is grateful to the Secretary of the
Committee on Culture and Education, Dr Christopher Grayson, for
his assistance in finalising the text of this report.</font></p>

<p align="justify"><font size="2" face="Verdana">11.<b> Time schedule</b></font></p>

<p align="justify"><font size="2" face="Verdana">Duration of the mission: 6 to 11 December 1995 </font></p>

<p align="justify"><u><font size="2" face="Verdana">Part One (6 Dec. 1995): travel to Zagreb</font></u></p>

<blockquote>
    <p align="justify"><font size="2" face="Verdana">upon arrival <u>Meeting</u> with ECMM
    officials (personal)</font></p>
</blockquote>

<blockquote>
    <p align="justify"><font size="2" face="Verdana">14.30 <u>Meeting</u> at the SAPH with</font></p>
</blockquote>

<blockquote>
    <ul>
        <li>
        <p align="justify"><font size="2" face="Verdana">Branca Sulc; Vice Minister of Culture
            of the Republic of Croatia</font></li>
        <li>
        <p align="justify"><font size="2" face="Verdana">Bianka Percinic-Kavur, SAPH Adviser,
            representing the Director</font></li>
        <li>
        <p align="justify"><font size="2" face="Verdana">Ranka Saracevic, SAPH Advisor</font></li>
        <li>
        <p align="justify"><font size="2" face="Verdana">Dragana Ratkovic, Assistant Movable
            cultural heritage division, SAPH, and member of the
            &quot;Commission for the evaluation of war inflicted
            damage to the cultural heritage&quot;</font></li>
        <li>
        <p align="justify"><font size="2" face="Verdana">Ruza Maric, Director &quot;Vukovar
            museum in exile&quot;</font></li>
    </ul>
</blockquote>

<blockquote>
    <p align="justify"><font size="2" face="Verdana">17.30 <u>Meeting</u> at the Parliament of
    Croatia</font></p>
</blockquote>

<blockquote>
    <ul>
        <li>
        <p align="justify"><font size="2" face="Verdana">Dr. Zarko Domljan, Vice President</font></li>
    </ul>
</blockquote>

<p align="justify"><u><font size="2" face="Verdana">Part two (7-10 Dec. 1995): travel in the
former UNPA Sectors North and South, Zadar and Split (53 hours in
the Jeep/on the road) </font></u> </p>

<p align="justify"><u><font size="2" face="Verdana">(9 Dec. 1995)</font></u></p>

<blockquote>
    <p align="justify"><font size="2" face="Verdana">09.00 <u>Meeting</u> in downtown Zadar</font></p>
</blockquote>

<blockquote>
    <ul>
        <li>
        <p align="justify"><font size="2" face="Verdana">Professor Radomir Juric, Director of
            the Archaeological Museum, Zadar</font></li>
    </ul>
</blockquote>

<p align="justify"><u><font size="2" face="Verdana">(10 Dec. 1995)</font></u></p>

<blockquote>
    <p align="justify"><font size="2" face="Verdana">08.30 <u>Meeting</u> at the Hotel in Split</font></p>
</blockquote>

<blockquote>
    <ul>
        <li>
        <p align="justify"><font size="2" face="Verdana">Zoraida Stanicic, SAPH regional
            representative, Split</font></li>
    </ul>
</blockquote>

<blockquote>
    <p align="justify"><font size="2" face="Verdana">20.30 <u>Meeting</u> at the Hotel in Sisak</font></p>
</blockquote>

<blockquote>
    <ul>
        <li>
        <p align="justify"><font size="2" face="Verdana">Vladimir Demetrovic, Public relations
            official of the city hall of Petrinja</font></li>
    </ul>
</blockquote>

<p align="justify"><u><font size="2" face="Verdana">Part three (11 Dec. 1995): Zagreb</font></u></p>

<blockquote>
    <p align="justify"><font size="2" face="Verdana">10. 00 <u>Meeting</u> at the Ministry of
    Culture</font></p>
</blockquote>

<blockquote>
    <ul>
        <li>
        <p align="justify"><font size="2" face="Verdana">Branca Sulc</font></li>
    </ul>
</blockquote>

<blockquote>
    <p align="justify"><font size="2" face="Verdana">11. 30 <u>Meeting</u> at SAPH</font></p>
</blockquote>

<blockquote>
    <ul>
        <li>
        <p align="justify"><font size="2" face="Verdana">Bianka Percinic-Kavur</font></li>
        <li>
        <p align="justify"><font size="2" face="Verdana">Ranka Saracevic-W�rth</font></li>
        <li>
        <p align="justify"><font size="2" face="Verdana">Vlado Ukrainicik, Head of the
            department for research and documentation, Chairman
            of the &quot;Commission for the evaluation of war
            inflicted damage to the cultural heritage&quot;</font></li>
        <li>
        <p align="justify"><font size="2" face="Verdana">Dr Fra Illja Zivkovic, spokesman for
            the Catholic &quot;Croatian bishops conference&quot;</font></li>
        <li>
        <p align="justify"><font size="2" face="Verdana">Luka Gavranovic, &quot;Croatian
            Information Centre&quot;, Zagreb</font></li>
    </ul>
    <p align="justify"><font size="2" face="Verdana">afternoon departure</font></p>
</blockquote>

<p align="justify"><font size="2" face="Verdana">All the meetings were also attended by Dr Jan
Gallus, ECMM, Humanitarian Section, and Tomislav Petric, ECMM,
Interpreter</font></p>

<p align="justify"><a name="B. Recalling dates and events relevant to the former UNPA Sectors North and South"><b><font size="2" face="Verdana">B. Recalling dates and events relevant to the former
UNPA Sectors North and South</font> </b></a></p>

<p align="justify"><font size="2" face="Verdana">(Sources: Appendix 3 - P.1, 10, and 12)</font></p>

<p align="justify"><font size="2" face="Verdana">12.</font></p>

<p align="justify"><b><font size="2" face="Verdana">1943</font></b> <font size="2" face="Verdana"> -Tito Leader of the Communist
Partisans; his provisional government recognised by England and
USA</font></p>

<p align="justify"><b><font size="2" face="Verdana">1944</font></b> <font size="2" face="Verdana"> -Tito's victory; creation of the
Federation of Yugoslavia</font></p>

<p align="justify"><b><font size="2" face="Verdana">1946</font></b> <font size="2" face="Verdana"> -New constitution. Federal People's
Democracy of Yugoslavia made up of 6 republics (Bosnia
Herzegovina, Croatia, Macedonia, Montenegro, Serbia, Slovenia)
and 2 autonomous provinces (Vojvodina and Kosovo)</font></p>

<p align="justify"><b><font size="2" face="Verdana">1948</font></b> <font size="2" face="Verdana"> -Yugoslavia's &quot;own way to
socialism&quot;; rupture between Stalin and Tito</font></p>

<p align="justify"><b><font size="2" face="Verdana">1953</font></b> <font size="2" face="Verdana"> -Tito president of Yugoslavia</font></p>

<p align="justify"><b><font size="2" face="Verdana">1963</font></b> <font size="2" face="Verdana"> -New constitution. Socialist
Federal Republic. Tito president for life</font></p>

<p align="justify"><b><font size="2" face="Verdana">1971</font></b> <font size="2" face="Verdana"> -The &quot;Croatian spring&quot;
and repression</font></p>

<p align="justify"><b><font size="2" face="Verdana">1974</font></b> <font size="2" face="Verdana"> -New constitution, strengthening of
the self administration of the constituent republics</font></p>

<p align="justify"><b><font size="2" face="Verdana">1980</font></b> <font size="2" face="Verdana"> -Tito's death</font></p>

<p align="justify"><b><font size="2" face="Verdana">1981</font></b> <font size="2" face="Verdana"> -Riots in Kosovo</font></p>

<p align="justify"><b><font size="2" face="Verdana">1987</font></b> <font size="2" face="Verdana"> -Campaign of meetings in Kosovo and
Serbia</font></p>

<p align="justify"><b><font size="2" face="Verdana">1989</font></b> <font size="2" face="Verdana"> -Milosevic puts his men in power in
Serbia and Montenegro</font></p>

<p align="justify"><font size="2" face="Verdana">-Founding of independentist parties in Croatia
and Slovenia</font></p>

<p align="justify"><b><font size="2" face="Verdana">1990</font></b> <font size="2" face="Verdana"> -Free elections in Slovenia and
Croatia, later in Bosnia</font></p>

<p align="justify"><font size="2" face="Verdana">-State of emergency in Kosovo, suspension of
government and parliament</font></p>

<p align="justify"><font size="2" face="Verdana">-Referendum on Serbian autonomy in the
&quot;Krajina&quot;, first incidents in Knin</font></p>

<p align="justify"><b><font size="2" face="Verdana">December</font></b> <font size="2" face="Verdana"> -vote on Croatian constitution</font></p>

<p align="justify"><b><font size="2" face="Verdana">1991 February</font></b> <font size="2" face="Verdana"> -&quot;Krajina&quot;'s
proclamation of separation from Croatia</font></p>

<p align="justify"><b><font size="2" face="Verdana">March</font></b> <font size="2" face="Verdana"> -first movements of the federal
army of Yugoslavia</font></p>

<p align="justify"><b><font size="2" face="Verdana">May</font></b> <font size="2" face="Verdana"> -referendum on independence in
Croatia</font></p>

<p align="justify"><b><font size="2" face="Verdana">August</font></b> <font size="2" face="Verdana"> -massive intervention of the
Federal Army of Yugoslavia, start of siege of Vukovar</font></p>

<p align="justify"><b><font size="2" face="Verdana">September</font></b> <font size="2" face="Verdana"> -beginning of attacks on Zadar</font></p>

<p align="justify"><b><font size="2" face="Verdana">October</font></b> <font size="2" face="Verdana"> -siege and artillery attacks on
Zadar,</font></p>

<p align="justify"><b><font size="2" face="Verdana">November</font></b> <font size="2" face="Verdana"> -Fall of Vukovar</font></p>

<p align="justify"><b><font size="2" face="Verdana">December</font></b> <font size="2" face="Verdana"> -Europe recognises Croatia and
Slovenia</font></p>

<p align="justify"><b><font size="2" face="Verdana">1992</font></b> <font size="2" face="Verdana"> -Bosnian referendum on independence
and the beginning of the war there, start of the siege of
Sarajevo</font></p>

<p align="justify"><b><font size="2" face="Verdana">1993</font></b> <font size="2" face="Verdana"> -The Maslenica bridge operation in
Zadar - HVA pushes back ARSK</font></p>

<p align="justify"><b><font size="2" face="Verdana">1994 </font></b> <font size="2" face="Verdana"> Croatian military action
&quot;Blitz&quot; in Slavonia </font></p>

<p align="justify"><b><font size="2" face="Verdana">1995</font></b> <font size="2" face="Verdana"> -creation of the European rapid
reaction force</font></p>

<p align="justify"><font size="2" face="Verdana">-Bosnian military forces reconquer ASRK-held
Bosnian territory</font></p>

<p align="justify"><b><font size="2" face="Verdana">August </font></b> <font size="2" face="Verdana"> -&quot;Storm&quot;: Croatian
recuperation of its former territories, except for eastern
Slavonia </font></p>

<p align="justify"><b><font size="2" face="Verdana">November </font> </b><font size="2" face="Verdana">-Dayton agreement</font></p>

<p align="justify"><b><font size="2" face="Verdana">December </font> </b><font size="2" face="Verdana">-Paris, tripartite peace
signing</font></p>

<p align="justify"><b><font size="2" face="Verdana">C. The state of cultural heritage in the
former UNPA Sectors North and South</font></b></p>

<p align="justify"><a name="1. Information provided by other sources"><b><font size="2" face="Verdana">1. Information provided by other sources</font></b></a></p>

<p align="justify"><em><b><u><font size="2" face="Verdana">a. Information provided by the
Croatian authorities</font></u></b></em></p>

<p align="justify"><font size="2" face="Verdana">13. Prior to the consultant's arrival, Branca
Sulc had provided him with a &quot;Register of Museums and
Galleries in the occupied territories of the Republic of
Croatia...&quot; (Bibliography R.8) and a paper on &quot;Art
theft experiences of Croatia in periods of armed conflict&quot;
(R.7). </font></p>

<p align="justify"><font size="2" face="Verdana">14. At his request a meeting had been arranged
upon his arrival on 6 December at the &quot;State Agency for the
Protection of Cultural and Natural Heritage&quot; (SAPH) in
Zagreb (see Introduction - time schedule). There he was handed
two preliminary reports on the condition of Catholic churches in
the former UNPA Sectors North and South (Bibliography R.5 and
R.6) and received further explanations (D.5). In addition he was
briefed on Croatian activities with respect to the cultural
heritage in the area immediately following the Operation
&quot;Storm&quot;, including site visits by the directors of MDC
and SAPH and their staff, and also on the immediate request made
to the police to protect Serbian Orthodox churches. Particular
sites, such as monasteries, were put under round-the-clock police
surveillance; others were to be patrolled regularly. Nevertheless
some break-ins had taken place into Orthodox churches. In the
present post-war and post-combat situation, with very little
infrastructure functioning and very little of the population
returned, the difficulty of providing efficient police
surveillance of every monument in this large area must be evident
(D.5, p 2). </font></p>

<p align="justify"><font size="2" face="Verdana">15. The consultant was introduced to the
difficulties that the Croatians in general and Croatian officials
in particular have in dealing with the Serbian cultural heritage
and especially with that in the former UNPA Sectors North and
South.</font></p>

<p align="justify"><font size="2" face="Verdana">16. There are several reasons to explain these
difficulties:</font></p>

  <blockquote>

<p align="justify"><font size="2" face="Verdana">(a) Prior to 1991 apparently not even SAPH
personnel had access to built or moveable Serbian Orthodox
treasures in churches or parish houses or elsewhere in order to
establish official inventories (Bibliography D.5). No inventories
are therefore available.</font></p>

<p align="justify"><font size="2" face="Verdana">(b) During the period of occupation, a
considerable amount of Serbian church furnishings and sacred
objects, especially iconostasis and icons, were removed from
churches and taken into Serbian territory, mainly to Belgrade,
for instance to the National Museum Belgrade, the IPB etc..
(Bibliography R.1 no.7 and the related evidence files). A
remarkable quantity has been conserved, restored and then put
into exhibitions and catalogued (P.8 and R.1 no.7 para 15). These
items at present are not accessible for inventory.</font></p>

<p align="justify"><font size="2" face="Verdana">(c) No information is as yet available as to
what exactly has been removed to Serbia or elsewhere. The
consultant is in contact with Dr Marco Omcikus, IPB, who has
informed him that a whole team is working on such an inventory.
There is reason to believe that much of this information should
be available at the Museum of the Serbian Orthodox Church located
at the main seat of the Serbian Orthodox church in Belgrade.
These archives are said to contain complete inventories &quot;of
church treasures of the whole territory of the Serbian
church&quot; (Bibliography R.1 no.7 para 16 and P.11 para 8). It
is of capital importance that precise inventory lists should as
soon as possible be established and published, not only of
Serbian Orthodox and Croatian Catholic, but also of all other
cultural heritage on the territories of former Yugoslavia. Only
through their independent verification can light be shed on what
is hearsay and what has really happened in these last five years
of war and earlier. Once they are available, they should also be
made accessible to all concerned - Croatian and Serbian
authorities included.</font></p>

<p align="justify"><font size="2" face="Verdana">(d) Following the occupation there were local
priorities and psychological barriers, which did not allow an
approach to be made to drawing up inventories of Serbian cultural
monuments.</font></p>

<p align="justify"><font size="2" face="Verdana">(e) On the other hand the Croatian Government
seems afraid of being accused of looting and plundering the
Serbian Orthodox heritage if Croatian professionals were to enter
Serbian Orthodox churches and move Serbian Orthodox objects for
reasons of inventory, protection or other. This is understandable
as Croatia has accused Serbia of having &quot;stolen and
abducted&quot; the Vukovar museum collections to Serbia. The
situation is in fact relatively similar. In Vukovar the Serbs
have actually saved a major part of what still existed of the
museum collections (in a desperate situation and from a totally
defunct place) and have subsequently dealt with them correctly,
as has been checked and reported by this consultant (Bibliography
R.1 no.7).</font></p>

<p align="justify"><font size="2" face="Verdana">(f) Part of the Croat population apparently is
not prepared to serve the cause of those who ruined their
Croatian homes, villages and churches.</font></p>

<p align="justify"><font size="2" face="Verdana">(g) According to Fra Zivkovic and Croatian
officials, the Serbian Orthodox community in Croatia has been
contacted about the possible return to their parishes of former
Serbian Orthodox clergy in order to take on themselves the
protection of their heritage and the spiritual care of the
remaining Serbian Orthodox population. Fear of revenge and
retaliation seems to have caused the Serbian priests to reject
this Croatian proposal.</font></p>

<p align="justify"><font size="2" face="Verdana">(h) During these &quot;contacts&quot;, the Serb
side is said to have made the offer to the Croatian Catholic
Church to use the Serbian Orthodox churches in the area for their
religious services. This offer was similarly turned down.</font></p>

  </blockquote>

<p align="justify"><font size="2" face="Verdana">17. The consultant was informed that a first
official meeting had been scheduled between SAPH, the Serbian
Cultural Society and the Serbian Orthodox Church from Zagreb for
Friday, 16 December 1995. This meeting has since taken place in
the presence of the ECMM officer Jan Gallus. Even earlier some
collaboration had started. ECMM has received minutes of an
&quot;inspection and classification of Orthodox religious
buildings in the area of the Glina municipality&quot;, dated 15
November 1995. On this occasion Father Mandic of the Gomirje
Monastery, representing the Serbian Orthodox Church, and Prof
Domin, representing SAPH, checked objects with a list,
inventoried and photographed at the &quot;Institute for the
restoration of works of art&quot; in Zagreb, which was to pack
and ship them to the Orthodox Gomirje Monastery. A joint
inspection of Orthodox churches and sites had also been carried
out (Bibliography D.2). </font></p>

<p align="justify"><font size="2" face="Verdana">18. On several occasions during the present
mission, it was suggested to the consultant that the Council of
Europe Committee on Culture and Education should send a
fact-finding mission to the Federal Republic of Yugoslavia in
order to investigate the state of the Croatian heritage there and
in the provinces of Voivodina and Kosovo. </font></p>

<p align="justify"><font size="2" face="Verdana">19. The consultant was then received at the
Croatian Parliament by Dr Zarko Domljan, who had earlier
submitted to Mrs Leni Fischer, Chairperson of the Assembly
Committee on Culture and Education, a report listing many
Catholic and Orthodox churches in former occupied areas together
with a one or two word description of their condition
(Bibliography R.3). Dr Domljan himself had also visited the
recuperated areas the days following Operation &quot;Storm&quot;.
He described his visits, particularly that to the two major
Serbian Orthodox convents in the former Sector South, Krka and
Krupa - he saw both sites untouched and already put under police
protection. From this experience he considered allegations of
looting and plundering in the former UNPA Sectors North and South
very likely to be pure propaganda. The consultant's own later
observations could not confirm this opinion. </font></p>

<p align="justify"><em><b><u><font size="2" face="Verdana">b. Information provided by the
Catholic Croatian Bishops Conference, Zagreb</font></u></b></em></p>

<p align="justify"><font size="2" face="Verdana">20. Information from this particular source is
contained in the above paragraphs, as most of it was presented
during the two meetings at SAPH on 6 and 11 December. Some other
documents were obtained from ECMM. </font></p>

<p align="justify"><em><b><u><font size="2" face="Verdana">c. Information provided by ECMM,
Zagreb</font></u></b></em></p>

<p align="justify"><font size="2" face="Verdana">21. The consultant, upon his arrival at ECMM's
Zagreb headquarters in Hotel &quot;I&quot;, met with Jan Gallus,
member of the Humanitarian Section and the one person in charge
of reporting on the state of cultural heritage. The consultant
was introduced to the Head of the Section, Mr Dieter Schroeder.
He was given copies of each of the three &quot;Cultural Heritage
Reports&quot; that the Humanitarian Section has so far published.
These reports are the only ones to have a systematic approach to
site descriptions, but could still be improved by having a more
detailed system for describing actual damage.</font></p>

<p align="justify"><font size="2" face="Verdana">22. The consultant was informed in particular
about Jan Gallus' contacts with representatives of the Serbian
Orthodox Church. He was given a copy of a translation of a letter
of the &quot;Holy Archdiocese Synod of the Serbian Orthodox
Church&quot; to its president, the Bishop of Nis, asking him to
undertake the necessary procedures to have Metropolitan Jovan of
Ljubljana &quot;assume the duty for the spiritual care of the
faithful people of the Serbian Orthodox Church in the Republic of
Croatia&quot;.</font></p>

<p align="justify"><em><b><u><font size="2" face="Verdana">d. Information provided by IPB,
Belgrade</font></u></b></em></p>

<p align="justify"><font size="2" face="Verdana">23. In advance of his mission, the consultant
was provided by Marco Omcikus, Head of the Department of
Protection and Documentation of the &quot;Institute for the
protection of historical and cultural heritage&quot; (IPB) in
Belgrade, with a listing of existing Serbian monuments in the
Serbian &quot;Krajina&quot; so that he might be able, if time
permitted, to check on some of those monuments. </font></p>

<p align="justify"><font size="2" face="Verdana">24. He was also asked to look and ask for
birth, marriage and burial registers. During his travel the
consultant only saw two such registers.</font></p>

<p align="justify"><a name="2. The consultant's own observations in the former Sectors North and South"><b><font size="2" face="Verdana">2. The consultant's own observations in the former
Sectors North and South</font></b></a></p>

<p align="justify"><em><b><u><font size="2" face="Verdana">a. Agglomerations and sites visited</font></u></b></em></p>

<p align="justify"><font size="2" face="Verdana">25. The four day trip was planned so as to be
very open and adaptable, taking into account ECCM information on
cultural heritage, as well as listings and publications of
Croatian and Serbian institutions, but also allowing for weather,
road and time restrictions - traffic was likely to be heavy, so
slow and the roads wintery. There were no restrictions whatsoever
imposed on the group - it was free to travel wherever it decided
it wanted to go. In view of time, weather, distances and
efficiency it was agreed to visiting the former Sectors North and
South, with the intention of also seeing the former southern
confrontation line from both sides, including Zadar and Split and
there to consult with local SAPH representatives. Excellent
ECMM-adapted maps of the national geographic institute were
available.</font></p>

<p align="justify"><font size="2" face="Verdana">26. In the morning of 7 December 1995 the
consultant left Zagreb in an ECMM jeep, accompanied by the Jan
Gallus, responsible for ECMM&#146;s cultural heritage monitoring,
the ECMM interpreter Tomislav Petric and the ECMM driver Michel
Simon. The road passed through former front-line areas between
Croatia and the SRK-occupied &quot;Krajina&quot;, through Jaksik,
the site of military confrontation, to Petrinja, the first stop
on the itinerary. See Appendix 1 - Map of the route.</font></p>

<p align="justify"><font size="2" face="Verdana">27. On this trip the consultant saw 31 sites
and agglomerations, some of them with two churches, which he
partly documented with photographs (for more detailed description
see Appendix 1). Two are not situated in the formerly SRK
occupied area: Split and Zadar.</font></p>

<p align="justify"><font size="2" face="Verdana">28. Of these 31 sites</font></p>

<p align="justify"><b><font size="2" face="Verdana">16 </font> </b><font size="2" face="Verdana">were<b> Catholic cultural heritage
buildings and sites</b></font></p>

<ul>
    <li>
    <p align="justify"><font size="2" face="Verdana">1 convent, blasted with tank-mines (S24)</font></li>
    <li>
    <p align="justify"><font size="2" face="Verdana">15 individual Catholic churches, of which</font></li>
</ul>

<blockquote>
    <blockquote>
        <p align="justify"><font size="2" face="Verdana">-3 were totally destroyed, rubble
        completely removed, just a meadow left (S1,S5)</font></p>
        <p align="justify"><font size="2" face="Verdana">-5 were totally destroyed, rubble left
        (S2, S20, S21, S24, S30)</font></p>
        <p align="justify"><font size="2" face="Verdana">-5 were severely damaged structurally,
        the roof gone and part of the walls (S3, S6, S17, S19,
        S29)</font></p>
        <p align="justify"><font size="2" face="Verdana">-1 only was nearly intact, with windows
        damaged (S13)</font></p>
        <p align="justify"><font size="2" face="Verdana">-none was intact</font></p>
        <p align="justify"><font size="2" face="Verdana">-1 has now been completely restored
        (S29)</font></p>
    </blockquote>
</blockquote>

<p align="justify"><b><font size="2" face="Verdana">17</font></b> <font size="2" face="Verdana"> were <b>Serbian Orthodox cultural
heritage buildings and sites</b></font></p>

<ul>
    <li>
    <p align="justify"><font size="2" face="Verdana">2 monasteries, no structural damage (S15,
        S27)</font></li>
    <li>
    <p align="justify"><font size="2" face="Verdana">1 parish house (S13)</font></li>
    <li>
    <p align="justify"><font size="2" face="Verdana">15 churches, of which</font></li>
</ul>

<blockquote>
    <blockquote>
        <p align="justify"><font size="2" face="Verdana">-not one was destroyed</font></p>
        <p align="justify"><font size="2" face="Verdana">-2 had suffered considerable structural
        damage during 1991-1995, being at one time situated
        directly on the confrontation line (S21, S22)</font></p>
        <p align="justify"><font size="2" face="Verdana">-1 showed slight structural damage (S5)</font></p>
        <p align="justify"><font size="2" face="Verdana">-5 showed no damage from the exterior,
        but were not inspected inside - not accessible, mined,
        locked, bad weather or lack of time (S10, S15, S25, S19,
        S26)</font></p>
    </blockquote>
</blockquote>

<blockquote>
    <blockquote>
        <p align="justify"><font size="2" face="Verdana">-2 were structurally fine, but with
        signs of slight vandalism inside (S7,S11)</font></p>
        <p align="justify"><font size="2" face="Verdana">-6 were fine, outside and inside (S16,
        S24, S25, S26, S27, S29)</font></p>
        <p align="justify"><font size="2" face="Verdana">-3 were at the time of the visit
        guarded permanently by police (S5, S27, S29)</font></p>
    </blockquote>
</blockquote>

<p align="justify"><font size="2" face="Verdana">The totals do not always match as there are
sites with 2 churches or churches which fit into 2 categories.
The report on damage to other buildings, private houses, schools
etc is not presented in this individual manner. Due to the
immense number of damaged objects, descriptions can only be given
in more general terms (see C).</font></p>

<p align="justify"><font size="2" face="Verdana">29.<b> Itinerary</b> (for more detail see
Appendix 1)</font></p>

<p align="justify"><b><font size="2" face="Verdana">- Day 1</font></b></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Petrinja </font></p>

<p align="justify"><font size="2" face="Verdana">Petrinja (S1), Hrastovica (S2), Gornja Bacusa
(S3)</font></p>

<p align="justify"><font size="2" face="Verdana">Hervatski Cuntic (S4)</font></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Glina</font></p>

<p align="justify"><font size="2" face="Verdana">Glina (S5)</font></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Virginmost</font></p>

<p align="justify"><font size="2" face="Verdana">Topusko (S6)</font></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Slunj</font></p>

<p align="justify"><font size="2" face="Verdana">Slunj (s7)</font></p>

<p align="justify"><font size="2" face="Verdana">The night was spent in the Hotel of the
Plitvice National Park in one of the very few hotels on the way.</font></p>

<p align="justify"><b><font size="2" face="Verdana">- Day 2</font></b></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Titova Korenica</font></p>

<p align="justify"><font size="2" face="Verdana">Vrelo (S8), Bielo Polje (S9), Frkasic (S10),
Josan (S11)</font></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Gracac</font></p>

<p align="justify"><font size="2" face="Verdana">Deringaj (S12), Gracac (S13)</font></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Obrovac</font></p>

<p align="justify"><font size="2" face="Verdana">Golubic (S14), Serbian Orthodox Monastery Krupa
(S15), Kastel Zegarski (S16), Medvida (S17)</font></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Benkovac</font></p>

<p align="justify"><font size="2" face="Verdana">Bencovac, suburb Bukovic (S18)</font></p>

<p align="justify"><font size="2" face="Verdana">The night was spent in Zadar</font></p>

<p align="justify"><b><font size="2" face="Verdana">- Day 3</font></b></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Zadar</font></p>

<p align="justify"><font size="2" face="Verdana">Zadar (S19), Skabrnja (S20)</font></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Benkovac </font></p>

<p align="justify"><font size="2" face="Verdana">Smilcic (S21), Donji Kasic (S22), Islam Grcki
(S23)</font></p>

<p align="justify"><font size="2" face="Verdana">Donji Karin (S24), Kozlovac (S25)</font></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Knin</font></p>

<p align="justify"><font size="2" face="Verdana">Kistanje (S26), Serbian Orthodox Monastery Krka
(S27)</font></p>

<p align="justify"><font size="2" face="Verdana">The night was spent in Split</font></p>

<p align="justify"><b><font size="2" face="Verdana">- Day 4</font></b></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Split</font></p>

<p align="justify"><font size="2" face="Verdana">Split (S28)</font></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Sinj</font></p>

<p align="justify"><font size="2" face="Verdana">Vrlika (S29), Kijevo (S30)</font></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Knin</font></p>

<p align="justify"><font size="2" face="Verdana">Knin (S31), Serbian Orthodox Monastery Krka
(S27)</font></p>

<p align="justify"><font size="2" face="Verdana">Municipality of Sisak</font></p>

<p align="justify"><font size="2" face="Verdana">Sisak (S28)</font></p>

<p align="justify"><font size="2" face="Verdana">Back to Zagreb</font></p>

<p align="justify"><em><b><u><font size="2" face="Verdana">b. Previously given information, its
relevance and reliability</font> </u></b></em></p>

<p align="justify"><font size="2" face="Verdana">30. One aim of the mission was to establish the
reliability of information previously supplied. Most of the
printed information forwarded to the consultant is second hand
information, as in the case of the Mileusenic publication
(Bibliography P.11) and the Domljan report (R.3).</font></p>

<p align="justify"><font size="2" face="Verdana">31. Dr Zarko Domljan's report mentions a
considerable number of Catholic and Orthodox churches in the
former UNPA Sectors North and South (Bibliography R.3). Their
condition is described on each occasion only with one or two
words. As Dr Domljan explained to the consultant, it is a listing
of information provided by the different local police
departments. The differing provenances of the reports account for
the inconsistency in the terminology of the descriptions. This is
quite probably the reason why the statements in this report often
seem to be correct in approximation, but not exact when compared
with the consultant's own observations. Examples: &quot;The
church of our Lady in the rosary&quot; in Vrlika had not been
&quot;demolished&quot;, but had been hit and is now fully
restored*, &quot;St Anthony&quot; in Hrvatski Guntic is not
&quot;torn down&quot; - a considerable part of the church walls
are still standing, but there is no roof on the tower or church*.
With allowance for such linguistic discrepancies and given the
numerous checks made by ECMM personnel with comparable results,
the &quot;Domljan report&quot; proved to be quite reliable. </font></p>

<p align="justify"><font size="2" face="Verdana">32. The same goes for the preliminary report
established by SAPH about the condition of Croatian sacred
monuments in the areas liberated by Operation
&quot;Storm&quot;(Bibliography R.6). The reason is simple: it
consists simply of an introduction, a general description of the
losses and their number, and a series of photographs of churches
and sites taken before 1992 and after &quot;Storm&quot;, but with
no individual written description. </font></p>

<p align="justify"><font size="2" face="Verdana">33. The three ECMM cultural heritage reports
were of less relevance to the consultant as they contain only few
sites on the chosen route. The fourth report will deal with the
former UNPA Sectors North and South. In these publications
professional systematics are used to structure the information
reported. They use a cultural heritage checklist based on a
suggestion by Dr Colin Kaiser, (R4, #3, p 6). With regard to the
damage description an even more detailed reporting of damage
suffered and the condition at the time of visiting would be
welcome, again in a professionally formalised way (see
Recommendation 1)</font></p>

<p align="justify"><font size="2" face="Verdana">34. The book &quot;Spiritual Genocide&quot;
(Bibliography P.11) is also quite systematic and, contrary to the
others, contains helpful individual historic summaries and data
on the sites. According to ECMM (Jan Gallus) in at least 9 cases
it is regrettably factually not correct and descriptions of
structural damage are only very general. Again it is a collection
of second-hand information, published without having been
double-checked. A final judgement regarding the reliability of
this Serbian publication is at present not possible as the
consultant was only able to compare some of the few sites he
visited.</font></p>

<p align="justify"><font size="2" face="Verdana">35. A Serbian comparative study of damage
reports (Bibliography R.9) only reached the consultant at the end
of December 1995 and could not be taken into account on the
mission. It points correctly to the problem of incongruence of
language and approach in the different documents. These verbal
discrepancies indeed constitute a major source of mistrust and
doubt and led to some regrettable and unfounded polemical remarks
in the introduction. They quite understandably have led ECMM to
the conclusion to rely solely on what has been seen personally by
ECMM specialised personnel and to identify second-hand
information as such. If ever a precise record of damage to the
cultural heritage in the former UNPA Sectors North and South (or
elsewhere) is to be established for the purpose of enabling
reliable calculations to be made of restoration costs, the
recording has to be done in a uniform, professional and
unemotional way (see Recommendations 1 and 2).</font></p>

<p align="justify"><font size="2" face="Verdana">36. The same goes for coordination of efforts
inside and outside of former Yugoslav territories. It is apparent
from several documents (Bibliographt D.3, D.4), and also from the
personal experience and observations of the consultant, that
institutions and organisations that are operational in this area
are working mostly on their own. One of the arguments is always:
big structures yield small results, small structures lead to
satisfactory results. There is some truth in this, but there is
also the negative effect of reduplicating efforts for the same
cause, because of lack of communication. </font></p>

<p align="justify"><font size="2" face="Verdana">37. This may quite probably be the case of the
National Museum of Sarajevo, where the UK-based BHHR is helping,
but so too Switzerland and Icom. On the other hand there are many
other isolated buildings where no-one has imagined trying to save
what most often has survived in desolate conditions. Whoever
develops a high profile gets help; most curators, conservators
and technicians do not have time to develop this high profile,
yet they need help just as badly.</font></p>

<p align="justify"><font size="2" face="Verdana">38. Another example is Unesco's Reconstruction
of Vukovar Project that seems to be unrelated to fact-finding
missions carried out by this consultant for the Council of
Europe's Assembly. </font></p>

<p align="justify"><font size="2" face="Verdana">39. It seems high time for a larger
coordination effort as well for small efforts of more regular
daily communication. One relevant organisation is Iccrom
(International Centre for the Study of the preservation and the
restoration of cultural property), but its participation in any
efforts in the area is not known to the consultant. See also
Recommendation 7.</font></p>

<p align="justify"><em><b><u><font size="2" face="Verdana">c. Police protection of Orthodox
sites</font></u></b></em></p>

<p align="justify"><font size="2" face="Verdana">40. The consultant was informed on several
occasions that police were protecting Orthodox churches and
monasteries, some sites permanently, others places only by
patrols and on specific instructions. Only in three cases did the
consultant find permanent police guards on site (Vrlika, Glina
and Krka Monastery). Yet all of these three buildings had the
back doors not locked, without the respective police officers
even being aware of it.</font></p>

<p align="justify"><font size="2" face="Verdana">41. In Krka the police officers on duty told
the observers that they themselves were not allowed to go into
the monastery and had really had not been inside. It must be
true, for otherwise the two giant pigs and the piglet there would
not have been able to feast on the food stored in the back room
of the kitchen (flower, grain etc.) and leave digestive traces
behind*, nor would the pigs have been able to dig for roots in
the small graveyard behind the building*. </font></p>

<p align="justify"><font size="2" face="Verdana">42. The interiors of these three buildings and
other Serbian Orthodox churches visited were in quite good order,
with the exception of the Orthodox church in Glina. Despite its
front door being sealed*, the back door was open and in a hidden
corner in the back of the building a hole had been blasted from
the outside. The drill hole for the dynamite is still visible.
The explosion caused the chandelier in the choir to fall down on
the altar and damage furnishings*. This is partly known according
to the church survey report in the Glina area, done by SAPH, and
a representative from the Serbian Orthodox Monastery of Gomirje,
as in their protocol dated 15 November 1995 (Bibliography D.2),
but not mentioned in the Domljan report. </font></p>

<p align="justify"><font size="2" face="Verdana">43. In most other cases the consultant found
the main doors not locked. In only four cases was he not able to
enter an Orthodox church on account of all the doors being
locked: in Krupa, in Kistanje, in Gracac and in the Boncovac
suburb Bucovic at St Jovan, a Catholic church turned Orthodox in
1942, changing its name from St Ivan to St Jova. These were all
well locked and had no back doors.</font></p>

<p align="justify"><font size="2" face="Verdana">44. These details are given to show that while
police protection is indeed provided, it is merely mechanical.
Simply to place policemen in front of a site is not enough.
Astoundingly though, the interiors of most of the Serbian
Orthodox churches, whether the doors were locked or not,
policemen there or not, unless they had structural damage, were
untouched* at least at the time of the consultant's visit (Krka*,
Kastel Zegarski*, Vrlika*) or only slightly vandalised (Josan*).</font></p>

<p align="justify"><em><b><u><font size="2" face="Verdana">d. The influence of the pre-1991
ethnic composition of the communities on their actual state</font></u></b></em></p>

<p align="justify"><font size="2" face="Verdana">45. It seems that a very exact knowledge about
the individual ownership of houses and about the ethnic
distribution of the population in the former UNPA Sectors North
and South served during the occupation in 1991 to pin-point
attacks against the Croatian cultural heritage and Croatian
property in general. Destruction was widespread, the most obvious
being the apparently very high amount of Catholic churches that
were totally demolished: 129 of a total of 161 were destroyed and
razed to the ground, and some 20 more were less substantially
damaged (Bibliography R.5). The destruction pattern of a building
reveals how it has been destroyed. For Catholic churches it seems
that the most usual way was to place 2 tank mines in the
interior, one each to the north and south walls and set them off
with some explosive from in- between; the walls then blow
outwards and the roof falls to the floor (examples are S24
G.Karin*, S30 Kijevo*, S21 Smilcic*). There are other ways of
destruction such as dynamiting (for example S20 Skabrnje Catholic
church*) or shelling (for example S22 D. Kasic* Orthodox church).</font></p>

<p align="justify"><font size="2" face="Verdana">46. Destruction is not at all, or to a much
lesser degree, the case for Orthodox churches. The consultant has
not seen one such church completely destroyed, though a few of
them were vandalised to some extent, some were quite untouched. A
few of those damaged were due to fighting around them, being hit
from both sides, as in the case of the church of D.Kasic*(S26).</font></p>

<p align="justify"><font size="2" face="Verdana">47. Even in places with a pre-1991 mixed
Serb/Croat or mainly Croat population, where nothing much may
have been destroyed (for instance because military action or
fighting had not taken place either in 1991 or 1995), the
Catholic church and the parish house will most certainly have
been heavily damaged or totally destroyed. In areas of mixed
populations it seems possible to identify the houses owned by
Croats and those more likely to be or to have been Serbian
property simply according to the type of destruction. But even in
this there are exceptions. In Hervatski Giutic the consultant was
informed by a elderly person who had returned that the only
Serbian home there had been demolished by the ASRK forces,
because this had been the home of a Serb who had married a
Croatian woman. They had built the house just prior to the
occupation. The ruins were seen by the consultant*.</font></p>

<p align="justify"><font size="2" face="Verdana">48. Consequentially the former &quot;Section
North&quot;, having been ethnically more Croat, contains
considerably less reusable building fabric than the former
&quot;Sector South&quot;, ethnically more Serb and in places only
Serb.</font></p>

<p align="justify"><font size="2" face="Verdana">49. In reverse it is obvious that after
Operation &quot;Storm&quot; the same knowledge of the ethnic
dwelling pattern helped the Croats also to act destructively.
This resulted less in structural damage to buildings, but rather
in setting them partly on fire, in looting and dismantling
installations. The few checks which the consultant made, showed
conscientious removal of whole kitchen fixtures, stoves, sinks
and cupboards*, including the careful removal of electric
switches* and the scattering of clothing and furniture*.
Consequently pre-1991 ethnic Serb regions which saw little or no
fighting during &quot;Storm&quot;, particularly in the centre of
the former Sector South, suffered after &quot;Storm&quot; less
structural damage (with certain exceptions), but still suffered
many break-ins and extensive looting.</font></p>

<p align="justify"><font size="2" face="Verdana">50. There seems to be a pattern that in
exclusively Serbian villages or small towns, if ASRK military had
been established there, many houses were violently damaged or
destroyed*. This would be by Croatian military or paramilitary
action and very probably after &quot;Storm&quot;, assuming that
the Serbs did not destroy their own property and assuming that in
the respective areas the Serbs had left before the Croatian
&quot;Storm&quot; forces arrived. One example of this type of
destruction is the town of Kastel Zegarski*, another is
Kistanje*. In this particular case the Catholic Church of Croatia
has protested on the top political level in Zagreb against the
action of the Croatian forces. The consultant was personally
informed about this by the spokesman of the Croatian Bishops
Conference, Dr fra Ilija Zivkovic.</font></p>

<p align="justify"><font size="2" face="Verdana">51. Croatian flags were seen on several houses
on the way. The explanation given to the consultant was that this
signalled to fellow Croats that the houses, known to be Serbian
property, were now inhabited by Croats, the message implied being
&quot;Croats stay out! Don't plunder!&quot; This is necessary
because plundering and looting does not seem to have been
completely stopped. In fact on several occasions the consultant
saw people on the road, coming out of nowhere, with no built-up
area in sight, pushing wheelbarrows laden with household
equipment. One house looting seems to have been proudly
&quot;signed&quot; by a military unit in latin lettering with
their unit number painted on the wall*.</font></p>

<p align="justify"><font size="2" face="Verdana">52. All along the main roads, particularly in
the former Sector North, there are building reminiscent of shops,
small hotels, bars or restaurants, in use or even built during
the occupation and prior to Operation &quot;Storm&quot;. The
accompanying ECMM officer Jan Gallus had seen many of them while
on missions in former UNPA Sectors North and South areas during
the SRK occupation and prior to &quot;Storm&quot;. They then were
undamaged. Now, after &quot;Storm&quot;, all have been broken
into, mostly vandalised and looted, some have been set on fire,
none are usable.</font></p>

<p align="justify"><font size="2" face="Verdana">53. It seems that during the SRK occupation
there was considerable confidence in the future of the SRK, as
there are quite a number of houses built quite recently,
certainly after 1991, yet unfinished: the walls up, the roof on,
no doors, no windows, no wall coverings, no valid infrastructure,
and yet with no signs of major recent systematic destruction.
This phenomenon is more perceptible in the ethnic Serb areas.</font></p>

<p align="justify"><font size="2" face="Verdana">54. The consultant met on a few occasions
native Serb inhabitants of the region and who had stayed during
SRK occupation and after Operation &quot;Storm&quot;. They do not
feel threatened by what are now nearly all-Croat neighbourhoods,
but they are nevertheless very careful when leaving the house.
Contrary to the Croat population, these Serbs apparently do not
receive the old-age pension to which they claim to be entitled.
This was said in Tolusco.</font></p>

<p align="justify"><em><b><u><font size="2" face="Verdana">e. Some observations on population,
housing, infrastructure, education and economics</font></u></b></em></p>

<p align="justify"><font size="2" face="Verdana">55. Places such as Petrinja, Gracac and
Topusko, little towns or small urban communities with a few
thousand inhabitants, seem to be repopulated more quickly and so
are more able to rebuild the community provisionally, to set up
schooling, nurseries and shops*, install churches service
environments (in church ruins*, in restaurants*). It seems that
in these places approximately 20 % of the earlier population has
come back, and also many displaced persons. The consultant was
told by an inhabitant of Gracic that she had been resettled from
elsewhere in Croatia to Gracic.</font></p>

<p align="justify"><font size="2" face="Verdana">56. It is partly due to the rough winters that
the small communities of some dozen people do not yet show signs
of repopulation. Driving through country villages along the road
or further in the interior <i>during daytime</i> gave the
impression that living there at present is impossible, that no
life has yet been reinstalled. Driving back <i>after nightfall</i>
through the same areas revealed a small but astonishing number of
lights. As electricity in most cases has not reached these small
villages of the former UNPA Sectors North and South, these must
be light from generators, candles, petrol - from people staying
there. Estimates about the present population are very vague. The
consultant was told that it might be 15 to 20 % of what it once
had been. </font></p>

<p align="justify"><font size="2" face="Verdana">57. Petrinja is also an example of another
demolition mechanism of the SRK administration and which has
placed its economic future and thereby also any cultural future
it might have in very imminent danger. The town was the site of
one of the biggest meat-processing plants in the whole of Europe,
the internationally famous Gavrilovic sausage factory, with
top-class equipment, with 9,000 employees some of whom were also
shareholders, and with immense subcontracting activities to
regional agriculture and local industry. This factory survived
intact the period of 1991-1995 but was sold by the SRK
administration during to an Austrian citizen without consultation
of the share-holding labour force. The consultant was told by the
town's public relations manager that at present the factory
employs less then 20 people. The new owner is said to have sold
off parts of the enterprise, including machinery, and is
continuing to do so with no apparent interest of reopening the
factory; he is said to have stated that he has already recovered
his investment. If this process of decomposition continues, there
will be no immediate economic and thus no cultural comeback for
the city of Petrinja. It may not be the only such case.</font></p>

<p align="justify"><a name="E. Recommendations"><b><font size="2" face="Verdana">E.
Recommendations</font></b></a></p>

<p align="justify"><b><u><font size="2" face="Verdana">Recommendation 1</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">To develop forms for effective and precise
registration of condition and damage done to sites, buildings and
movable cultural heritage - to be agreed on and used by all
concerned - on the local, provincial, national and international
levels. The form Dr Colin Kaiser has designed for ECMM could
serve as a base. Ideally it should be useable also by lay people.
Institutions with potential experience or even forms already in
use are: Iccrom, Icom, Icomos, APT, AIC. </font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Recommendation 2</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">A commission should be established under
international guidance</font></p>

<p align="justify"><font size="2" face="Verdana">- to bring together all existing inventories of
ecclesiastic and secular public buildings and their content in
the former UNPA Sectors North and South</font></p>

<p align="justify"><font size="2" face="Verdana">- to establish these, where they do not yet
exist</font></p>

<p align="justify"><font size="2" face="Verdana">- to supplement them where they may be
incomplete.</font></p>

<p align="justify"><font size="2" face="Verdana">This commission should be</font></p>

<p align="justify"><font size="2" face="Verdana">- composed of international consultants (Icom,
Icomos, Iccrom etc)</font></p>

<p align="justify"><font size="2" face="Verdana">- include representatives of</font></p>

<p align="justify"><font size="2" face="Verdana">- the Croatian Catholic Church</font></p>

<p align="justify"><font size="2" face="Verdana">- the Serbian Orthodox Church</font></p>

<p align="justify"><font size="2" face="Verdana">- SAPH</font></p>

<p align="justify"><font size="2" face="Verdana">- the Croatian Commission for the evaluation of
war inflicted damage to the cultural heritage.</font></p>

<p align="justify"><font size="2" face="Verdana">As the inventories become available, assessment
surveys should be carried out in the respective areas by the
professional members of this Commission in order to facilitate
estimating the costs of conservation and repair.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Comment to 1 and 2</font></b><font size="2" face="Verdana">: Both should be
enacted as soon as possible. Every day the risk of further loss
of information and objects is growing.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Recommendation 3</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">Priority should be given to establishing and
publishing inventory lists of moveable and unmoveable cultural
heritage, not only of Serbian Orthodox and Croatian Catholic
heritage, but also of all other cultural and religious heritage
on the territories of former Yugoslavia.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Comment</font></b><font size="2" face="Verdana">: Once these lists are
established, they should be also accessible to all concerned,
Croatian and Serbian authorities included. Through their
independent verification light can be shed on what has really
happened (and what is hearsay) before and during these last 5
years of war.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Recommendation 4</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">To follow up not only the Croatian demand for a
fact-finding mission on the situation of the Croatian Heritage in
the Federal Republic of Yugoslavia, but also with respect to the
cultural heritage of other ethnic and religious communities on
the territory of former Yugoslavia. This is necessary in order to
arrive at a more complete picture of the situation of the
cultural heritage but also to establish equal information for all
the parties concerned.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Recommendation 5</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">Police protection of any religious sites in the
former UNPA Sectors North and South should be organised more
efficiently and in collaboration with the respective religious
authorities. In the case of the now Croatian regions contact
should be established with the Serbian Orthodox authorities in
Croatia, with the agreement of the responsible Metropolitan, the
Hon. Met. Jovar of Ljubljana, and with Croatian cultural heritage
institutions such as SAPH in Zagreb together with its branches
and, depending on the case, with the Museum Documentation Centre
and other responsible bodies. In the case of eastern Slavonia the
respective Catholic religious representative and Serbian
professional civil bodies are the relevant authorities.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Recommendation 6</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">Protection of unguarded Bosnian, Croatian,
Serbian and other private property wherever situated in the area
of the former Yugoslavia.</font></p>

<p align="justify"><b><u><font size="2" face="Verdana">Recommendation 7</font></u></b></p>

<p align="justify"><font size="2" face="Verdana">Information and coordination of individual,
national and international efforts and activities regarding
cultural property, its rescue, preservation and conservation in
the countries of former Yugoslavia, should be further reinforced
by </font></p>

<p align="justify"><font size="2" face="Verdana">- a major meeting in the near future of all
international organisations, institutions and persons interested
and concerned, to work towards concrete proposals regarding
approach, coordination and realisation of material,
organisational, educational and financial help and know-how</font></p>

<p align="justify"><font size="2" face="Verdana">- setting up a site on the Internet and/or
permanent conference or mailbox, in which to announce whatever is
known to be going on in relation to the subject</font></p>

<p align="justify"><font size="2" face="Verdana">- (possibly, if a reasonable structure emerges)
annual meetings of those concerned.</font></p>

<hr size="1" width="50%" align="justify">

<p align="justify"><a name="Appendix 1"><b><font size="2" face="Verdana">Appendix 1</font></b></a></p>

<p align="justify"><b><font size="2" face="Verdana">Site visits in detail, data and comments</font></b></p>

<p align="justify"><font size="2" face="Verdana">Sites are listed in alphabetical order. </font></p>

<p align="justify"><font size="2" face="Verdana">The data following the name of each community
is taken from Popis 1991 (Bibliography P.2), the official
publication of the 1991 Yugoslav census of the Croatian (pre-war)
territories. This publication contains a very detailed ethnic
distribution key. In the following table the difference between
the sum of Serb and Croat inhabitants of any one agglomeration
and the given total of its inhabitants is the number of
inhabitants with another ethnic or national adherence (whether
Macedonian, Slovenian, Muslim or Hungarian, Bulgarian, German
etc). It is noteworthy that this publication differentiates
between the &quot;Total of inhabitants&quot; and the &quot;Total
that chose to ethnically declare themselves&quot; (translation
from the Croatian text - T.Petric).</font></p>

<p align="justify"><font size="2" face="Verdana">Abbreviations used in this appendix:</font></p>

<p align="justify"><b><font size="2" face="Verdana">CC</font></b><font size="2" face="Verdana">: Catholic church</font></p>

<p align="justify"><b><font size="2" face="Verdana">d </font> </b><font size="2" face="Verdana">- mentioned in the Domljan report
(R.3)</font></p>

<p align="justify"><b><font size="2" face="Verdana">damCC:</font></b> <font size="2" face="Verdana"> damaged Catholic church</font></p>

<p align="justify"><b><font size="2" face="Verdana">damSOC: </font> </b><font size="2" face="Verdana">damaged Serbian Orthodox church</font></p>

<p align="justify"><b><font size="2" face="Verdana">eCC:</font></b> <font size="2" face="Verdana"> extinguished CC</font></p>

<p align="justify"><b><font size="2" face="Verdana">e</font></b> <font size="2" face="Verdana"> - mentioned in the ECMM reports (R.4)</font></p>

<p align="justify"><b><font size="2" face="Verdana">inhab</font></b><font size="2" face="Verdana">: inhabitants</font></p>

<p align="justify"><b><font size="2" face="Verdana">m - </font> </b><font size="2" face="Verdana">mentioned in the Mileusnic
publication (P.11)</font></p>

<p align="justify"><b><font size="2" face="Verdana">Municip</font></b><font size="2" face="Verdana">: municipality</font></p>

<p align="justify"><b><font size="2" face="Verdana">no-ac</font></b><font size="2" face="Verdana">:- no access because of winter
conditions</font></p>

<p align="justify"><b><font size="2" face="Verdana">s</font></b> <font size="2" face="Verdana"> - mentioned in the preliminary SAPH
report (R.5)</font></p>

<p align="justify"><b><font size="2" face="Verdana">seq#:</font></b> <font size="2" face="Verdana"> number of site in the sequence of
the travel (para #..)</font></p>

<p align="justify"><b><font size="2" face="Verdana">SOC</font></b><font size="2" face="Verdana">: Serbian Orthodox church</font></p>

<p align="justify"><b><font size="2" face="Verdana">SOM</font></b><font size="2" face="Verdana">: Serbian Orthodox monastery</font></p>

<p align="justify"><b><font size="2" face="Verdana">bold print</font></b> <font size="2" face="Verdana"> used for the rubrik <b>community</b>:
municipal capitals</font></p>

<p align="justify"><b><font size="2" face="Verdana">bold print</font></b> <font size="2" face="Verdana"> used for the number of Croat
or Serb population: majority</font></p>

<p align="justify"><b><font size="2" face="Verdana">Appendix 1 (contd) COMMUNITIES AND SITES
VISITED</font></b></p>

<p align="justify"><font size="2" face="Verdana">Where possible colour negative photographs have
been taken in part as visual notes, in part as proof of
statements - 380 and 60 slides.</font></p>

<table border="1" cellpadding="4" width="995">
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">&nbsp;<b>Community</b></font></td>
        <td width="10%">
        <p align="justify"><b><font size="2" face="Verdana">Municip.</font></b></td>
        <td width="5%">
        <p align="justify"><b><font size="2" face="Verdana">seq#</font></b></td>
        <td width="8%">
        <p align="justify"><b><font size="2" face="Verdana">inhab.#</font></b></td>
        <td width="8%">
        <p align="justify"><b><font size="2" face="Verdana">Croat#</font></b></td>
        <td width="7%">
        <p align="justify"><b><font size="2" face="Verdana">Serb#</font></b></td>
        <td width="7%">
        <p align="justify"><b><font size="2" face="Verdana">DamCC</font></b></td>
        <td width="8%">
        <p align="justify"><b><font size="2" face="Verdana">DamSOC</font></b></td>
        <td width="35%">
        <p align="justify"><b><font size="2" face="Verdana">observation</font></b></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Bukovic</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Benkovac</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 18</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">904</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">895</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">OK </font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">1942 from CC to SOC,
        locked interior not checked</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Bjelopolje </font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Tit -Kor.</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 9</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">163</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">6</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">143</font></p>
        </td>
        <td width="7%">
        <p align="justify">&nbsp;</td>
        <td width="8%">
        <p align="justify">&nbsp;</td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">damage from World War II</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Deringaj</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Gracac</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 12</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">183</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">181</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">no.ac</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">School very damaged,
        village unpopulated</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Donji Kasic</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Benkovac</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 22</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">765</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">2</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">757</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">front-line community,
        heavy structural damage inflicted from the South
        (Croatian) and from the North (Serbian), walls and tower
        up*</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Frkasic</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Tit.-Kor.</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 10</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">111</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">107</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">no ac</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">no people there, church
        upright</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><b><font size="2" face="Verdana">Glina</font></b></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">-</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 5</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">6&#146;933</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">1&#146;448</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">4&#146;831</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        <p align="justify"><font size="2" face="Verdana">local damage</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*post &quot;Storm&quot;
        partial structural damage at the base of one apse, *altar
        furnishings damaged by fallen lustre - CC disappeared</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><b><font size="2" face="Verdana">Gracac</font></b></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">-</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 13</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">4&#146;101</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">61</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">3&#146;906</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">OK</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*small damage to windows</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Golubic</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Obrovac</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 14</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">1&#146;424</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">17</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">1&#146;389</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*vandalised Serb farm with
        dead animals*</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Gornja Bacuga</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Petrinja</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 3</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">397</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">6</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">378</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*CC large parts blown out,</font></p>
        <p align="justify"><font size="2" face="Verdana">SOC upright - no stop</font></p>
        </td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Gornji Karin</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Obrovac</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 24</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">876</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">3</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">851</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">OK</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">-Franciscan Monastery
        mined, some walls still upright, mine signs</font></p>
        <p align="justify"><font size="2" face="Verdana">*SOC open, unsealed, left in a hurry</font></p>
        </td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Hrvatski</font></p>
        <p align="justify"><font size="2" face="Verdana">Cuntic</font></p>
        </td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Petrinja</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 4</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">223</font></p>
        </td>
        <td width="8%"><p align="justify"><b><font size="2" face="Verdana">208</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">9</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">no-ac</font></p>
        <p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*Roof gone, main walls
        upright, apse destroyed</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Hrastovica</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Petrinja</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 2</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">584</font></p>
        </td>
        <td width="8%"><p align="justify"><b><font size="2" face="Verdana">563</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">5</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*CC - heap of stones,
        parish home blasted, some walls still upright</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Islam Grcki</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Benkovac</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 23</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">1&#146;139</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">107</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">991</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">OK</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*emptied of everything</font></p>
        <p align="justify"><font size="2" face="Verdana">burned trees all around</font></p>
        </td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Josan</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Tit.-Kor.</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 11</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">227</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">2</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">223</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">OK</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*some furnishings lying
        around, ikonostasis OK, broken door lock </font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Kastel</font></p>
        <p align="justify"><font size="2" face="Verdana">Zegarski</font></p>
        </td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Obrovac</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 16</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">480</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">5</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">474</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">OK</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*no intrusion at all, some
        grave stones dislocated - minor damage </font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Kijevo</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Sinj</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 30</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">1&#146;261</font></p>
        </td>
        <td width="8%"><p align="justify"><b><font size="2" face="Verdana">1&#146;256</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">2</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">mined</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*first Croatian settlement
        to be destroyed. CC heap of rubble around some columns,
        chapel heavy damage</font></td>
    </tr>
</table>

<table border="1" cellpadding="4" width="995">
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Kistanje</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Knin</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 26</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">2&#146;021</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">9</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">1&#146;980</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">OK</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*locked, inaccessible,
        outside fine</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><b><font size="2" face="Verdana">Knin</font></b></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">-</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 31</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">12&#146;331</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">1&#146;660</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">9&#146;867</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">no observations on
        buildings</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Koslovac</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Benkovac</font></td>
        <td width="5%">
        <p align="justify">&nbsp;</td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">373</font></p>
        </td>
        <td width="8%"><p align="justify"><b><font size="2" face="Verdana">371</font></b></p>
        </td>
        <td width="7%">
        <p align="justify">&nbsp;</td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">OK</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">no visit, OK from the
        outside</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Krka SOM-d,s</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Knin</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 27</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">OK</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*structurally OK, SOC OK,
        quarters in some upheaval, nothing much removed</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Krupa SOM</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Obrovac</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 15</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">OK</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*seen from the outside,
        signs of mines all around hindered approach</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Medvida</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Obrovac</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 17</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">688</font></p>
        </td>
        <td width="8%"><p align="justify"><b><font size="2" face="Verdana">395</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">282</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">CCM</font></p>
        <p align="justify"><font size="2" face="Verdana">mined</font></p>
        </td>
        <td width="8%">
        <p align="justify">&nbsp;</td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*heaps of stone, no wall
        left</font></p>
        <p align="justify"><font size="2" face="Verdana">*chapel on cemetery OK</font></p>
        </td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><b><font size="2" face="Verdana">Petrinja</font></b></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">-</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 1</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">18&#146;706</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">7&#146;662</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">8&#146;445</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">++</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*St Lovo and *St Catherine
        no traces left, *provisional SOC in downtown restaurant</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Skabrnja</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Zadar</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 20</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">1&#146;953</font></p>
        </td>
        <td width="8%"><p align="justify"><b><font size="2" face="Verdana">1&#146;906</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">1</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*dynamited, heap of rubble
        left</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><b><font size="2" face="Verdana">Slunj</font></b></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">-</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 7</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">2&#146;026</font></p>
        </td>
        <td width="8%"><p align="justify"><b><font size="2" face="Verdana">1&#146;149</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">582</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">OK</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*interior OK with some
        small traces of vandalism (items on the floor)</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><b><font size="2" face="Verdana">Split</font></b></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">-</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 28</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">183&#146;388</font></p>
        </td>
        <td width="8%"><p align="justify"><b><font size="2" face="Verdana">164&#146;629</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">8&#146;492</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">no damage noted</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Smilcic</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Benkovac</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 21</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">641</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">192</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">439</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*CC no stone left on
        another</font></p>
        <p align="justify"><font size="2" face="Verdana">*SOC damage to windows
        and hole in the roof</font></p>
        </td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Topusko</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Vrginmost</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 6</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">1&#146;587</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">415</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">1&#146;014</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*heavy artillery damage,
        south wall and roof gone, rest crumbling</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Vrelo</font></p>
        <p align="justify"><font size="2" face="Verdana">-Korenicko</font></p>
        </td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Tit.-Kor.</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 8</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">165</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="7%"><p align="justify"><b><font size="2" face="Verdana">163</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">-</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">*WW II - structural
        damage, no windows</font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><font size="2" face="Verdana">Vrlika</font></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">Sinj</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 29</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">1&#146;134</font></p>
        </td>
        <td width="8%"><p align="justify"><b><font size="2" face="Verdana">958</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">233</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">+</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">OK</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">CC - recently fully
        renewed, exact damage unknown, roof and some upper walls,
        interior partly vandalised - beheaded sculptures </font></td>
    </tr>
    <tr>
        <td width="13%">
        <p align="justify"><b><font size="2" face="Verdana">Zadar</font></b></td>
        <td width="10%">
        <p align="justify"><font size="2" face="Verdana">-</font></td>
        <td width="5%">
        <p align="justify"><font size="2" face="Verdana">S 19</font></td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">76&#146;343</font></p>
        </td>
        <td width="8%"><p align="justify"><b><font size="2" face="Verdana">58&#146;534</font></b></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">10&#146;958</font></p>
        </td>
        <td width="7%"><p align="justify"><font size="2" face="Verdana">++</font></p>
        </td>
        <td width="8%"><p align="justify"><font size="2" face="Verdana">OK</font></p>
        </td>
        <td width="35%">
        <p align="justify"><font size="2" face="Verdana">enormous amount of
        reconstruction achieved, dome and public buildings in
        good shape, *concert hall still in ruins - structural
        problems. Guided tour by Prof R. Juric P.12.</font></p>
        <p align="justify"><font size="2" face="Verdana">SOC exterior OK, some spraying.</font></p>
        </td>
    </tr>
</table>

<p align="justify"><b><font size="2" face="Verdana">Comments on certain of the agglomerations
and sites visited</font></b></p>

<p align="justify"><b><font size="2" face="Verdana">PETRINJA</font></b></p>

<p align="justify"><font size="2" face="Verdana">A mainly Baroque town, formerly of nearly
19,000 inhabitants, its origin going back to 1240 AD, mixed
ethnic population, with a remarkable number of educational
institutions and a university.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Condition of the city</font></b><font size="2" face="Verdana">: most houses hard
hit and many demolished.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Damaged sites</font></b><font size="2" face="Verdana">: 2 Catholic churches
completely demolished, St Catherine and St Lovre (Laurenz) -
disappeared*, the Monument of Stjepan Radic blasted, the Serbian
Orthodox church damaged during Operation &quot;Storm&quot; as
there was military action around it: a Serb tank ran over a gas
bottle! Church not inspected. The Serbian Orthodox inventory and
archives apparently removed to the Serbian Orthodox authorities
in Zagreb.</font></p>

<p align="justify"><b><font size="2" face="Verdana">Other Information</font></b><font size="2" face="Verdana">: According to the
public relations officer of the town, Vladimir Demetrovic, 80% of
the material infrastructure was completely destroyed and so too
the economic infrastructure. So far some 2,000 people have come
back at the rate of a few families a day. Some nurseries, primary
and secondary school classes and university courses have
reopened.</font></p>

<p align="justify"><b><font size="2" face="Verdana">KNIN</font></b></p>

<p align="justify"><font size="2" face="Verdana">Upon arrival at Krka, the two police officers
on guard told the ECMM officer, that written permits for visiting
and photographing for each person had to be produced, signed by
the municipal police chief in Knin. This being the last visit
planned for that day, for lack of time and daylight the visit had
to be delayed to the way back to Zagreb. Because of this need for
permits, all available time in Knin had to be spent on getting
the police chief's permission to visit the Krka monastery under
his jurisdiction and regrettably no time was left to inspect any
Knin monuments.</font></p>

<p align="justify"><b><font size="2" face="Verdana">SPLIT</font></b></p>

<p align="justify"><font size="2" face="Verdana">The meeting with Madame Z. Stanicic was the
only occasion to really address practical conservation problems.
One topic was the present difficulty of surveying churches in the
hinterland. She informed the consultant that the large Orthodox
churches in Drnis, Knin and Vrlikahad had been locked by the
Serbs before leaving, with no information left about the keys.
She had visited the convent sites on 9 August 1995 and the
Monasteries of Krupa and Krka had both been carefully emptied
prior to the departure of the monks. </font></p>

<p align="justify"><font size="2" face="Verdana">The main problems with moveable heritage items
stem from the bad climatic condition in evacuation sites: too
much humidity, mould and insect infestation. No material and
support had been received from outside, conservation had to be
done with the means available. A particular problem in Split
concerned the paintings on stone support where there were major
adhesion problems. The consultant promised to contact the Icom
Conservation Committee.</font></p>

<p align="justify"><font size="2" face="Verdana">Some problems were due to the reorganisation of
SAPH; with its newly centralised structure problems were emerging
over responsibility and competence for the different branches.</font></p>

<p align="justify"><font size="2" face="Verdana">Mrs Stanicic recalled that as a consequence of
the 1987 earthquake all churches had been in good shape and
freshly restored. </font></p>

<p align="justify"><b><font size="2" face="Verdana">CEMETERIES</font></b></p>

<p align="justify"><font size="2" face="Verdana">All along the way cemeteries of both
confessions, separate or at the same site have been seen, partly
close to churches, partly out in the country along the road.
There was very little sign of vandalism and most of the ones the
consultant saw seemed untouched. Exceptions with some signs of
damage are S17, S22 and S30. </font></p>

<hr size="1" width="50%" align="justify">

<p align="justify"><b><font size="2" face="Verdana">Appendix 2 Map</font></b></p>

<hr size="1" width="50%" align="justify">

<p align="justify"><a name="Appendix 3 Bibliography"><b><font size="2" face="Verdana">Appendix 3
Bibliography</font></b></a></p>

<p align="justify"><b><font size="2" face="Verdana">P - Publications</font></b></p>

<blockquote>
    <blockquote>
        <p align="justify"><font size="2" face="Verdana">P1- &quot;CHURCH&quot;, Calendar of the
        Serbian Orthodox Patriarchate for 1986, Belgrade 1985:
        the list of the eparches of the Serbian Orthodox Church;
        Croatian Government publications</font></p>
        <p align="justify"><font size="2" face="Verdana">P2- &quot;POPIS, stanonistva
        1991&quot;, the results of the census 1991 for Croatian
        territories, Zagreb 1992</font></p>
        <p align="justify"><font size="2" face="Verdana">P3- &quot;Museums and Galleries of
        Croatia&quot;, MDC, Handbook of cultural affairs No 7,
        Zagreb 1993</font></p>
        <p align="justify"><font size="2" face="Verdana">P4- &quot;Atlas of the Republic of
        Croatia and of the Republic of Bosnia and
        Herzegovina&quot;, Zagreb 1993</font></p>
        <p align="justify"><font size="2" face="Verdana">P5- Guide Bleu, &quot;Yugoslavie&quot;,
        Paris 1988</font></p>
        <p align="justify"><font size="2" face="Verdana">P6- Zarko Domljan, e.a.
        &quot;Enciklopedija Hrvatske Umjetnosti&quot;, Vol 1
        (A-N), Zagreb 1995</font></p>
        <p align="justify"><font size="2" face="Verdana">P7- Ivivca Golec, &quot;Povijest grada
        Pertrinje&quot;, Zagreb 1993</font></p>
        <p align="justify"><font size="2" face="Verdana">P8- &quot;Icon painting of the Knin
        &quot;Krajina&quot;&quot;, Exhibition Catalogue, National
        Museum, Belgrade, 1995</font></p>
        <p align="justify"><font size="2" face="Verdana">P9- Laurent Joffrin, &quot;Yougoslavie,
        suicide d'une nation&quot;, Paris, November 1995</font></p>
        <p align="justify"><font size="2" face="Verdana">P10- NZZ-Folio No 9, &quot;Der Krieg
        auf dem Balkan&quot;, Z�rich, September 1992</font></p>
        <p align="justify"><font size="2" face="Verdana">P11- Slobodan Mileusnic,
        &quot;Spiritual Genocide 1991-1993&quot;, Belgrade, 1994</font></p>
        <p align="justify"><font size="2" face="Verdana">P12- Eduard Sprljan, Pavusa Vezic
        (ed.), &quot;The years of suffering, Zadar 1991 -
        1994&quot;, Zadar, 1995</font></p>
    </blockquote>
</blockquote>

<p align="justify"><b><font size="2" face="Verdana">R - Official reports</font></b></p>

<p align="justify"><font size="2" face="Verdana">Council of Europe, Parliamentary Assembly </font></p>

<blockquote>
    <blockquote>
        <p align="justify"><font size="2" face="Verdana">R1- &quot;Information reports on war
        damage to the cultural heritage in Croatia and
        Bosnia-Herzegovina&quot;, presented by the Committee on
        Culture and Education, in particular #5, 1994 &amp; #7,
        1995</font></p>
        <p align="justify"><font size="2" face="Verdana">R2- &quot;The cultural Heritage of
        Croatia&quot;, Sub-Committee on the Architectural and
        Artistic Heritage, June 1992</font></p>
        <p align="justify"><font size="2" face="Verdana">R3- &quot;The situation of the cultural
        heritage in Croatia&quot; report and letter from Dr Zarko
        Domljan, Head of the Croatian Special Guest Delegation,
        October 1995 [referred to here as the Domljan report]</font></p>
    </blockquote>
</blockquote>

<p align="justify"><font size="2" face="Verdana">Other</font></p>

<blockquote>
    <blockquote>
        <p align="justify"><font size="2" face="Verdana">R4- European Community Monitoring
        Mission, Humanitarian section, &quot;Cultural heritage
        reports&quot;, Zagreb: No 1 (Dec. 1994), No 2 (April
        1995), No 3 (July 1995)</font></p>
        <p align="justify"><font size="2" face="Verdana">R5- SAPH &quot;Der Zustand der
        kroatischen sakralen Kulturdenkm�ler auf den infolge der
        milit�rischen Aktion 'Sturm' befreiten Gebieten&quot;
        (preliminary Version), Zagreb, September 1995 - yet not
        published</font></p>
        <p align="justify"><font size="2" face="Verdana">R6- SAPH &quot;War damage to Croatian
        cultural and natural heritage&quot; (interim report),
        Zagreb, October 1995 </font></p>
        <p align="justify"><font size="2" face="Verdana">R7- Branca Sulc, MDC, Zagreb &quot;Art
        theft in periods of the Republic of Croatia&quot;,
        manuscript, October 1995 presented at the &quot;Art
        theft&quot; conference, London, November 1995</font></p>
        <p align="justify"><font size="2" face="Verdana">R8- Branca Sulc &quot;The register of
        museums and galleries on the occupied territories of the
        Republic of Croatia ... with an additional report from
        the liberated part&quot;, manuscript, August 1995</font></p>
        <p align="justify"><font size="2" face="Verdana">R9- Marco Omcikus, a.o. for the Society
        of Art Historians of Serbia, &quot;A comparative analysis
        of the reports on the damage to Orthodox temples on the
        territories affected by armed conflict in the 1991-1995
        period&quot;, November 1995</font></p>
    </blockquote>
</blockquote>

<p align="justify"><b><font size="2" face="Verdana">D - Unpublished documents </font></b> </p>

<blockquote>
    <blockquote>
        <p align="justify"><font size="2" face="Verdana">D1- Letter of the Holy Archdiocese
        Synod of the Serbian Orthodox Church to the President of
        the Synod, with copy to the Metropolitan Jovan of
        Zagreb-Ljubljana</font></p>
        <p align="justify"><font size="2" face="Verdana">D2- Institute for the restoration of
        works of art, Zagreb, Record of the &quot;Inspection and
        classification of the inventory of Orthodox religious
        buildings in the area of the Glina municipality after the
        military-Police action 'Storm'&quot; (in preparation of
        its transfer to the Gomirje monastery: note consultant),
        corrected and supplemented version with spaces for
        signatures of</font></p>
    </blockquote>
</blockquote>

<blockquote>
    <blockquote>
        <ul>
            <li>
            <p align="justify"><font size="2" face="Verdana">Dr Stanka Domic, SAPH</font></li>
            <li>
            <p align="justify"><font size="2" face="Verdana">Father Makarije Mandic, Gomirje
                monastery</font></li>
            <li>
            <p align="justify"><font size="2" face="Verdana">Mr Zadko Bielen, Institute for
                Restoration Zagreb, 15 November 1995</font></li>
        </ul>
    </blockquote>
</blockquote>

<blockquote>
    <blockquote>
        <p align="justify"><font size="2" face="Verdana">D3- Branca Sulc, MDC, &quot;Report from
        the meeting on the application of the Hague Convention in
        the context of the Unesco project <i>Vukovar -
        preservation of cultural heritage</i>&quot;, Zagreb, 13
        October 1995. Summary translation from Croat by Matjaz
        Gruden, Committee on Culture and Education</font></p>
        <p align="justify"><font size="2" face="Verdana">D4- Branca Sulc &quot;Proposal of the
        program of cooperation betweeen Icom Committee for
        Conservation and MDC&quot;, 24 August 1995</font></p>
        <p align="justify"><font size="2" face="Verdana">D5- SAPH &quot;Notes from the talks
        held at SAPH with the Council of Europe envoy, Mr
        Hans-Christoph von Imhoff&quot; (on 6 and 11 December
        1995) Zagreb,1995</font></p>
    </blockquote>
</blockquote>
</blockquote>
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